Materials & Techniques: line engraving / Period: 19th century / Genre: architectural subject and landscape / Subject Terms: church and landscape (representation)

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Materials & Techniques line engraving

Period 19th century

Genre architectural subject

Genre landscape

Subject Terms church

Subject Terms landscape (representation)

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by Samuel Rawle, 1771–1860

Brignall Church

1818-1823

Print made by John Pye, 1782–1874

Ehrenbreitstein

1828

Print made by John Pye, 1782–1874

Ehrenbreitstein

1828

Print made by John Pye, 1782–1874

Ehrenbreitstein

1828

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Print made by John Cousen, 1804–1880

Harfleur

1834

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1821

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by William Radclyffe, 1780–1855

Hornby Castle, from Tatham Church

1822

Print made by Edward Goodall, 1795–1870

Ehrenbreitstein (Vignette)

1837

Print made by Edward Goodall, 1795–1870

Ehrenbreitstein (Vignette)

1837

Print made by John Pye, 1782–1874

Ehrenbreitstein

1845

Print made by John Pye, 1782–1874

Ehrenbreitstein

1828

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1836

Print made by Edward Goodall, 1795–1870

Ehrenbreitstein (Vignette)

1837

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