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1. Pendennis Castle, and Entrance of Falmouth Harbour

Pendennis Castle, and Entrance of Falmouth Harbour
Creator:
Print made by George Cooke, 1781–1834
Date:
1814-1826
Materials & Techniques:
Etching and engraving, first published state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/16 × 17 1/4 inches (28.4 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Flight from Belgium

The Flight from Belgium
Creator:
William Lee Hankey, 1869–1952
Date:
1914
Materials & Techniques:
Etching, aquatint, soft-ground etching, drypoint, and roulette on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 20 1/16 x 23 1/16 inches (51 x 58.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3. Pendennis Castle and Entrance of Falmouth Harbour

Pendennis Castle and Entrance of Falmouth Harbour
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching and engraving, Engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Pendennis Castle and Entrance of Falmouth Harbour

Pendennis Castle and Entrance of Falmouth Harbour
Creator:
Print made by George Cooke, 1781–1834
Date:
1814-1826
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 × 14 1/16 inches (25.6 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. William Tell's Chapel (vignette)

William Tell's Chapel (vignette)
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/4 × 12 7/8 inches (43.8 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A Scene in the New Farce - as Performed at the Royalty Theatre!

A Scene in the New Farce - as Performed at the Royalty Theatre!
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1821
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/2 × 13 5/8 inches (24.2 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
Creator:
Print made by James Gillray, 1756–1815
Date:
1805
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Ten Needle-Box Prints

Ten Needle-Box Prints
Creator:
Print made by Vincent Robert Alfred Brooks, 1814–1885
Date:
undated
Materials & Techniques:
Etching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 3/16 x 5 1/2 inches (10.6 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. View of Tonbridge During the Late Election, December 18, 1832

View of Tonbridge During the Late Election, December 18, 1832
Creator:
Print made by Joseph Josiah Dodd, 1809–1894
Date:
after 1832
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream card with cream chine collé
Dimensions:
Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. St. Germain-en-Laye

St. Germain-en-Laye
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Garrick Reading the Ode at the Shakespeare Jubilee

Garrick Reading the Ode at the Shakespeare Jubilee
Creator:
Caroline Watson, 1760–1814
Date:
1784
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 24 7/16 x 17 13/16 inches (62 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Alexander

12. The Monument of King Henry III, in Westminster Abbey

The Monument of King Henry III, in Westminster Abbey
Creator:
Jacob van Schley, 1715–1779
Date:
1735
Materials & Techniques:
Engraving on medium, slightly textured, white wove paper
Dimensions:
Sheet: 14 3/4 x 9 3/4 inches (37.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

13. The Monument in Westminster Abbey of King Henry V

The Monument in Westminster Abbey of King Henry V
Creator:
George Vertue, 1684–1756
Date:
between 1699-1756
Materials & Techniques:
Engraving on medium smooth laid paper
Dimensions:
Sheet: 14 1/2 × 9 inches (36.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Glasgow Exhibition: Ireland and Russia

Glasgow Exhibition: Ireland and Russia
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige Asian paper, laid on mount
Dimensions:
Sheet: 6 1/4 x 9 1/16 inches (15.9 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

15. George Fox in the Garden of Dr. Craddock at Coventry

George Fox in the Garden of Dr. Craddock at Coventry
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 9/16 x 9 7/16 inches (29.4 x 23.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

16. Picasso's Meninas

Picasso's Meninas
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1973
Materials & Techniques:
Etching, soft-ground etching, stipple engraving, open-bite, lift-ground, aquatint, line engraving, drypoint, and burnishing; artist's proof on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 29 13/16 x 22 3/8 inches (75.8 x 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Russell

17. The Monument of King Edward III in Westminster Abbey

The Monument of King Edward III in Westminster Abbey
Creator:
Claude Du Bosc, c.1711–1740
Date:
undated, ca. 1726-1740
Materials & Techniques:
Engraving on medium smooth laid paper
Dimensions:
Sheet: 14 3/4 × 8 3/4 inches (37.5 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. George Fox Is Stoned by the Crowd at Walney Island

George Fox Is Stoned by the Crowd at Walney Island
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/16 x 9 1/8 inches (28.1 x 23.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

19. George Fox Is Beaten in the Steeple-House at Ulverston

George Fox Is Beaten in the Steeple-House at Ulverston
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paperr
Dimensions:
Sheet: 9 5/16 x 11 11/16 inches (23.7 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

20. George Fox and Captain Keat

George Fox and Captain Keat
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/8 x 11 3/4 inches (23.2 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

21. George Fox Preaching at Carlisle

George Fox Preaching at Carlisle
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1897 and 1912
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/16 x 14 1/16 inches (29 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

22. George Fox Comes to London After the Great Fire

George Fox Comes to London After the Great Fire
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 11/16 x 18 7/16 inches (29.7 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

23. Brass Plate for John Lord L'Estrange and his Wife Jacquetta Woodville, Hillingdon Church

No cover image available
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 10 1/2 inches (38.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection