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On-site Access Accessible by appointment in the Study Room

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Genre genre subject

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Associated Places London

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Subject Terms cityscape

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Classification Prints

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Search Results

The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell
St. Martin's Church
Creator:
Print made by unknown artist
Date:
between 1731 and 1754
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Creator:
Print made by unknown artist
Date:
between 1720 and 1750
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 x 14 7/16 inches (44.9 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Smithfield
Creator:
Print made by Stanley Anderson, 1884–1966
Date:
undated
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 12 15/16 x 14 5/8 inches (32.9 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
A Perspective View of Covent Garden
Creator:
John Maurer, active 1713–1761
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Church of St. Mary Le Bow in Cheapside London
Creator:
Thomas Bowles, ca. 1712–died 1753
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Inside View of the Royal Exchange at London
Creator:
Thomas Bowles, ca. 1712–died 1753
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Westminster Abbey, Hospital &c.
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph with tint on thick, slightly textured, cream card
Dimensions:
Sheet: 14 7/8 x 21 11/16 inches (37.8 x 55.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
St. Paul's from Ludgate Hill
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph with tint on moderately thick, slightly textured, cream card
Dimensions:
Sheet: 21 5/8 x 14 7/8 inches (55 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Buckingham Palace from St. James's Park
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph on thick, smooth, cream card
Dimensions:
Sheet: 14 15/16 x 21 13/16 inches (37.9 x 55.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Black Lion Wharf
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1859
Materials & Techniques:
Etching and drypoint on thin, slightly textured, beige China paper
Dimensions:
Sheet: 9 1/8 × 14 inches (23.1 × 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
The South Sea House
Creator:
Print made by unknown artist
Date:
between 1720 and 1728
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Admiralty Office
Creator:
Print made by Thomas Bowles, ca. 1712–died 1753
Date:
1731
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of Waterloo Bridge with the Shot Tower, &c.
Creator:
Print made by George Cooke, 1781–1834
Date:
1832
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 17 1/2 x 11 13/16 inches (44.5 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Whistler's House at Old Chelsea
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1863
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream Asian paper
Dimensions:
Sheet: 7 7/8 x 13 7/8 inches (20 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield
Battersea Reach
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1863
Materials & Techniques:
Etching and drypoint, with plate tone on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 x 9 7/8 inches (16.8 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Battersea Reach
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1863
Materials & Techniques:
Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:
Sheet: 7 9/16 x 10 3/8 inches (19.2 x 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Battersea Reach
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1863
Materials & Techniques:
Etching and drypoint, with plate tone on thin, slightly textured, cream Asian paper
Dimensions:
Sheet: 7 1/2 x 10 3/8 inches (19 x 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Bequest of Thomas W. Farnam, B.A. 1899
Whistler's House at Old Chelsea
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1863
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 15/16 x 13 7/8 inches (20.1 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910
Battersea Reach
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1863
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 9 13/16 inches (18.4 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910
A Prospect of St. James's Park
Creator:
Nathaniel Parr, active 1742–1751
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Royal Palace of St. James's next the Park
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection