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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionImage Available Available
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301
- Human Skeleton, Lateral View (in Crawling Posture; finished study for an unpublished table)
- 1795 to 1806
302
- Tiger Skeleton, Lateral View (Highly finished study for Table IV)
- 1795 to 1806
303
- Human Skeleton, Lateral View
- 1795 to 1806
304
- Human Skeleton, Lateral View
- 1795 to 1806
305
- Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
- 1795 to 1806
306
- Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
- between 1795 and 1806
307
- Tiger Body, Lateral View
- 1795 to 1806
308
- Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)
- 1795 to 1806
309
- Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
- 1795 to 1806
310
- Leopard Body, Lateral View
- 1795 to 1806
311
- Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
- 1795 to 1806
312
- Tiger Body, Recumbent, Viewed Ventrally
- 1795 to 1806
313
- Tiger Body, Standing in Human Posture
- 1795 to 1806
314
- Fowl Skeleton, Lateral View
- 1795 to 1806
315
- Fowl Skeleton, Lateral View
- 1795 to 1806
316
- Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)
- 1795 to 1806
317
- Fowl Body, Lateral View (Outline drawing, related to Table XV)
- 1795 to 1806
318
- Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving the Key Figure to Table X)
- 1795 to 1806
319
- Fowl Body, Lateral View
- 1795 to 1806
320
- Dorking Hen, Lateral View
- 1795 to 1806
321
- Grotesque Female Head
- undated
322
- Grotesque Male Head
- undated
323
- Grotesque Male Head
- undated
324
- Grotesque Female Head
- undated
325
- Grotesque Female Head
- undated
326
- Grotesque Male Head
- undated
327
- Grotesque Male Head
- undated
328
- Grotesque Male Head
- undated
329
- Grotesque Male Head
- undated
330
- Grotesque Female Head
- undated
331
- Grotesque Male Head
- undated
332
- Grotesque Male Head
- undated
333
- Grotesque Male Head
- undated
334
- Grotesque Male Head
- undated
335
- The First Stage of Cruelty
- ca. 1750
336
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
337
- Fair Scene
- 1733
338
- Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
- 1718
339
- Hogarth Painting the Comic Muse
- 1764
340
- And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
- 1752
341
- A Rake's Progress, Plate I: He Takes Possession
- 1735
342
- A Rake's Progress, Plate II: His Levee
- 1735
343
- Southwark Fair
- 1733
344
- A Rake's Progress, Plate IV: Goes to Court
- 1735
345
- A Rake's Progress, Plate III: He Revels
- 1735
346
- A Midnight Modern Conversation
- 1733
347
- A Rake's Progress, Plate V: He Marries
- 1735
348
- A Rake's Progress, Plate VI: He Gambles
- 1735
349
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
350
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
351
- The Stage Coach; Or Country Inn Yard
- 1747
352
- Scholars at a Lecture (A Chorus of Singers)
- 1736
353
- The Sleeping Congregation
- 1736
354
- The Distrest(ed) Poet
- 1740
355
- Strolling Actresses Dressing in a Barn
- 1738
356
- The Enraged Musician
- 1741
357
- The Bench
- 1758
358
- Chairing the Members, Plate IV
- 1758
359
- The Cockpit
- 1759
360
- The Laughing Audience
- 1733
361
- And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
- 1752
362
- Colombus breaking the Egg
- 1753
363
- A Consultation of Physicians
- 1736
364
- Subscription Ticket: Three Characters and Four Caricaturas
- 1743
365
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
366
- Gulielmus Hogarth
- 1749
367
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
368
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
369
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
370
- Simon Lord Lovat
- 1746
371
- Analysis of Beauty, Plate II: A Country Dance
- 1753
372
- The Invasion, Plate I: France
- 1756
373
- An Election Entertainment, Plate I
- 1755-58
374
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
375
- The Polling, Plate III
- 1758
376
- The Invasion, Plate II: England
- 1756
377
- Prospectus print "Crown & Mitre"
- 1754
378
- Grotesque Female Head
- undated
379
- The Four Times of Day, Plate I: Morning
- 1738
380
- The Four Times of Day, Plate II: Noon
- 1738
381
- The Four Times of Day, Plate IV: Night
- 1738
382
- William Hogarth
- 1764
383
- Gabriel Hunt
- undated
384
- Benjamin Read
- ca. 1757
385
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
386
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
387
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
388
- Study for the Foundlings
- ca. 1739
389
- Hymen
- ca. 1748
390
- Study of a Female Nude
- undated
391
- Solitude
- 1814
392
- Dumblain Abbey, Scotland
- 1816
393
- Entrance of Calais Harbour
- 1816
394
- The Source of the Arveron in the Valley of Chamouni, Savoy
- 1816
395
- Ville de Thun, Switzerland
- 1816
396
- The Source of the Arveron in the Valley of Chamouni, Savoy
- 1816
397
- The Alcove, Isleworth
- 1819
398
- The Alcove, Isleworth
- 1819
399
- Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
- 1819
400
- Aesacus and Hesperie
- 1819