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Materials & Techniques graphite

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The Herdsman's Cottage
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1850
Materials & Techniques:
Etching and drypoint retouched with graphite on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 3/4 x 8 9/16 inches (29.9 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Julienne's Chapel
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving and graphite, engraver's proof (touched) on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/2 × 12 1/4 inches (44.5 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving with graphite; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 × 27 1/8 inches (50.8 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving with graphite and white chalk; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Herstmonceux Castle, Sussex
Creator:
William Tombleson, ca.1795–1835
Date:
undated
Materials & Techniques:
Engraving, (verso) graphite on smooth, medium, cream wove paper
Dimensions:
Sheet: 5 3/4 × 3 7/8 inches (14.6 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Herstmonceux Castle, Sussex Pl. 4
Creator:
Sparrow, active 1773–1787
Date:
undated
Materials & Techniques:
Engraving, with graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 6 5/16 × 10 inches (16 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of ground floor of Herstmonceux Castle
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving, with graphite on smooth, thin, cream wove paper
Dimensions:
Sheet: 8 5/8 × 5 1/2 inches (21.9 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Southwest view of Hertsmonceux Castle in the County of Sussex
Creator:
Samuel Buck, 1696–1779
Date:
1737
Materials & Techniques:
Engraving with graphite on slightly textured, medium, cream laid paper
Dimensions:
Sheet: 10 5/8 × 16 3/4 inches (27 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Herstmonceux Castle, Interior of Porter's Lodge and Gateway Tower
Creator:
William Henry Brooke, 1772–1860
Date:
undated
Materials & Techniques:
Engraving on smooth, medium, cream wove paper
Dimensions:
Sheet: 8 5/8 × 5 5/8 inches (21.9 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Herstmonceux Castle for the history and description of the Sussex Coast
Creator:
Charles John Smith, 1803–1838
Date:
undated
Materials & Techniques:
Engraving, with graphite on smooth, medium, beige wove paper
Dimensions:
Sheet: 9 × 7 1/8 inches (22.9 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Herstmonceux Castle, Sussex
Creator:
John Greig, active 1803–1853
Date:
1815
Materials & Techniques:
Engraving, with graphite on smooth, medium, cream wove paper
Dimensions:
Sheet: 3 3/4 × 6 1/4 inches (9.5 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Studies, with Gardens, Possibly for a Talman Family House
Creator:
Verso by John Talman, 1677–1726
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, and red chalk; verso: line engraving on thick, textured, cream wove paper
Dimensions:
Sheet: 22 3/4 x 17 1/2 inches (57.8 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Temple of Aphaia at Aegina: Elevations
Creator:
Edmund Turrell, active 1835–1860
Date:
undated
Materials & Techniques:
Line engraving with graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 18 inches (30.5 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Merrick Abbey, Swaledale
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1822
Materials & Techniques:
Line engraving, etching and graphite, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 11 13/16 inches (21.7 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching with graphite corrections on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/16 x 20 3/4 inches (21.4 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont St. Michel, Taken from Pont Neuf
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching, first engraver's proof, touched in graphite by the artist on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 x 16 1/2 inches (22.7 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
[One from] A Volume of Drawings and Prints
Creator:
Rev. James Bulwer, 1794–1879
Date:
1837
Materials & Techniques:
Etching on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 13 1/2 × 17 inches (34.3 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
Creator:
unknown artist
Date:
printed 1740, drawn ca. 1760
Materials & Techniques:
Line engraving marked with pen and black ink, blue wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 15/16 × 28 3/4 inches (53.2 × 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1828
Materials & Techniques:
Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 20 13/16 × 26 7/8 inches (52.9 × 68.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Banqueting House, Whitehall
Creator:
Thomas Malton the Younger, 1748–1804
Date:
undated
Materials & Techniques:
Watercolor over etched outline, and graphite; verso: pen and black ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 3/8 × 15 3/4 inches (31.4 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the North Front of Chelsea Hospital
Creator:
Thomas Malton, 1726–1801
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, etched outline, with perspective lines indicated; prepared for transfer, with black chalk, on verso on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/16 × 12 inches (20.8 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
Creator:
Print made by Charles Grignion, 1717–1810
Date:
undated
Materials & Techniques:
Engraving with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/16 × 7 1/2 inches (11 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Painted Chamber, Westminster
Creator:
Print made by John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Line engraving marked with graphite on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Exterior of Painted Chamber, North View
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Line engraving and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 3 1/2 inches (11.1 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North East View of Henry VII Chapel Westminster
Creator:
Print made by unknown artist
Date:
ca. 1813
Materials & Techniques:
Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Line engraving and graphite; touched proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Plate: 6 x 8 7/8in. (15.2 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No. 5 from The Group
Creator:
Print made by Ibrahim El-Salahi, born 1930
Date:
2016
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 7/16 × 11 1/8 inches (34.2 × 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, John F. O'Brien Fund
The Temple of Aphaia at Aegina: Sections
Creator:
Edmund Turrell, active 1835–1860
Date:
1860
Materials & Techniques:
Etching with collaged graphite additions on slightly textured, moderately thick, cream wove paper with drawings in graphite on attached wove paper
Dimensions:
Sheet: 12 1/8 × 18 3/8 inches (30.8 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Temple of Venus in the Port at Aegina: Elevations
Creator:
Charles Robert Cockerell, 1788–1863
Date:
1811
Materials & Techniques:
Etching, proof with graphite notations on smooth, thin, white wove paper
Dimensions:
Sheet: 18 3/8 × 11 5/8 inches (46.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View with Figures in a Classical Landscape with Ruins
Creator:
Jean B. C. Chatelain, 1710–1771
Date:
undated
Materials & Techniques:
Etching counterproof with graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund