Materials & Techniques: etching (printing process) / Subject Terms: fences and church

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Materials & Techniques etching (printing process)

Subject Terms fences

Subject Terms church

Print made by Bradshaw & Blacklock, active ca.1850

Eight colour prints

after 1850

Print made by William Angus, 1752–1821

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

Print made by John Robert Cozens, 1752–1797

The City of Bath taken from the London Road

1773

Print made by William Angus, 1752–1821

Witley Court in Worcestershire, the Seat of Lord Foley

1810

Print made by Frederick Landseer Maur Griggs, 1876–1938

Sutton

1912

Print made by Robert Sargent Austin, 1895–1973

The Plough

1922

Print made by Robert Sargent Austin, 1895–1973

The Angelus

1922

William Ellis, 1747–1810

Beddington

1792

Print made by George Cooke, 1781–1834

Tooting Church

1827

Edward Francis Finden, 1791–1857

View of Lichfield, The Birth Place of Dr. Samuel Johnson

1835

Bradshaw & Blacklock, active ca.1850

Tintern Abbey

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Rural Scenes

after 1850

Print made by Robert Sargent Austin, 1895–1973

Zoutelande

1929

Print made by Thomas Bonnor, ca. 1740–ca. 1812

St. Martin's Church Westminster

1810

Heneage Finch fourth Earl of Aylesford, 1751–1812

Maxstoke Priory

undated

Print made by Louis de Fontaine, active 1723–1757

Wandering Musicians

undated

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