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Materials & Techniques line engraving

Remove constraint Materials & Techniques: line engraving

On-site Access Accessible by appointment in the Study Room

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Period 18th century

Remove constraint Period: 18th century

Genre religious and mythological subject

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Search Results

1. Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Regatta Ball at Ranelagh

Regatta Ball at Ranelagh
Creator:
Giovanni Battista Cipriani, 1727–1785
Date:
1775
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Isaac Watts

Isaac Watts
Creator:
Simon François Ravenet, 1706–1774
Date:
undated
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 9 1/8 × 6 11/16 inches (23.2 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Vignette: Monk Giving Letter to a Pregnant Woman in a Cell

Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Diana Preparing for the Hunt

Diana Preparing for the Hunt
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1781
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Abraham Entertaining Three Angels, Genesis 18, v. 1

Abraham Entertaining Three Angels, Genesis 18, v. 1
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. S. Pietro Regalato

S. Pietro Regalato
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1746
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Title page: Depicting Cupid, Venus, and Juno

Title page: Depicting Cupid, Venus, and Juno
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Roman General Julius Caesar Dedicating the Temple of Venus Genetrix in the Forum of Caesar, Rome, 46BC

Roman General Julius Caesar Dedicating the Temple of Venus Genetrix in the Forum of Caesar, Rome, 46BC
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Polyhemus, Playing The Panpipes For Galatea

Polyhemus, Playing The Panpipes For Galatea
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1783
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Venus Standing By the Sea, Two Cupids Carry Masks

Venus Standing By the Sea, Two Cupids Carry Masks
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1776
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Apollo Playing To The Muses And Two Cupids

Apollo Playing To The Muses And Two Cupids
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1793
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Concert Ticket: Benefit Night of Luigi Borghi

Concert Ticket: Benefit Night of Luigi Borghi
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Jacob's Vision, Genesis 28, v. II

Jacob's Vision, Genesis 28, v. II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Angel Carrying Two Babies And Flying Over Sleeping Cattle

Angel Carrying Two Babies And Flying Over Sleeping Cattle
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1764
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Henri: Chnchele Ffundator

Henri: Chnchele Ffundator
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1772
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Dr. Isaac Watts

Dr. Isaac Watts
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1779
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Neptune And Galatea Riding In A Shell, Driven By Dolphins

Neptune And Galatea Riding In A Shell, Driven By Dolphins
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1787
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. A Student Conducted to Minerva

A Student Conducted to Minerva
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1775
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Madona and Child

Madona and Child
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1769
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. LVI - The Presentation of Jesus in the Temple

LVI - The Presentation of Jesus in the Temple
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Flight Into Egypt

Flight Into Egypt
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving, stipple engraving, mezzotint, and etching, with brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. The Crucifixion

The Crucifixion
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. The Annunciation

The Annunciation
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Ester Accusing Haman

Ester Accusing Haman
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1793
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. The Departure of Hagar

The Departure of Hagar
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Filius Et Genitrix Sibi Dulciter Oscula Miscent: Utrum Tu, Possit, Dulcius Esse, Pete

Filius Et Genitrix Sibi Dulciter Oscula Miscent: Utrum Tu, Possit, Dulcius Esse, Pete
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Holy Family

Holy Family
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1798
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Virgin Kneeling on Floor With Christ and John the Baptist Reading a Book

Virgin Kneeling on Floor With Christ and John the Baptist Reading a Book
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Virgin and Child and Tobias and the Archangel Raphael

Virgin and Child and Tobias and the Archangel Raphael
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving, stipple engraving and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. The Flight Into Egypt

The Flight Into Egypt
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1790
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Tityus' Liver being Attacked by Vulture

Tityus' Liver being Attacked by Vulture
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Justina of Padua

Justina of Padua
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. S. Joannis Nepomuceni Martyris

S. Joannis Nepomuceni Martyris
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. The Nativity

The Nativity
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving, stipple engraving, mezzotint, and etching, with brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Raising of Lazarus

Raising of Lazarus
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving, stipple engraving, mezzotint, and etching, with brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. The Adoration of the Shepherds

The Adoration of the Shepherds
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving, stipple engraving, mezzotint, and etching, with brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. The Adoration of the Shepherds

The Adoration of the Shepherds
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving, stipple engraving, mezzotint, and etching, with brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Adoration of the Magi

Adoration of the Magi
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving, stipple engraving, mezzotint, and etching, with brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. The Annunciation

The Annunciation
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. The Adoration of the Shepherds

The Adoration of the Shepherds
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Adam and Eve in Paradise

Adam and Eve in Paradise
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1790
Materials & Techniques:
Stipple engraving, line engraving and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. The Resurrection

The Resurrection
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Ahijah, Foretelling To the Wife of Jeroboam, Of The Death Of Their Son, Abijah

Ahijah, Foretelling To the Wife of Jeroboam, Of The Death Of Their Son, Abijah
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Adoratio Reg. Magorum

Adoratio Reg. Magorum
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Ecce Ancilla Domini

Ecce Ancilla Domini
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Presentatio B.M.V. ad Templum

Presentatio B.M.V. ad Templum
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Adoratio Pastorum

Adoratio Pastorum
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Matthew, Mark, Luke, and John the Evangelist

Matthew, Mark, Luke, and John the Evangelist
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Cherubim and Seraphim

Cherubim and Seraphim
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving and stipple engraving and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Vignette with Cherubs carrying a Crozier, a Staff, and a Tablet: Woman carries Chalice and holds a Bishop's mitre above a Coat of Arms

Vignette with Cherubs carrying a Crozier, a Staff, and a Tablet: Woman carries Chalice and holds a Bishop's mitre above a Coat of Arms
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1784
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Fruiunentum electorum, et vinum germinans virgines Zach. 9. 17.

Fruiunentum electorum, et vinum germinans virgines Zach. 9. 17.
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving, stipple engraving and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V

My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Woman carrying Chalice and Crucifix surrounded by Cherubim, Cherubs, and Angels

Woman carrying Chalice and Crucifix surrounded by Cherubim, Cherubs, and Angels
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Atalanta and Hippomanes

Atalanta and Hippomanes
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1763
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Narcissus

Narcissus
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1763
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. The Rape of Cephalus By Aurora

The Rape of Cephalus By Aurora
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1776
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Clytie

Clytie
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1772
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Diana, The Huntress

Diana, The Huntress
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1783
Materials & Techniques:
Line and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Diana, The Huntress

Diana, The Huntress
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1763
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection