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Materials & Techniques wove paper

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Creator Gender male

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Period 19th century

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Classification Photographs

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Search Results

Whistler in his studio on the rue Notre-Dame-des-Champs, Paris
Creator:
Paul François Arnold Cardon, called "Dornac", 1859–1941
Date:
1893
Materials & Techniques:
Albumen print on thin, smooth, white wove paper
Dimensions:
Sheet: 7 3/4 x 10 1/4 inches (19.7 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943
Whistler Seated in a Chair in His Paris (rue Notre-Dame-des-Champs) Studio
Creator:
Paul François Arnold Cardon, called "Dornac", 1859–1941
Date:
1893
Materials & Techniques:
Albumen print on thin, smooth, wove paper
Dimensions:
Sheet: 10 1/4 x 8 inches (26 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943
David Roberts, Landscape Painter, R.A.
Creator:
David Octavius Hill, 1802–1870
Date:
1843-1847
Materials & Techniques:
Salted paper print from a calotype negative on medium, slightly textured, photographic paper mounted to card
Dimensions:
Sheet: 8 3/8 × 5 7/8 inches (21.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Ponte Lucano and the Tomb of Plautii, Tivoli
Creator:
Robert MacPherson, 1814–1872
Date:
1860s
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 8 15/16 × 13 7/8 inches (22.7 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
Grand Canal, Venice (#19)
Creator:
Robert MacPherson, 1814–1872
Date:
1860s
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 10 3/16 × 13 9/16 inches (25.9 × 34.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
Piazza of St. Peter's
Creator:
Robert MacPherson, 1814–1872
Date:
ca. 1860
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 6 5/8 × 16 1/16 inches (16.8 × 40.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
The Coliseum with Meta Sudans and Portion of the Via Sacra
Creator:
Robert MacPherson, 1814–1872
Date:
ca. 1860
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 9 1/2 × 16 inches (24.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
The Castle and Bridge of St. Angelo, with the Vatican in the Distance
Creator:
Robert MacPherson, 1814–1872
Date:
ca. 1860
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 6 3/4 × 15 5/16 inches (17.1 × 38.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
The Bridge and Castle of St. Angelo
Creator:
Robert MacPherson, 1814–1872
Date:
ca. 1860
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 6 3/8 × 15 3/8 inches (16.2 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
Gibeon, El Jib, Palestine
Creator:
Francis Bedford, 1816–1894
Date:
1862
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
The Dying Gladiator, Back View, Capitol
Creator:
Robert MacPherson, 1814–1872
Date:
ca. 1860
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 9 × 14 1/2 inches (22.9 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
Palace, Church, and Baptistery of the Lateran
Creator:
Robert MacPherson, 1814–1872
Date:
ca. 1860
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 6 1/2 × 15 7/8 inches (16.5 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
Bronze Doors of the U.S. Capitol, Executed by Randolph Rogers, Rome
Creator:
Robert MacPherson, 1814–1872
Date:
between 1863 and 1867
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 16 5/16 × 9 5/16 inches (41.4 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Melville Chapin, transfer from the Yale University Art Gallery
The Three Columns at the Foot of the Capitol, Formerly Styled the Temple of Jupiter Tonons, and the Arch of Septimus Severus
Creator:
Robert MacPherson, 1814–1872
Date:
1860s
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 16 3/16 × 12 1/2 inches (41.1 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
Forum of Trajan
Creator:
Robert MacPherson, 1814–1872
Date:
ca. 1857
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 15 7/8 × 12 1/8 inches (40.3 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
Arch of Titus, Roman Forum
Creator:
Robert MacPherson, 1814–1872
Date:
ca. 1860
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 9 3/16 × 14 1/2 inches (23.3 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
Arch of Titus, from the Temple of Venus and Rome
Creator:
Robert MacPherson, 1814–1872
Date:
ca. 1860
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 15 1/4 × 12 inches (38.7 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
Bas-relief of the Biga, Arch of Titus
Creator:
Robert MacPherson, 1814–1872
Date:
ca. 1860
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 15 13/16 × 12 inches (40.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
General View of the Forum, School of Xanthus in the Foreground
Creator:
Robert MacPherson, 1814–1872
Date:
ca. 1860
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 9 × 16 inches (22.9 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
General View of the Forum of Trajan
Creator:
Robert MacPherson, 1814–1872
Date:
1860s
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 9 1/4 × 16 1/4 inches (23.5 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Melville Chapin, transfer from the Yale University Art Gallery
Porta Angelica as Fortified in 1867
Creator:
Robert MacPherson, 1814–1872
Date:
1867
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 11 3/16 × 16 1/4 inches (28.4 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Melville Chapin, transfer from the Yale University Art Gallery
Temple of Vesta, Temple of Fortuna Virilis, and the House of Rienzi
Creator:
Robert MacPherson, 1814–1872
Date:
ca. 1863
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 11 3/4 × 15 15/16 inches (29.8 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
Porta St. Paolo with Pyramid of Caius Cestius
Creator:
Robert MacPherson, 1814–1872
Date:
ca. 1860
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 9 3/4 × 15 inches (24.8 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Melville Chapin, transfer from the Yale University Art Gallery
Detail of a Tower, Orleans Cathedral
Creator:
William Henry Fox Talbot, 1800–1877
Date:
1843
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 7/16 × 8 1/16 inches (16.4 × 20.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Ancient Doorway, Magdalen College, Oxford
Creator:
William Henry Fox Talbot, 1800–1877
Date:
1843
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/4 × 9 inches (18.4 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Matilda Rigby
Creator:
David Octavius Hill, 1802–1870
Date:
ca. 1845
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 1/4 × 5 13/16 inches (21 × 14.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Hindoo Temple on the Banks of the Hooghly, Calcutta
Creator:
Frederick Fiebig, active mid-19th century
Date:
ca. 1850
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 13/16 inches (16.5 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
'The Porthole,' Sergeant and Private of the 42d Gordon Highlanders
Creator:
David Octavius Hill, 1802–1870
Date:
1846
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 15/16 × 6 3/8 inches (20.1 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Street Scene in Swansea with Street Lamp
Creator:
Calvert Richard Jones, 1802–1877
Date:
between 1845 and 1850
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 × 3 3/4 inches (11.4 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Statue of Marcus Aurelius, Capitoline, Rome
Creator:
Calvert Richard Jones, 1802–1877
Date:
1846
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 9 3/4 inches (19.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Portrait of a Couple in Doorway
Creator:
Calvert Richard Jones, 1802–1877
Date:
between 1845 and 1850
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 1/8 × 4 1/2 inches (13 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Summer Shade (Gate)
Creator:
Rev. Alexander Colvin Ainslie, 1830–1903
Date:
1867 or 1868
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/4 × 9 3/8 inches (18.4 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Base of the Column of Antoninus Pius, Vatican
Creator:
James Anderson, 1813–1877
Date:
ca. 1857
Materials & Techniques:
Salted paper print from a wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 11 1/8 × 13 5/8 inches (28.3 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Harlech Castle, North Wales
Creator:
Francis Bedford, 1816–1894
Date:
ca. 1860
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 8 1/4 inches (16.2 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Loch Ranza
Creator:
Thomas Annan, 1829–1887
Date:
early 1860s
Materials & Techniques:
Albumen print on thin, smooth, cream wove paper
Dimensions:
Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Rushford Mill
Creator:
Francis Bedford, 1816–1894
Date:
ca. 1865
Materials & Techniques:
Carbon print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Kenilworth Castle
Creator:
Attributed to Francis Bedford, 1816–1894
Date:
ca. 1865
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs
Self-portrait with Seated Lady, possibly His Wife Anna
Creator:
Calvert Richard Jones, 1802–1877
Date:
ca. 1850
Materials & Techniques:
Salted paper print from a wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 1/4 × 3 inches (8.3 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Fishing House
Creator:
Walter Prideaux, active 1870s
Date:
1870s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 5/8 × 9 1/2 inches (19.4 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Landscape, with Man in Gully
Creator:
James Baker Pyne Jr., active 1858–1878
Date:
ca. 1860
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/2 × 9 3/8 inches (19.1 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Long Ships Lighthouse off the Land’s End, Cornwall
Creator:
William May, active 19th century
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 11 1/4 × 15 inches (28.6 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs
Deer Stalking By the Side of a Waterfall
Creator:
Horatio Ross, 1801–1886
Date:
between 1856 and 1865
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
View in Betchworth Park, Surrey
Creator:
Alfred Rosling, 1802–ca. 1880
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 1/4 × 6 1/2 inches (21 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Landscape with Waterfall, Scotland
Creator:
Horatio Ross, 1801–1886
Date:
ca. 1856
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 3/8 × 9 5/8 inches (18.7 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
The Foot-Bridge
Creator:
Alfred Rosling, 1802–ca. 1880
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 1/8 × 6 1/2 inches (20.6 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
The Lone Pine Tree
Creator:
Horatio Ross, 1801–1886
Date:
ca. 1858
Materials & Techniques:
Waxed paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 13 3/4 × 11 inches (34.9 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro in honor of Amy Meyers
Mt. Pleasant Fields, Hornsey
Creator:
George Shadbolt, 1830–1901
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 3/8 inches (17.1 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
View of Oakfield, Hornsey
Creator:
George Shadbolt, 1830–1901
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 × 8 1/4 inches (17.8 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Forest in Light
Creator:
John Golden Short, born ca. 1832
Date:
1870s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 7/8 × 8 inches (14.9 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
The Lone Pine Tree
Creator:
Horatio Ross, 1801–1886
Date:
ca. 1858
Materials & Techniques:
Albumen print from waxed paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro in honor of Amy Meyers