A Cudgelling Match between English and French Negroes in the Island of Dominica
1779
107
Print made by Agostino Brunias, 1728–1796
A Negroes Dance in the Island of Dominica
1779
108
Print made by Louis Charles Ruotte, 1754–ca. 1806
The West India Flower Girl
undated
109
Print made by Isaac Cruikshank, 1764–1811
Young Ladies
1795
110
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
111
Francesco Bartolozzi, 1728–1815
Design For A Fan
1782
112
Niccoló Schiavonetti, 1771–1813
Rustic Benevolence
1804
113
Print made by William Henry Simmons, 1811–1882
The Return (First Class)
1857
114
Francesco Bartolozzi, 1728–1815
Title Page: Bartolozzi's Works
1796
115
Print made by Matthew Darly, active 1754–1778
Statue Hall or the Modern Register Office
1769
116
Francesco Bartolozzi, 1728–1815
Certificate Of The Royal Academy Of Arts Appointing Henry Perronet Briggs To Be An Associate, November 7, 1825
1825
117
Sir George Hayter, 1792–1871
Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape
1828
118
Francesco Bartolozzi, 1728–1815
The Rural Italian's Wedding
1775
119
Frederick James Havell, 1801–1840
The Stone Bow, Lincoln
1836
120
Francesco Bartolozzi, 1728–1815
La Mattina - The Morning
1760
121
Francesco Bartolozzi, 1728–1815
Hatred, Love, Moderation, Fury
1779
122
Francesco Bartolozzi, 1728–1815
Artemis, Riding Her Chariot, Driven By Two Golden Horned Deer
undated
123
Francesco Bartolozzi, 1728–1815
Meekness
1783
124
Francesco Bartolozzi, 1728–1815
Beauty
1783
125
Francesco Bartolozzi, 1728–1815
February
1793
126
Francesco Bartolozzi, 1728–1815
August
1793
127
Francesco Bartolozzi, 1728–1815
July
1789
128
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
129
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
130
Francesco Bartolozzi, 1728–1815
Memorial To The Children Of James And Mary Woodmason
1798
131
Francesco Bartolozzi, 1728–1815
...Tu Sola Animos, Mentemque Peruris Gloria, Te Viriden Violet, Immunemque Senectae
undated
132
Francesco Bartolozzi, 1728–1815
Young Girl With A Mouse On A String Teasing A Cat
1782
133
Francesco Bartolozzi, 1728–1815
Cherub Holding A Laurel Wreath
1793
134
Francesco Bartolozzi, 1728–1815
Two Putti, One Drawing The Other
undated
135
Francesco Bartolozzi, 1728–1815
Acer Amor Fractas Utinam Tua Tela Sagittas, Scilicet Extinctas Aspiciamque Faces
undated
136
Francesco Bartolozzi, 1728–1815
Cherub Whispering To Woman Holding Letter
1783
137
Francesco Bartolozzi, 1728–1815
Lady and Child
1767
138
Francesco Bartolozzi, 1728–1815
Tobias and the Angel
139
Francesco Bartolozzi, 1728–1815
Mother and Child
1768
140
Francesco Bartolozzi, 1728–1815
Conjugal Love
1786
141
Francesco Bartolozzi, 1728–1815
Angel holding a Feather escorting a Child
1787
142
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
143
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
144
Print made by Francesco Bartolozzi, 1728–1815
Hanover Square
1782
145
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
146
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
147
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
148
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
149
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
150
James Fittler, 1758–1835
Mail Coach
ca. 1787
151
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
152
Print made by Luigi Schiavonetti, 1765–1810
Milk below Maids
1793
153
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches a Penny Primroses, Two Bunches a Penny
1793
154
Print made by Anthony Cardon, 1772–1813
Do You Want Any Matches?
1794
155
Print made by Giovanni Vendramini, 1769–1839
Knives, Scissors, and Razors to Grind
1795
156
Print made by Niccoló Schiavonetti, 1771–1813
New Mackrel, New Mackrel
1795
157
Print made by Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China
1794
158
Print made by Anthony Cardon, 1772–1813
Round & Sound, Five Pence a Pound, Duke Cherries
1795
159
Print made by Giovanni Vendramini, 1769–1839
Fresh Gathered Peas, Young Hastings
1795
160
Print made by Giovanni Vendramini, 1769–1839
Strawberrys, Scarlet Strawberrys
1795
161
Print made by Giovanni Vendramini, 1769–1839
Old Chairs to Mend
1795
162
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Games at Vauxhall: Playing at Cricket
ca. 1743
163
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
1791
164
Francesco Bartolozzi, 1728–1815
Reapers
1790
165
Francesco Bartolozzi, 1728–1815
Peasants Going to Market
1802
166
Print made by Francesco Bartolozzi, 1728–1815
Morning
undated
167
Print made by E. J. Dumée, active 1790
The Discovery
1788
168
John Hassell, 1767–1825
View of Sion House from the Banks of the Thames
1799
169
Francesco Bartolozzi, 1728–1815
Bacchus on a Barrel
1796
170
Francesco Bartolozzi, 1728–1815
Cupid and Hymen
171
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
172
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
173
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
174
Francesco Bartolozzi, 1728–1815
Market of Love
1793
175
Francesco Bartolozzi, 1728–1815
The Judgement of Paris
1785
176
Print made by Francesco Bartolozzi, 1728–1815
Earth
1803
177
Francesco Bartolozzi, 1728–1815
George Frideric Handel
1784
178
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
179
Francesco Bartolozzi, 1728–1815
Meditation
1792
180
Francesco Bartolozzi, 1728–1815
Admiration
1792
181
Francesco Bartolozzi, 1728–1815
Vignette; Pulto With Tablet And Hermes's Staff
undated
182
Francesco Bartolozzi, 1728–1815
Astronomy
1793
183
Francesco Bartolozzi, 1728–1815
The Triumph of Beauty and Love
1783
184
Francesco Bartolozzi, 1728–1815
Avarice, Charity, Devotion, Sacrilege
1778
185
Francesco Bartolozzi, 1728–1815
Pulto Carrying Apples, Bride Leading Eros
c.1785
186
Francesco Bartolozzi, 1728–1815
Il Mezzo Giorno - The Mid Day
1760
187
Francesco Bartolozzi, 1728–1815
Contemplation
1791
188
Francesco Bartolozzi, 1728–1815
Mother And Child
1795
189
Francesco Bartolozzi, 1728–1815
September
1793
190
Francesco Bartolozzi, 1728–1815
March
1793
191
Francesco Bartolozzi, 1728–1815
June
1789
192
Francesco Bartolozzi, 1728–1815
October
1793
193
Francesco Bartolozzi, 1728–1815
Premio Della Virtu
1779
194
Francesco Bartolozzi, 1728–1815
Classical Scene Of Soldier Carrying Child With Two Women
1786
195
Francesco Bartolozzi, 1728–1815
Prudence, Holding A Land Mirror, And An Arrow With A Serpant
1783
196
Francesco Bartolozzi, 1728–1815
Vignette With Putti Carrying Hermes Staff And Lyre And Angel Blowing Trumpet, Three Muses
undated
197
Francesco Bartolozzi, 1728–1815
Genius Describing Beauty, And Cupid Dictating Him
1782
198
Francesco Bartolozzi, 1728–1815
Prudence Endeavoring To Retain Beauty From Following The Insinuation Of Love
1782
199
Francesco Bartolozzi, 1728–1815
Che L'uom Trae Dal Sepolgro E A Morte Fura
c.1780
200
Francesco Bartolozzi, 1728–1815
Classical Scene With Angel And Two Putti Below A Portrait