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Materials & Techniques etching (printing process)

Remove constraint Materials & Techniques: etching (printing process)

Materials & Techniques wove paper

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Credit Line Yale Center for British Art, Paul Mellon Fund

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Genre literary theme

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Image Use Free to Use

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Henry William Bunbury Pistol eating Fluellen's Leak - "Henry V"
Print made by Henry William Bunbury, 1750–1811
Pistol eating Fluellen's Leak - "Henry V"
between 1811 and 1815
George Cruikshank Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
Print made by George Cruikshank, 1792–1878
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
after 1857
George Cruikshank London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
Print made by George Cruikshank, 1792–1878
London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
after 1857
Francesco Bartolozzi The Cottagers
Print made by Francesco Bartolozzi, 1728–1815
The Cottagers
1794
Charles Ansell Hamlet
Print made by Charles Ansell, ca.1752–active 1790
Hamlet
1809
unknown artist The Young Roscius
Print made by unknown artist
The Young Roscius
1804
Cornelis Apostool Here Nature List'ning Stood
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
George Cruikshank Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
Print made by George Cruikshank, 1792–1878
Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
after 1857
George Cruikshank London. A Street: 'Henry IV Part II,' Act II, Scene I
Print made by George Cruikshank, 1792–1878
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
Augustus Fox The Dreams of the Youthful Shakespeare
Print made by Augustus Fox, 1800–1876
The Dreams of the Youthful Shakespeare
1827
Andreas Geiger Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
Andreas Geiger, 1765–1856
Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
undated
James Heath "Hubert, let me not be bound!"
James Heath, 1757–1834
"Hubert, let me not be bound!"
1802
Georg Goldberg "Antony and Cleopatra," Act III, Scene XI
Georg Goldberg, 1830–1894
"Antony and Cleopatra," Act III, Scene XI
undated
James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
James Heath "Then go, bid the huntsmen wake them with their horns"
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
William Heath Opera Reminiscences: Desdemona and Othello
Print made by William Heath, 1795–1840
Opera Reminiscences: Desdemona and Othello
1829
James Heath "Mark your divorce young sir, whom son I dare not call"
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
William Heath Opera Reminiscences: Desdemona and Otello
Print made by William Heath, 1795–1840
Opera Reminiscences: Desdemona and Otello
1829
James Heath "This is fairy gold, boy, and will prove so"
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804