<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Date 1801

Remove constraint Date: 1801

Search Results

101. Temple Stairs

Temple Stairs
Creator:
Edward Harding, 1755–1840
Date:
1801
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. London

London
Creator:
Johannes Swertner, 1746–1813
Date:
1801
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Annual Ceremony of adminishing the Oaths of Allegiance and Church on November 8th, the Day proceeding Lord Mayors Day

Annual Ceremony of adminishing the Oaths of Allegiance and Church on November 8th, the Day proceeding Lord Mayors Day
Creator:
Benjamin Smith, 1775–1833
Date:
1801
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. This Print Representing His Majesty Reviewing the Volunteer Corps assembled in Hyde Park, in honor of his Birthday, June 4 1799

This Print Representing His Majesty Reviewing the Volunteer Corps assembled in Hyde Park, in honor of his Birthday, June 4 1799
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1801
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. A View of the First Bridge at Paddington, and the Accomodation Barge going down the Grand Junction to Uxbridge

A View of the First Bridge at Paddington, and the Accomodation Barge going down the Grand Junction to Uxbridge
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. His Majesty Reviewing the Armed Associations on the Fourth of June 1799 in Hyde Park

His Majesty Reviewing the Armed Associations on the Fourth of June 1799 in Hyde Park
Creator:
Joseph Collyer, 1748–1827
Date:
1801
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. Peace and Plenty, or the Forestaller's Lamentation a Tragi Comedy

Peace and Plenty, or the Forestaller's Lamentation a Tragi Comedy
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 x 10 7/8in. (20.3 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. General Peace & General War - or - The Interview at Roehampton

General Peace & General War - or - The Interview at Roehampton
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 1/16 x 9 13/16in. (33.2 x 24.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. A Field Day in Surry!!!

A Field Day in Surry!!!
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 13/16 x 14 1/8in. (22.4 x 35.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. A Fraternal Embrace, Or - The First Day of Term

A Fraternal Embrace, Or - The First Day of Term
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 5/8 x 8 1/4in. (21.9 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Romeo

Romeo
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 6 3/4 x 4 3/4in. (17.1 x 12.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Great News for John Bull

Great News for John Bull
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 5/16 x 10 3/16in. (33.8 x 25.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Peace Opinions Contrasted (Plate 2)

Peace Opinions Contrasted (Plate 2)
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 1/4 x 16 1/2in. (28.6 x 41.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. The Female Politicians, Or - The D____ss Defending the Honour of Old Corny

The Female Politicians, Or - The D____ss Defending the Honour of Old Corny
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Etching and aquatint, hand-colored
Dimensions:
Sheet: 7 15/16 x 11in. (20.2 x 27.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. The Whim of the Day, Or - Old Sarum Bringing in his New Member

The Whim of the Day, Or - Old Sarum Bringing in his New Member
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 7/8 x 8 11/16in. (30.2 x 22.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. French Officer Holding a Trained Bear by a Chain

French Officer Holding a Trained Bear by a Chain
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 8 15/16in. (22.2 x 22.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Pills for Paul; Or, English Prescriptions for Northern Complaints

Pills for Paul; Or, English Prescriptions for Northern Complaints
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 13in. (22.2 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. A Lunatic Stride...

A Lunatic Stride...
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 1/4 x 14 1/2in. (28.6 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. The Benediction of St. Patrick!!

The Benediction of St. Patrick!!
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Etching and aquatint, hand-colored
Dimensions:
Sheet: 10 1/2 x 14 9/16in. (26.7 x 37cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. The April Fool Consigned to Infamy and Ridicule

The April Fool Consigned to Infamy and Ridicule
Creator:
Charles Williams, active 1796–1830
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 1/8 x 14 1/4in. (25.7 x 36.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. A View of the Bason of the Grand Junction Canal of Paddington

A View of the Bason of the Grand Junction Canal of Paddington
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Richmond Bridge, Surrey

Richmond Bridge, Surrey
Creator:
James Walker, 1748–1808
Date:
1801
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Hovel near Norwood

Hovel near Norwood
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Premier Map of London and Suburbs: Undertakers regaling themselves at Death's Door, Battersea Rise, Surry

Premier Map of London and Suburbs: Undertakers regaling themselves at Death's Door, Battersea Rise, Surry
Creator:
Samuel Rawle, 1771–1860
Date:
1801
Materials & Techniques:
Engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 4 5/8 × 6 7/8 inches (11.7 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. View of London Bridge as it appeared after the Conflagration of the Temporary Bridge, April 11th, 1758

View of London Bridge as it appeared after the Conflagration of the Temporary Bridge, April 11th, 1758
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 7/8 x 13 1/8in. (22.5 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. As You Like It: Act II, Scene VII: The Seven Ages Man (seventh age)

As You Like It: Act II, Scene VII: The Seven Ages Man (seventh age)
Creator:
Peter Simon, 1750–1810
Date:
1801
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. William Molyneaux, second Earl of Sefton: on a Box Seat, Holding Reins and Whip

William Molyneaux, second Earl of Sefton: on a Box Seat, Holding Reins and Whip
Creator:
Robert Dighton, 1752–1814
Date:
between 1801 and 1802
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 × 5 7/8 inches (14.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. The Union Club

The Union Club
Creator:
Charles Williams, active 1796–1830
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 3/4 x 15 1/4in. (27.3 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Anatomical Study of a Horse

Anatomical Study of a Horse
Creator:
William Mulready, 1786–1863
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 × 4 7/16 inches (7.6 × 11.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Magdalen Tower and Bridge, Oxford

Magdalen Tower and Bridge, Oxford
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and white gouache on moderately thick, moderately textured, blue wove paper
Dimensions:
Sheet: 9 5/16 × 7 1/2 inches (23.7 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. Figures in a Doorway

Figures in a Doorway
Creator:
William Mulready, 1786–1863
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on thick, moderately textured, beige wove paper
Dimensions:
Mount: 3 1/8 × 2 3/4 inches (7.9 × 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. Sketch of Two Figures in an Interior: One Seated, One Standing

Sketch of Two Figures in an Interior: One Seated, One Standing
Creator:
William Mulready, 1786–1863
Date:
undated
Materials & Techniques:
black chalk and white chalk on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 4 5/8 × 3 1/4 inches (11.7 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. Figures on an Elephant and Other Elephant Studies

Figures on an Elephant and Other Elephant Studies
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Two Horses Feeding: Each Seen Three-Quarters From the Rear, Facing Left

Two Horses Feeding: Each Seen Three-Quarters From the Rear, Facing Left
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/4 × 4 7/8 inches (8.3 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. A Camel Resting

A Camel Resting
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Brown wash, black chalk, and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 3 3/4 × 5 1/4 inches (9.5 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. Head of a Donkey

Head of a Donkey
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 15/16 × 3 7/8 inches (12.5 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. North West View of St. Paul's

North West View of St. Paul's
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 x 15 1/4in. (30.5 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. South Front of St. Pauls

South Front of St. Pauls
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 1/4 x 11 1/4in. (38.7 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Norfolk Hospital

Norfolk Hospital
Creator:
Edward Harding, 1755–1840
Date:
1801
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Trinity Hospital, Deptford

Trinity Hospital, Deptford
Creator:
William Angus, 1752–1821
Date:
1801
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. William Cobbett

William Cobbett
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1801
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 15/16 x 12 9/16 inches (43.1 x 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. And Ah! Let Pity Turn Her Dewy Eyes...

And Ah! Let Pity Turn Her Dewy Eyes...
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1801
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 1/16 x 10 9/16 inches (35.7 x 26.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
Creator:
Print made by Robert Thew, 1758–1802
Date:
1801
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/8 × 29 1/2 inches (51.1 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. The Presentation of Colours to the Kensington Volunteers

The Presentation of Colours to the Kensington Volunteers
Creator:
Charles Turner, 1774–1857
Date:
1801
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. St. Andrew, Undershaft

St. Andrew, Undershaft
Creator:
John Greig, active 1803–1853
Date:
1801
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 1/4 x 7 1/2in. (26 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. Internal View of Westminster Hall

Internal View of Westminster Hall
Creator:
George Hawkins, 1819–1852
Date:
1801
Materials & Techniques:
Etched outline and graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Internal View of Westminster Hall

Internal View of Westminster Hall
Creator:
George Hawkins, 1819–1852
Date:
1801
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. Stock Exchange

Stock Exchange
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Charlton Manor House

Charlton Manor House
Creator:
S. Sparrow, active 1795
Date:
1801
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Alehouse Politicians

Alehouse Politicians
Creator:
William Ward, 1766–1826
Date:
1801
Materials & Techniques:
Mezzotint
Dimensions:
Image: 18 x 23 7/8in. (45.7 x 60.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Reverend Hugh Blair, D.D.

Reverend Hugh Blair, D.D.
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1801
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/4 × 11 15/16 inches (38.7 × 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4)

Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 5/8 x 12 3/4in. (24.4 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. The Toper's Mistake

The Toper's Mistake
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 7/8 x 8 1/4in. (25.1 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. Gig-Hauling, or Gentlemanly Amusement for the Nineteenth Century

Gig-Hauling, or Gentlemanly Amusement for the Nineteenth Century
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 13 3/16in. (21.6 x 33.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. A View of Newcastle upon Tyne

A View of Newcastle upon Tyne
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1801
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 13 3/8 x 17in. (34 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Cocks & Breeches

Cocks & Breeches
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
1801
Materials & Techniques:
Etching and aquatint, hand-colored
Dimensions:
Sheet: 12 1/4 x 14 1/2in. (31.1 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Portrait of Richard Arkwright

Portrait of Richard Arkwright
Creator:
John Raphael Smith, 1752–1812
Date:
1801
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 25 3/4 × 18 1/16 inches (65.4 × 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Monkey Sharp of Newbury

Monkey Sharp of Newbury
Creator:
John Nixon, ca. 1760–1818
Date:
1801
Materials & Techniques:
Etching & aquatint, hand-colored
Dimensions:
Sheet: 7 3/4 x 6 1/4in. (19.7 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. Menage as Champanzee in Perouse

Menage as Champanzee in Perouse
Creator:
John Nixon, ca. 1760–1818
Date:
1801
Materials & Techniques:
Etching and aquatint, hand-colored
Dimensions:
Sheet: 5 3/4 x 3 3/4in. (14.6 x 9.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Hampton Court, Herefordshire

Hampton Court, Herefordshire
Creator:
Print made by James S. Storer, 1771–1853
Date:
1801
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 9 1/8 inches (13.7 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. View of O'Sullivans Waterfall, Lake of Killarney, Ireland

View of O'Sullivans Waterfall, Lake of Killarney, Ireland
Creator:
Francis Jukes, 1747–1812
Date:
1801
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 14 1/4 x 18 1/8in. (36.2 x 46cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. The Clean Face Rewarded

The Clean Face Rewarded
Creator:
James Ward, 1769–1859
Date:
1801
Materials & Techniques:
Mezzotint, printed in color on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 22 3/4 × 27 3/4 inches (57.8 × 70.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. As You Like It: Act II, Scene VII: The Seven Ages Man (second age)

As You Like It: Act II, Scene VII: The Seven Ages Man (second age)
Creator:
John Ogborne the Elder, 1755–1795
Date:
1801-1803
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. As You Like It: Act II, Scene VII: The Seven Ages of Man (First Age)

As You Like It: Act II, Scene VII: The Seven Ages of Man (First Age)
Creator:
Peltro W. Tomkins, 1760–1840
Date:
1801
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. His Majesty Reviewing the Volunteer Corps Assembled in Hyde Park

His Majesty Reviewing the Volunteer Corps Assembled in Hyde Park
Creator:
Richard Earlom, 1743–1822
Date:
1801
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. Edward Jenner, M.D. F.R.S. & c.

Edward Jenner, M.D. F.R.S. & c.
Creator:
John Raphael Smith, 1752–1812
Date:
1801
Materials & Techniques:
Mezzotint printed in colors on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 1/2 × 16 1/8 inches (54.6 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. Landscape with Trees and Lake

Landscape with Trees and Lake
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 13/16 × 8 3/8 inches (17.3 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. Landscape with Trees and Lake With Figures and Boat

Landscape with Trees and Lake With Figures and Boat
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and black ink and gum arabic on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 5/16 × 8 3/16 inches (16 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. Two Figures in Stream, Bordered by Large Trees

Two Figures in Stream, Bordered by Large Trees
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 7/8 × 6 7/8 inches (9.8 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Tree-lined Lane

Tree-lined Lane
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor, with pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 × 5 1/4 inches (10.2 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. The Hudson From Phillips

The Hudson From Phillips
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 6 5/16 × 10 3/4 inches (16 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Lyme Regis, Dorsetshire, a Squall

Lyme Regis, Dorsetshire, a Squall
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor, graphite and brown wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 6 11/16 × 10 3/4 inches (17 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Rolling Fields, Mountains in Distance

Rolling Fields, Mountains in Distance
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor, gouache, gum arabic on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 3/4 × 5 1/4 inches (9.5 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Two Hunters and Two Dogs in Winter Scene

Two Hunters and Two Dogs in Winter Scene
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/8 × 6 1/2 inches (11.1 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Landscape with Mountains, Castle, Trees and Lake

Landscape with Mountains, Castle, Trees and Lake
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and black ink, and gum arabic on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 1/16 × 7 1/16 inches (12.9 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Fort Putnam From Constitution Island

Fort Putnam From Constitution Island
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 15/16 × 5 1/4 inches (10 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Catskill - from J R Livingstons. TS

Catskill - from J R Livingstons. TS
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 15/16 x 5 1/4in. (10 x 13.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. Landscape with Figures in Field

Landscape with Figures in Field
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Black wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. Horse, Cart and Driver on Wide, Tree-lined Lane

Horse, Cart and Driver on Wide, Tree-lined Lane
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 5/16 × 9 3/4 inches (31.3 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. Fishermen at a Mountain Stream

Fishermen at a Mountain Stream
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Gray wash, black wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 13/16 × 5 3/8 inches (9.7 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. Figures at a Table Inside a Cottage

Figures at a Table Inside a Cottage
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 1/4 × 5 1/4 inches (10.8 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Rocky Landscape, Large Tree Trunk in Foreground

Rocky Landscape, Large Tree Trunk in Foreground
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 × 5 1/4 inches (10.2 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. Landscape with Castle in Background

Landscape with Castle in Background
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Gray wash and black wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/8 × 4 9/16 inches (7.9 × 11.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Mountain Scene with Stream, Cows and Figures

Mountain Scene with Stream, Cows and Figures
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite and sponging on medium, smooth, beige wove paper
Dimensions:
Sheet: 8 5/8 × 11 1/4 inches (21.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Landscape with Canal and Lock; Figures at Lock

Landscape with Canal and Lock; Figures at Lock
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 7/8 × 13 1/4 inches (25.1 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. Landscape Looking Through Ruined Archway

Landscape Looking Through Ruined Archway
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite and gouache on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 8 15/16 inches (26.7 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Augt 15th. Conway Castle

Augt 15th. Conway Castle
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 1/2 × 11 1/4 inches (21.6 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. Two Drawings on One Sheet: Landscape with Mountains in Distance and Seated Figures in Foreground (no. 1); Landscape with River and Building, Mountains in Distance (no. 2)

Two Drawings on One Sheet: Landscape with Mountains in Distance and Seated Figures in Foreground (no. 1); Landscape with River and Building, Mountains in Distance (no. 2)
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor and gouache on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 10 5/8 × 7 9/16 inches (27 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. Two Drawings on One Sheet: Landscape with Figure Reclining Against Hill - Titian and Venetian School (no. 7); Landscape - Variety of Watercolor Washes (no. 8)

Two Drawings on One Sheet: Landscape with Figure Reclining Against Hill - Titian and Venetian School (no. 7); Landscape - Variety of Watercolor Washes (no. 8)
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor and gouache on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 9 15/16 × 7 1/2 inches (25.2 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. Two Drawings on One Sheet: Landscape with Large Cliff in Foreground - Cuyp's Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance - Both's Principle (no. 4)

Two Drawings on One Sheet: Landscape with Large Cliff in Foreground - Cuyp's Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance - Both's Principle (no. 4)
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 10 5/8 × 7 1/2 inches (27 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. Two Drawings on One Sheet: Sky Study - Turner's Principle (no. 11); Landscape With Hills and Tree (no. 12)

Two Drawings on One Sheet: Sky Study - Turner's Principle (no. 11); Landscape With Hills and Tree (no. 12)
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 15/16 × 8 11/16 inches (27.8 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

192. Landscape with Knoll with Trees, Figure on Horseback

Landscape with Knoll with Trees, Figure on Horseback
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 5 5/16 × 9 7/8 inches (13.5 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. Two Drawings on One Sheet: Landscape with Castle - Modern Manner (no. 13); Landscape with Figures in Foreground (no. 14)

Two Drawings on One Sheet: Landscape with Castle - Modern Manner (no. 13); Landscape with Figures in Foreground (no. 14)
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 15/16 × 8 5/8 inches (27.8 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. View on the Upper Lake (Ireland)

View on the Upper Lake (Ireland)
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1806
Materials & Techniques:
Watercolor, pen and brown ink, graphite and scratching out on medium, smooth, cream wove paper
Dimensions:
Mount: 11 1/4 × 16 15/16 inches (28.6 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. The Tower of London

The Tower of London
Creator:
Thomas Hearne, 1744–1817
Date:
1801
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 14 3/4 inches (22.5 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. Strephon and Chloe

Strephon and Chloe
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1801
Materials & Techniques:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/16 x 13 1/16 inches (25.5 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. A View of the Cape of Good Hope; below, The Battle previous to the Surrender of the Cape of Good Hope, January 8th, 1806

A View of the Cape of Good Hope; below, The Battle previous to the Surrender of the Cape of Good Hope, January 8th, 1806
Creator:
James Clark, 19th century
Date:
ca. 1806
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. His Majesty Reviewing the Armed Associations the Fourth of June in Hyde Park

His Majesty Reviewing the Armed Associations the Fourth of June in Hyde Park
Creator:
Joseph Collyer, 1748–1827
Date:
1801
Materials & Techniques:
Stipple
Dimensions:
Sheet: 18 1/2 x 27 1/4in. (47 x 69.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. The Salutation Tavern

The Salutation Tavern
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1801
Materials & Techniques:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/16 x 13 15/16 inches (25.5 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. Breakfast at Breteuil

Breakfast at Breteuil
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/4 × 26 3/8 inches (48.9 × 67 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection