Materials & Techniques: etching (printing process) and line engraving / Author ss: after Joseph Mallord William Turner, 1775–1851, British / Exhibition History: Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)

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Materials & Techniques etching (printing process)

Materials & Techniques line engraving

Author ss after Joseph Mallord William Turner, 1775–1851, British

Exhibition History Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)

Print made by George Cooke, 1781–1834

Teignmouth, Devon

1815

Print made by Robert Wallis, 1794–1878

Banditti

1830

Print made by Robert Wallis, 1794–1878

Ramsgate

1814 to 1826

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

ca. 1827

Print made by John Cousen, 1804–1880

The Acropolis of Athens

1832-1834

Print made by George Cooke, 1781–1834

Lulworth Castle, Dorsetshire

1820

Print made by William Bernard Cooke, 1778–1855

Margate

1823

Print made by William Bernard Cooke, 1778–1855

The Vale of Ashburnham

1816

Print made by John Byrne, 1786–1847

Rome from Monte Mario

1820

Engraved by Henry Le Keux, 1787–1868

High Street, Edinburgh

1819

Print made by W. R. Smith, active 1819–1851

Rosslyn Castle

ca. 1822

Print made by William Miller, 1796–1882

Bass Rock

1826

Etched by Samuel Middiman, ca. 1750–1831

High Street, Oxford

1812

Print made by James C. Allen, active 1821–1831

St. Mawes, Cornwall

1814 to 1826

Print made by James C. Allen, active 1821–1831

St. Mawes, Cornwall

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Dartmoor; Source of the Tamar and the Torridge

1816

Print made by William Miller, 1796–1882

The Dead Eagle - Oran

1837

Print made by Edward Goodall, 1795–1870

Venice (vignettes)

1830

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by William Miller, 1796–1882

The Dead Eagle - Oran (Vignette)

1837

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by Edward Goodall, 1795–1870

The Campagna of Rome

1830

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge, Surrey

1832

Print made by Robert Wallis, 1794–1878

Banditti (vignette)

1830

Print made by W. R. Smith, active 1819–1851

Hannibal passing the Alps (vignette)

1830

Print made by W. R. Smith, active 1819–1851

Hannibal passing the Alps (vignette)

1830

Print made by Edward Goodall, 1795–1870

Tivoli, a Composition

1827

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by James T. Willmore, 1800–1863

Mercury and Argus

1841

Print made by James T. Willmore, 1800–1863

Ancient Italy - Ovid Banished from Rome

1842

Print made by James T. Willmore, 1800–1863

Ancient Italy - Ovid Banished from Rome

1842

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by Edward Goodall, 1795–1870

Fingal's Cave, Staffa

1833

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. II

1834

Print made by Thomas Abiel Prior, 1809–1886

Heidelberg from the Opposite bank of the Neckar

1846

Print made by Robert Wallis, 1794–1878

Hastings

1851

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