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Materials & Techniques gouache

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William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
George Augustus Sala Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
George Augustus Sala, 1828–1895
Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
undated
Richard Parkes Bonington Portia and Bassanio
Richard Parkes Bonington, 1802–1828
Portia and Bassanio
ca. 1826
Robert Smirke Virgilia and Volumnia Plead with Coriolanus
Robert Smirke, 1752–1845
Virgilia and Volumnia Plead with Coriolanus
ca. 1795
Robert Smirke Lady Jane Grey
Robert Smirke, 1752–1845
Lady Jane Grey
undated
Robert Smirke Study of a Soldier Attacking a Woman
Robert Smirke, 1752–1845
Study of a Soldier Attacking a Woman
undated
Robert Smirke Scene from Don Quixote
Robert Smirke, 1752–1845
Scene from Don Quixote
undated
Robert Smirke Stephano and Trinculo with Caliban
Robert Smirke, 1752–1845
Stephano and Trinculo with Caliban
1821
John Michael Rysbrack Illustration to the Iliad
John Michael Rysbrack, 1694–1770
Illustration to the Iliad
between 1760 and 1769
Robert Smirke Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
Robert Smirke, 1752–1845
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
William Hamilton Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
William Hamilton, 1751–1801
Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
undated
Theodor von Holst Ferdinand Riding the Waves
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
Sir John Gilbert Apotheosis of Shakespeare's Characters
Sir John Gilbert, 1817–1897
Apotheosis of Shakespeare's Characters
1871
Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
Thomas Grieve Design for Midsummer Night's Dream
Thomas Grieve, 1799–1882
Design for Midsummer Night's Dream
undated
Thomas Grieve Design for Love's Labour's Lost
Thomas Grieve, 1799–1882
Design for Love's Labour's Lost
1839
George Cattermole Scene of Three Witches from Shakespeare's Macbeth
George Cattermole, 1800–1868
Scene of Three Witches from Shakespeare's Macbeth
1840
George Fennell Robson Macbeth and Banquo on the Heath
George Fennell Robson, 1788–1833
Macbeth and Banquo on the Heath
ca. 1830
unknown artist The Death of Cordelia
unknown artist
The Death of Cordelia
undated
unknown artist Lear in the Storm
unknown artist
Lear in the Storm
undated
Henry William Bunbury Launce Teaching His Dog Crab
Henry William Bunbury, 1750–1811
Launce Teaching His Dog Crab
undated
Henry William Bunbury Falstaff Carrying Dead Hotspur
Henry William Bunbury, 1750–1811
Falstaff Carrying Dead Hotspur
undated
George Fennell Robson The Murder of Banquo
George Fennell Robson, 1788–1833
The Murder of Banquo
ca. 1830
Ford Madox Brown The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave
Ford Madox Brown, 1821–1893
The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave
1858
William Young Ottley Prospero Summoning Ariel
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
Keith Vaughan Je Dus Voyager
Keith Vaughan, 1912–1977
Je Dus Voyager
1949
Henry Thomas Alken An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
Frederic Leighton The Reconciliation of the Montagues and the Capulets
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
John Downman John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
Mary Hoare Prospero and Miranda
Mary Hoare, 1744–1820
Prospero and Miranda
1781
Mary Hoare Ophelia's Death
Mary Hoare, 1744–1820
Ophelia's Death
ca. 1781
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
Richard Westall Alcibiades and Timon
Richard Westall, 1765–1836
Alcibiades and Timon
ca. 1805
Mary Hoare Lady Macbeth, Sleepwalking
Mary Hoare, 1744–1820
Lady Macbeth, Sleepwalking
1781
Joseph Michael Gandy A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
Richard Westall Theatrical Figures About a Throne
Richard Westall, 1765–1836
Theatrical Figures About a Throne
undated
unknown artist Fluellen Forcing Pistol to Eat His Leek
unknown artist
Fluellen Forcing Pistol to Eat His Leek
undated