A View of the Church of S. Sabina and the Pyramid of Cestius, Rome
ca. 1825
Not on view
4
Richard Wilson, 1713/4–1782
A View of the Tiber with Rome in the Distance
ca. 1775
Not on view
5
Nathaniel Dance, 1735–1811
View near Rome
between 1754 and 1765
Not on view
6
Samuel Palmer, 1805–1881
Rome from San Spirito
undated
7
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
8
Edward Lear, 1812–1888
The Gardens of the Villa Albani
1840
9
Edward Lear, 1812–1888
Genezzano, 17 May 1838
1838
10
Edward Lear, 1812–1888
Campagna of Rome from Villa Mattei, from Views in Rome and its Environs, 1841
1841
11
Edward Lear, 1812–1888
Villa Torlania, formerly Villa Conti, Erascati
ca. 1844
12
John Robert Cozens, 1752–1797
Part of Civita Castellana, between Narni and Rome
undated
13
John Robert Cozens, 1752–1797
Near Terracina between Rome and Naples, October 1777
undated
14
John Robert Cozens, 1752–1797
Villa Mellini, July 1
undated
15
Print made by Robert Sargent Austin, 1895–1973
The Capitol, Rome
1923
16
Thomas Jones, 1742–1803
The Claudian Aqueduct and Colosseum
1778
17
James Barry, 1741–1806
Rome, A View of the Arch of Constantine with Other Ruins
undated
18
Sir George Howland Beaumont seventh Baronet, 1753–1827
Temple of Venus Monday, March 18th, 1782
1782
19
Abraham Louis Rodolphe Ducros, 1748–1810
Ruins of the Basilica of Maxentius in the Roman Forum
1779
20
George Robertson, 1749–1788
Colosseum, Rome, with Arch to the Left
after 1770
21
George Robertson, 1749–1788
The Colosseum, Rome
undated
22
Richard Wilson, 1713/4–1782
Temple of Minerva Medica, Rome
1754
23
Richard Wilson, 1713/4–1782
The Via Nomentana
1754
24
John Flaxman, 1755–1826
Trees in the Villa Negroni Planted by M. Angelo
undated
25
Willey Reveley, 1760–1799
Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome
ca. 1785
26
Willey Reveley, 1760–1799
Views in the Levant: Rome with Ruins seen Through an Archway
ca. 1785
27
unknown artist
The City of Ancient Rome as in the Reign of Caesar Augustus. Exhibiting in their proper Situations the Public & Magnificent Structures of Rome, in it's highest Glory