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Materials & Techniques graphite
Remove constraint Materials & Techniques: graphiteCredit Line Yale Center for British Art, Paul Mellon Fund
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1
- Design for Omega Workshops Fabric
- 1913
2
- Chepstow Castle on the Wye
- undated
3
- Oberon and Titania
- 1837
4
- A Classical City
- undated
5
- Male Nude
- 1808
6
- Windsor
- ca. 1798
7
- Figure Composition Study 9
- undated
8
- Male Head 1
- undated
9
- Figure Composition Study 11
- undated
10
- Figure Composition Study 12
- undated
11
- Study of a Horse's Hooves
- undated
12
- Figure Composition Study 14
- undated
13
- Figure Composition Study 16
- undated
14
- Male Head 2
- undated
15
- Figure Composition Study 35
- undated
16
- Figure Composition Study 36
- undated
17
- Figure Composition Study 37
- undated
18
- Figure Composition Study 40
- undated
19
- Study of Two Seated Figures
- undated
20
- Study of a Standing Figure
- undated
21
- Figure Study 4
- undated
22
- Figure Composition Study 46
- undated
23
- Figure Composition Study 49
- undated
24
- Study of Leaves 2
- undated
25
- Figure Composition Study 34
- undated
26
- Study of Three Women
- undated
27
- Female Figure
- undated
28
- Figure Composition Study 50
- undated
29
- Figure Composition Study 3
- undated
30
- Figure Composition Study 4
- 1793
31
- Figure Composition Study 5
- undated
32
- Figure Composition Study 6
- undated
33
- Figure Composition Study 7
- undated
34
- Figure Composition Study 13
- undated
35
- Figure Composition Study 17
- undated
36
- Figure Composition Study 20
- undated
37
- Figure Study 2
- undated
38
- Figure Composition Study 22
- undated
39
- Figure Composition Study 23
- undated
40
- Figure Composition Study 24
- undated
41
- Landscape
- undated
42
- Leaves 1
- undated
43
- Study of a Cow
- undated
44
- Figure Composition Study 27
- undated
45
- Figure Study 3
- undated
46
- Figure Composition Study 28
- undated
47
- Figure Composition Study 29
- undated
48
- Figure Composition Study 30
- undated
49
- Figure Composition Study 31
- undated
50
- Figure Composition Study 32
- undated
51
- Figure Composition Study 33
- undated
52
- Figure Composition Study 41
- undated
53
- Figure Composition Study 47
- undated
54
- Figure Composition Study 50
- undated
55
- Study of a Seated Woman
- undated
56
- Figure Composition Study 1
- 1794
57
- Figure Study 1
- undated
58
- Figure Study 7
- undated
59
- Figure Composition Study 2
- undated
60
- Figure Composition Study 8
- undated
61
- Figure Study 9
- undated
62
- Figure Composition Study 21 with a Face
- undated
63
- Figure Composition Study 26
- undated
64
- Study of a Male Figure
- undated
65
- Figure Composition Study 38
- undated
66
- Figure Composition Study 39
- undated
67
- Figure Composition Study 42
- undated
68
- Figure Composition Study 43
- undated
69
- Figure Composition Study 44
- undated
70
- Figure Composition Study 45
- undated
71
- Figure Composition Study 48
- 1793
72
- Figure Study of a Woman
- undated
73
- Composition of Two Figures
- undated
74
- Figure Study Eleven
- undated
75
- Figure Study Twelve
- undated
76
- Figure Study Thirteen
- undated
77
- Figure Study 5
- undated
78
- Figure Study 6
- undated
79
- Manuscript Notes
- 1773
80
- Manuscript Notes
- 1773
81
- Manuscript Notes
- 1773
82
- Manuscript Notes
- 1773
83
- Manuscript Notes
- 1773
84
- Manuscript Notes
- 1773
85
- Manuscript Notes
- 1773
86
- Manuscript Notes
- 1773
87
- Manuscript Notes
- 1773
88
- Manuscript Notes
- 1773
89
- Manuscript Notes
- 1773
90
- The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
- 1805 to 1808
91
- Copy of the Laocoön, for Rees's Cyclopædia
- 1815
92
- Woman Holding Dog
- undated
93
- Study for a Sculptural Column
- between 1910 and 1915
94
- Two Dancing Figures and Five Studies for a Mother and Child Grouping
- between 1910 and 1915
95
- Five Studies for a Sculpture
- between 1910 and 1915
96
- Man Standing
- undated
97
- Two Sketches of Woman
- undated
98
- Man and Woman
- undated
99
- Bearded Man Seated
- undated
100
- Woman in Long Dress
- undated