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Exhibition History William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
Remove constraint Exhibition History: William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)Classification Prints
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101
- Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
- 1794
102
- Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
- 1793
103
- Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
- 1793
104
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
105
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
106
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
107
- Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
- 1794
108
- Plate 6 (page 10): 'Disease invades the chastest temperence'
- 1797
109
- Plate 7 (page 12): 'Its favours here are trials, not rewards'
- 1797
110
- Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
- 1797
111
- Plate 13 (page 23): 'We censure nature for a span too short'
- 1797
112
- Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
- 1797
113
- Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
- 1797
114
- Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
- 1797
115
- Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
- 1797
116
- Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
- 1797
117
- The Complaint and the Consolation; or Night Thoughts (and title page)
- 1797
118
- Plate 3 (page 4): 'What, though my soul fantastick measures trod'
- 1797
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
119
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
120
- Europe. A Prophecy, Plate 1, Frontispiece
- 1794
121
- The First Book of Urizen, Plate 23 (Bentley 9)
- 1794
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
122
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
123
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
124
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
125
- The Book of Thel, Plate 2, Title Page
- 1789
126
- Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
- 1794
127
- The First Book of Urizen, Plate 11 (Bentley 17)
- 1794
128
- America. A Prophecy, Plate 2, Title Page
- 1793
129
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
130
- America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
- 1793
131
- Plate 33 (page 72): 'And vapid; sense and reason shew the door'
- 1797
132
- Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
- 1797
![William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'](https://media.collections.yale.edu/thumbnail/ycba/5a919703-759e-494b-a892-d66a8288096b)
133
- Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
- 1797
134
- Plate 9 (page 15):' The longest night though longer far, would fail'
- 1797
135
- Plate 12 (page 19): 'Emblem of that which shall awake the dead'
- 1797
136
- Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
- 1797
137
- Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
- 1797
138
- Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
- 1797
139
- Plate 21 (page 37): 'Love, and love only, is the loan for love'
- 1797
140
- Plate 22 (page 40): ' Angels should paint it, angels ever there'
- 1797
141
- Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
- 1797
142
- Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
- 1797
143
- Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
- 1797
144
- Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
- 1797
145
- Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
- 1797
146
- Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
- 1797
147
- Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
- 1797
148
- Plate 37 (page 86): 'His hand the good man fastens on the skies'
- 1797
149
- Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
- 1797
150
- Plate 41 (page 92): 'When faith is virtue, reason makes it so'
- 1797
151
- The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
- 1794
152
- Water; Plate 4
- 1793
153
- Earth; Plate 5
- 1793
154
- Air; Plate 6
- 1793
155
- At Length for Hatching Ripe He Breaks the Shell; Plate 8
- 1793
156
- Alas!; Plate 9
- 1793
157
- Help! Help!; Plate 12
- 1793
158
- The Traveller Hasteth in the Evening; Plate 16
- 1793
159
- Death's Door; Plate 17
- 1793
160
- I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
- 1793
161
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
162
- Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
- 1789
163
- Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
- 1789
164
- Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
- 1789
165
- Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
- 1794
166
- Chaucer's Canterbury Pilgrims
- 1810 to 1820
167
- Rev. John Caspar Lavater (1787-1801)
- 1800
168
- A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
- 1809
169
- Christ Appearing to the Apostles after the Resurrection
- 1795 to 1805
170
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
171
- The Shepherd
- 1827
172
- The Phoenix or the Resurrection of Freedom
- 1776
173
- Death on a Pale Horse
- 1784
174
- Pylades and Orestes
- 1771
175
- Queen Katherine's Dream
- 1788
176
- Job Reproved by his Friends
- 1777
177
- The Witch of En-Dor
- 1788
178
- Presages of the Millenium
- 1795
179
- A Father's Memoirs of His Child
- 1806
180
- A Father's Memoirs of His Child
- 1806
181
- A Select Collection of English Songs
- 1783
182
- A Select Collection of English Songs
- 1783
183
- A Select Collection of English Songs
- 1783
184
- A Select Collection of English Songs
- 1783
185
- A Select Collection of English Songs
- 1783
186
- A Father's Memoirs of His Child
- 1806
187
- A Select Collection of English Songs
- 1783
188
- A Select Collection of English Songs
- 1783
189
- A Select Collection of English Songs
- 1783
190
- A Select Collection of English Songs
- 1783
191
- A Select Collection of English Songs
- 1783
192
- A Select Collection of English Songs
- 1783
193
- A Select Collection of English Songs
- 1783
194
- A Select Collection of English Songs
- 1783
195
- A Select Collection of English Songs
- 1783
196
- A Select Collection of English Songs
- 1783
197
- A Select Collection of English Songs
- 1783
198
- Ballads
- 1805
199
- The Peasants' Nest: Cowper's tame Hares
- 1802
200
- Death's Door
- 1808