Materials & Techniques: chine collé / Credit Line: Yale Center for British Art, Paul Mellon Collection / Collective Title: Cooke's Picturesque Views of the Southern Coast of England

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Materials & Techniques chine collé

Credit Line Yale Center for British Art, Paul Mellon Collection

Collective Title Cooke's Picturesque Views of the Southern Coast of England

Print made by William Bernard Cooke, 1778–1855

Weymouth, Dorset

1813

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814

Print made by George Cooke, 1781–1834

Tintagel Castle, Cornwall

1818

Print made by George Cooke, 1781–1834

Watchet, Somersetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1814

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by George Cooke, 1781–1834

Land's End, Cornwall

1814-1826

Print made by William Miller, 1796–1882

Plymouth Dock, from Mount Edgecumbe

1820

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Plymouth, with Mount Batten

1817

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855

Ilfracombe, North Devon

1818

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by William Bernard Cooke, 1778–1855

The Mew Stone. Entrance of Plymouth Sound

1815

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