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1
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
2
- Jerusalem, Plate 78, "The Spectres of..."
- 1804 to 1820
3
- Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
- 1794
4
- Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
- 1794
5
- Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
- 1794
6
- Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
- 1793
7
- Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
- 1793
8
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
9
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
10
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
11
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
12
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
13
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
![William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]](https://media.collections.yale.edu/thumbnail/ycba/2377c317-1278-492a-94c3-bda0566322ac)
14
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
- 1827
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
15
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
16
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
![William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]](https://media.collections.yale.edu/thumbnail/ycba/7f5ea7d3-2e50-4064-bf5d-a66c163c0237)
17
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
18
- The Shepherd, from Songs of Innocence
- ca. 1795
19
- Illustrations of Imitation of Eclogue I, Page 14
- 1821
20
- Caius Julius Cæsar
- 1821
21
- Illustrations of Imitation of Eclogue I, Page 15
- 1821
22
- Illustrations of Imitation of Eclogue I, Page 18
- 1821
23
- Epicurus
- 1821
24
- Illustrations of Eclogue I, Introductory, The Giant Polypheme
- 1821
25
- Illustrations of Imitation of Eclogue I, Page 16
- 1821
26
- Theocritus
- 1821
27
- Illustrations of Imitation of Eclogue I, Page 17
- 1821
28
- Octavius Augustus Cæsar
- 1821
29
- Illustrations of Imitation of Eclogue I, Frontispiece
- 1821
30
- Publius Virgilius Maro
- 1821
31
- From Antique Coins
- 1821
32
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
33
- Illustrations to Dante's Divine Comedy
- 1827