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Materials & Techniques stipple engraving
Remove constraint Materials & Techniques: stipple engravingCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 18th century
Remove constraint Period: 18th centuryGenre literary theme
Remove constraint Genre: literary themeWork Type intaglio print
Remove constraint Work Type: intaglio printSearch Results
1
- Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
- ca. 1787
2
- Mrs. Robinson
- 1792
3
- Elizabeth Ann Sheridan (née Linley) as St. Cecilia
- 1779
4
- Sir John Suckling
- 1744
5
- Reflections on Clarissa Harlow
- 1785
6
- The Cottagers
- 1794
7
- Lady Elizabeth Cavendish (née Hervey), Duchess of Devonshire
- 1787
8
- Lovelace in Prison
- 1788
9
- Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
- 1791
10
- Thomas Percy, Bishop of Dromore
- undated
11
- Mrs Seaforth as, Tuccia - The Vestal Virgin
- 1798
12
- Sir Philip Sidney
- 1741
13
- Edmund Spenser
- 1727
14
- Isaac Watts
- undated
15
- Chryseis Restored To Her Father
- 1786
16
- Death of Dido
17
- Jupiter and Io
- 1784
18
- Orlando Rescues Olympia From The Orca In The Island Ebuda
- 1768
19
- ...Scuote, il Lembo Pieno; e Nella Torbida Onda..
- 1773
20
- Vede di Mezzo il Fiume un Cavaliero..
- 1773
21
- Lo Corse ad Abbracciare, e a Sargli Sesta..
- 1773
22
- E d'Uccider se Stesso in Pensier Venne..
- 1773
23
- Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
- 1778
24
- Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
- 1778
25
- Title page: L'Amico' de Fanciulli, Vol. III
- 1788
26
- Title page: Depicting Cupid, Venus, and Juno
- 1782
27
- Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
- 1780
28
- Coriolanus, Act 5, Scene III
- 1783
29
- Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
- 1773
30
- Macbeth, Act I, Scene II
- 1784
31
- Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
- 1791
32
- Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
- 1789
33
- Adelaide
- 1798
34
- Fonrose
- 1798
35
- Concert Ticket For The Benefit of Madame Banti
- 1795
36
- Ralph Cudworth
- undated
37
- The Alto Relievo
- 1796
38
- The Fall of Agandecca
- 1783
39
- Queen Katherine's Dream
- 1788
40
- Ticket: Anacreontic Society Meeting
- 1779
41
- Prospero Disarming Ferdinand, Act I, Scene II
- 1793
42
- Cecilia
- 1783
43
- August
- 1793
44
- Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
- 1774
45
- I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
- ca.1785
46
- April
- 1790
47
- February
- 1793
48
- June
- 1789
49
- May
- 1793
50
- July
- 1789
51
- October
- 1793
52
- September
- 1793
53
- Palamon and Arcite
- 1790
54
- Joseph Andrews
- 1781
55
- Rinaldo et Armida
- 1785
56
- Morte de Clorinda
- 1785
57
- Lauretta
- 1776
58
- The Snuff Box, Calais
- 1799
59
- Lodona
- 1792
60
- The Freeing of Amoret
- 1792
61
- The Deserted Village
- 1795
62
- The Tempest, Act V, Scene I
- 1795
63
- Taming of the Shrew, Act II Scene II
- 1795
64
- Jane Shore
- 1790
65
- Concert Ticket: Benefit Night of Luigi Borghi
- 1780
66
- The Death of Alcestis
- 1796
67
- John Henderson as Iago
- before 1786
68
- Mrs. Abington as Thalia
- ca. 1783
69
- Gualtherus and Griselda
- 1784
70
- Alphonso and Aciloe
- 1788
71
- The Death of Cora
- 1788
72
- Sophia and Olivia
- 1784
73
- Miss Anna Brunton
- 1785
74
- Tancred and Clorinda
- 1785
75
- Celadon and Amelia
- 1782
76
- Alcander and Nerina
- 1784
77
- Fonrose
- 1798
78
- Adelaide
- 1798
79
- Maria of Moulines
- 1784
80
- Ophelia: There's Rue for You, and Here's Some for Me
- 1784
81
- Ticket: For The Benefit Of Mad' Banti
- 1795
82
- Ticket for the Benefit of Madame Banti
- 1797
83
- Ticket for the Benefit of Madame Banti
- 1797
84
- The Interview of Tom Jones and Sophia, After the Reconciliation
- 1789
85
- Cordelia
- 1784
86
- Alexander and Nerina
- 1784
87
- The Shepherdess of the Alps
- 1776
88
- Hercules and Omphale
89
- The Hours
- 1788
90
- The Dead Ass, Nampont
- 1799
91
- My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
92
- Vortigern And Rowena
- 1788
93
- Illustration From Bell's Edition of The Poets of Great Britain
- ca. 1785
94
- Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
- 1785
95
- Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
- ca.1785
96
- Polyhemus, Playing The Panpipes For Galatea
- 1783
97
- King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
- 1779
98
- Shakespeare's Tomb
- 1782
99
- Anthony and Cleopatra, Act 3, Scene II
- 1794
100
- King Lear, Act 4, Scene VII
- 1794