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Materials & Techniques watercolor

Remove constraint Materials & Techniques: watercolor

Credit Line Yale Center for British Art, Paul Mellon Fund

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Fund

Genre architectural subject

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Image Use Free to Use

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James Holland The Tower of the Clergy, Oporto
James Holland, 1799–1870
The Tower of the Clergy, Oporto
undated
Thomas Shotter Boys The North-West Porch of Salisbury Cathedral
Thomas Shotter Boys, 1803–1874
The North-West Porch of Salisbury Cathedral
1832
Thomas Collier Pentre Ddu Bridge, North Wales
Thomas Collier, 1840–1891
Pentre Ddu Bridge, North Wales
1863
William James Muller Near the Caravan Bridge, Smyrna
William James Muller, 1812–1845
Near the Caravan Bridge, Smyrna
1843
Hugh William "Grecian" Williams View of the Forum in Rome
Hugh William "Grecian" Williams, 1773–1829
View of the Forum in Rome
1828
David Charles Read Landscape with two figures beside an old building
David Charles Read, 1790–1851
Landscape with two figures beside an old building
undated
George Fennell Robson St. Paul's from Southwark by Sunset
George Fennell Robson, 1788–1833
St. Paul's from Southwark by Sunset
ca. 1832
Augustus William Reeve A Fort Near Montmartre
Augustus William Reeve, active 1831–1888
A Fort Near Montmartre
undated
Spencer Frederick Gore Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
1912
Richard Parkes Bonington Abbey St-Amand, Rouen
Richard Parkes Bonington, 1802–1828
Abbey St-Amand, Rouen
undated
Thomas Jones The Grotto at Posillipo
Thomas Jones, 1742–1803
The Grotto at Posillipo
ca. 1782
Paul Sandby View of Richmond Castle, Yorkshire
Paul Sandby, 1731–1809
View of Richmond Castle, Yorkshire
undated
Thomas Rowlandson Place des Victoires, Paris
Thomas Rowlandson, 1756–1827
Place des Victoires, Paris
ca. 1783
Samuel Scott Ludlow Castle
Samuel Scott, 1701/2–1772
Ludlow Castle
between 1765 and 1769
John Skinner Prout The Church of St. Laurent, Rouen
John Skinner Prout, 1806–1876
The Church of St. Laurent, Rouen
undated
Edward Kennion A View of Hall-head Sugar Plantation, Jamaica
Edward Kennion, 1743–1809
A View of Hall-head Sugar Plantation, Jamaica
ca. 1780
William Leighton Leitch Porta S. Giovanni, Rome
William Leighton Leitch, 1804–1883
Porta S. Giovanni, Rome
1837
Carlo Labruzzi The Baths of Caracalla, Rome
Carlo Labruzzi, 1748–1817
The Baths of Caracalla, Rome
undated
Carlo Labruzzi Part of the Colosseum with the Arch of Constantine and Arch of Titus in the Distance, Rome
Carlo Labruzzi, 1748–1817
Part of the Colosseum with the Arch of Constantine and Arch of Titus in the Distance, Rome
undated
Carlo Labruzzi The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome.
Carlo Labruzzi, 1748–1817
The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome
undated
Carlo Labruzzi A Panoramic View toward St. Peter's from the Palace of the Caesars
Carlo Labruzzi, 1748–1817
A Panoramic View toward St. Peter's from the Palace of the Caesars
undated
Carlo Labruzzi Sepulchre on the Via Nomentana in the Roman Campagna
Carlo Labruzzi, 1748–1817
Sepulchre on the Via Nomentana in the Roman Campagna
undated
Frederic Leighton The Reconciliation of the Montagues and the Capulets
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
François Louis Thomas Francia The Pont de la Concorde and Tuileries Palace from the Cours la Reine
François Louis Thomas Francia, 1772–1839
The Pont de la Concorde and Tuileries Palace from the Cours la Reine
1823
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
Stephen Riou Design for a substantial villa. The `Forefront' and profile plan of the front elevation.
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
Stephen Riou Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
Stephen Riou Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan.
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
Stephen Riou Design for a villa: `The Ground Plan and Elevations of a Villa'
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
David Cox The Opening of New London Bridge
David Cox, 1783–1859
The Opening of New London Bridge
1831