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Date 1783

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George Stubbs Mr. Hospey (?)Walker
George Stubbs, 1724–1806
Mr. Hospey (?)Walker
1783
Not on view
Francis Swain Ward Mausoleum at Outatori near Trichinopoly
Francis Swain Ward, ca. 1734–1794
Mausoleum at Outatori near Trichinopoly
ca. 1788
Not on view
Francis Wheatley The Salmon Leap, Leixlip
Francis Wheatley, 1747–1801
The Salmon Leap, Leixlip
1783
Not on view
Thomas Gainsborough Coastal Landscape with a Shepherd and His Flock
Thomas Gainsborough, 1727–1788
Coastal Landscape with a Shepherd and His Flock
between 1783 and 1784
Not on view
Johan Joseph Zoffany Patrick Heatly
Johan Joseph Zoffany, 1733–1810
Patrick Heatly
between 1783 and 1787
Not on view
Francis Wheatley Soldier with Country Women Selling Ribbons, near a Military Camp
Francis Wheatley, 1747–1801
Soldier with Country Women Selling Ribbons, near a Military Camp
1788
Not on view
Johan Joseph Zoffany Warren Hastings
Johan Joseph Zoffany, 1733–1810
Warren Hastings
1783-1784
Not on view
Joseph Wright of Derby Vesuvius from Posillipo
Joseph Wright of Derby, 1734–1797
Vesuvius from Posillipo
ca. 1788
Not on view
Benjamin West The Bathing Place at Ramsgate
Benjamin West, 1738–1820
The Bathing Place at Ramsgate
ca. 1788
Not on view
Thomas Jones View of the Campi Flegrei from the Camaldolese Convent near Naples
Thomas Jones, 1742–1803
View of the Campi Flegrei from the Camaldolese Convent near Naples
1783
Not on view
Julius Caesar Ibbetson George Biggin
Julius Caesar Ibbetson, 1759–1817
George Biggin
1783
Not on view
William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake "There is No Natural Religion", London, by William Blake
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
George Romney Lady Clanricarde, Portrait of a Lady
George Romney, 1734–1802
Lady Clanricarde, Portrait of a Lady
1783
Matthew Haughton A Fashionable Audience
Matthew Haughton, 1768–1821
A Fashionable Audience
undated
Thomas Day Portrait of a Lady
Thomas Day, ca.1733–1807
Portrait of a Lady
1783
Samuel Owen Sailing Ships and Small Boats in Rough Sea off the Coast
Samuel Owen, 1768–1857
Sailing Ships and Small Boats in Rough Sea off the Coast
undated
Samuel Owen Shipping on a Stormy Day
Samuel Owen, 1768–1857
Shipping on a Stormy Day
undated
William Wood George Wolrige of Garlinneck
William Wood, 1768–1809
George Wolrige of Garlinneck
undated
Sir George Howland Beaumont seventh Baronet Mount Palatine
Sir George Howland Beaumont seventh Baronet, 1753–1827
Mount Palatine
1783
unknown artist Ground Plan of part of Sir Paul Pindar's Mansion, Bishopsgate
unknown artist
Ground Plan of part of Sir Paul Pindar's Mansion, Bishopsgate
after work dated 1783
Jacob More View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
Samuel Davis The Former Winter Capital of Bhutan at Punakha Dzong
Samuel Davis, 1760–1819
The Former Winter Capital of Bhutan at Punakha Dzong
1783
Samuel Hieronymus Grimm North East View of Mr. Hare's New House
Samuel Hieronymus Grimm, 1733–1794
North East View of Mr. Hare's New House
1783
Samuel Hieronymus Grimm East Side of Mr. Hare's New House
Samuel Hieronymus Grimm, 1733–1794
East Side of Mr. Hare's New House
1783
Joshua Cristall Girl in a Brown Dress
Joshua Cristall, 1768–1847
Girl in a Brown Dress
undated
James Parker The Fall of Agandecca
Print made by James Parker, 1750–1805
The Fall of Agandecca
1783
James Barry Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
James Barry, 1741–1806
Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
After 1783
James Barry His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
James Parker Fainasollis, Borbar and Fingal
James Parker, 1750–1805
Fainasollis, Borbar and Fingal
1783
John Raphael Smith Mademoiselle Baccelli
Print made by John Raphael Smith, 1752–1812
Mademoiselle Baccelli
1783
James Barry The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
James Barry The Society for the Encouragement of the Arts (2 copies)
James Barry, 1741–1806
The Society for the Encouragement of the Arts (2 copies)
after 1783
James Barry The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
after 1783
Joshua Cristall Tarbert Castle
Joshua Cristall, 1768–1847
Tarbert Castle
undated
William Dickinson Lord Robert Manners, Captain R.N.
Print made by William Dickinson, 1746–1823
Lord Robert Manners, Captain R.N
1783
John Jones John Henderson
Print made by John Jones, ca. 1745–1797
John Henderson
1783
John Raphael Smith George, Prince of Wales
Print made by John Raphael Smith, 1752–1812
George, Prince of Wales
1783
John Raphael Smith Mrs. Smith
Print made by John Raphael Smith, 1752–1812
Mrs. Smith
1783
John Raphael Smith Sir William James
John Raphael Smith, 1752–1812
Sir William James
1783
unknown artist The Inflexible Porter, a Tragedy
unknown artist
The Inflexible Porter, a Tragedy
1783
unknown artist Front, Side View, and Back Front, of a Modern fine Gentleman
unknown artist
Front, Side View, and Back Front, of a Modern fine Gentleman
1783
Francesco Bartolozzi Love Caressed
Francesco Bartolozzi, 1728–1815
Love Caressed
1783
Francesco Bartolozzi The Power of Beauty
Francesco Bartolozzi, 1728–1815
The Power of Beauty
1783
Francesco Bartolozzi The Power of Love
Francesco Bartolozzi, 1728–1815
The Power of Love
1783
Francesco Bartolozzi Prudence
Francesco Bartolozzi, 1728–1815
Prudence
1783
Francesco Bartolozzi Diego Ignacio de Pina Manique
Print made by Francesco Bartolozzi, 1728–1815
Diego Ignacio de Pina Manique
undated
Francesco Bartolozzi Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
undated
unknown artist View of the New Public Offices at Somerset House, fronting the Thames
unknown artist
View of the New Public Offices at Somerset House, fronting the Thames
1783
Francesco Bartolozzi Georgiana, Countess Spencer
Print made by Francesco Bartolozzi, 1728–1815
Georgiana, Countess Spencer
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Joshua Cristall Open Landscape with Cathedral in Distance
Joshua Cristall, 1768–1847
Open Landscape with Cathedral in Distance
undated
James Bretherton A pair: 1. Symptoms of Rearing, 2. Moses
James Bretherton, ca. 1730–1806
A pair: 1. Symptoms of Rearing, 2. Moses
1783
John Robert Cozens Ariccia
Print made by John Robert Cozens, 1752–1797
Ariccia
between 1783 and 1789
John Crome A Boatload
John Crome, 1768–1821
A Boatload
undated
James Gillray Two New Sliders for the State Magic Lanthern
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
James Sayer The Patriot Exalted
James Sayer, 1748–1823
The Patriot Exalted
ca. 1788
James Sayer A Transfer of East India Stock
James Sayer, 1748–1823
A Transfer of East India Stock
1783
James Sayer Such was the Love of Office of the Noble Lord, That finding he would not be Permitted to Mount the Box, He had been Content to get up Behind
James Sayer, 1748–1823
Such was the Love of Office of the Noble Lord, That finding he would not be Permitted to Mount the Box, He had been Content to get up Behind
1783
unknown artist All Alive, or the Political Churchyard
unknown artist
All Alive, or the Political Churchyard
1783
Pierre Audouin Angelica Kauffman
Print made by Pierre Audouin, 1768–1822
Angelica Kauffman
undated
James Bretherton A pair: 1. Symptoms of Rearing, 2. Moses
James Bretherton, ca. 1730–1806
A pair: 1. Symptoms of Rearing, 2. Moses
1783
Benjamin Thomas Pouncey Chase of a Cutter
Benjamin Thomas Pouncey, active 1772–1799
Chase of a Cutter
1783
Benjamin Thomas Pouncey Building of a Cutter
Benjamin Thomas Pouncey, active 1772–1799
Building of a Cutter
1783
Thomas Burke The Battle of Agincourt
Thomas Burke, 1749–1815
The Battle of Agincourt
1783
Thomas Burke The Battle of Agincourt
Thomas Burke, 1749–1815
The Battle of Agincourt
1783
Robert Blyth The Elevation of the Brazen Serpent in the Wilderness
Robert Blyth, 1750–1784
The Elevation of the Brazen Serpent in the Wilderness
1783
Robert Blyth Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
Robert Blyth, 1750–1784
Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
1783
James Walker The Spell, or Hobnelia
Print made by James Walker, 1748–1808
The Spell, or Hobnelia
1783
Joshua Cristall Landing a Catch of Mackerel, Hastings
Joshua Cristall, 1768–1847
Landing a Catch of Mackerel, Hastings
undated
unknown artist A View of Paddington Green
unknown artist
A View of Paddington Green
1783
Valentine Green Lady Amelia Hume
Valentine Green, 1739–1813
Lady Amelia Hume
1783
Edward Fisher John, Lord Cardiff
Edward Fisher, 1722–1785
John, Lord Cardiff
1783
unknown artist The Encampment in the Museum Garden
unknown artist
The Encampment in the Museum Garden
1783
John Raphael Smith Sir Harbord Harbord Bart.
John Raphael Smith, 1752–1812
Sir Harbord Harbord Bart
1783
unknown artist S. E. View of Copenhagen House
unknown artist
S. E. View of Copenhagen House
1783
Thomas Burke The Battle of Agincourt
Thomas Burke, 1749–1815
The Battle of Agincourt
1783
Robert Blyth The Elevation of the Brazen Serpent in the Wilderness
Robert Blyth, 1750–1784
The Elevation of the Brazen Serpent in the Wilderness
1783
Henry Kingsbury Samuel, Lord Hood
Print made by Henry Kingsbury, active 1750–1780
Samuel, Lord Hood
1783
Edward Topham The Union, - Whom --- Has Join'd, Let No Man put Asunder!
Edward Topham, 1751–1820
The Union, - Whom --- Has Join'd, Let No Man put Asunder!
1783
unknown artist A Perspective View of the Cities of London & Westminster
unknown artist
A Perspective View of the Cities of London & Westminster
1783