The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
14
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
15
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
16
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
17
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
18
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
19
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
20
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
21
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
22
William Blake, 1757–1827
And now behold the sun's departing ray
1821, reprinted 1977
23
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
24
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
25
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
26
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
27
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
28
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
29
William Blake, 1757–1827
The Pastorals of Virgil, London, 1821
1821, reprinted 1977
30
unknown artist
Coal Harbour House
undated
31
unknown artist
A Knight (St. George?) and a Dragon
undated
32
unknown artist
Nude Boy
undated
33
J. J. Rurie, active 1843
Three Men
34
J. J. Rurie, active 1843
In the Queen's Prison 1843 June
1843
35
unknown artist
Albion House Hammersmith Academy
undated
36
J. J. Rurie, active 1843
Prisoners Q.P. June 1843
1843
37
J. J. Rurie, active 1843
In the Queen's Prison July / 1843
1843
38
J. J. Rurie, active 1843
Queen's Prison July 1843
1843
39
J. J. Rurie, active 1843
Prison Buildings
40
J. J. Rurie, active 1843
Prisoners in the Queen' s Prison June 1843
1843
41
J. J. Rurie, active 1843
Queen's Prison July 1843
1843
42
Thomas D. W. Dearn, 1777–1853
Cottage near Calvert
43
Thomas D. W. Dearn, 1777–1853
Two Small Cottages
1830
44
Thomas D. W. Dearn, 1777–1853
A Country House
1830
45
Thomas D. W. Dearn, 1777–1853
Woman Standing by a Trough
1829
46
unknown artist
Lodge (North), Deepdene
47
Thomas Sibson, 1817–1844
Shrew Mouse and Other Sketches
1843
48
Thomas Sibson, 1817–1844
Two Profiles, Man and Woman
undated
49
Print made by Bernard Lens II, 1659–1725
An Indian King
1680-1690s
50
Print made by Bernard Lens II, 1659–1725
An Indian Queen
between 1680 and 1690s
51
unknown artist
South Front of Melrose Abbey, 1835
1835
52
unknown artist
Dryburgh Abbey, Sir Walter Scott's Sepulchre 1835
1835
53
unknown artist
Corpus Christi College, Cambridge
54
unknown artist
Burney's Cold Harbour, Gosport...Cold Harbour is now called Clarence Square
55
unknown artist
Plymouth Garrison
1841
56
Niccoló Schiavonetti, 1771–1813
Samuel Johnson
1809
57
unknown artist
L'Interieur de la Cathedrale aix la Chapelle
58
unknown artist
View from the Sands, Scarborough
59
John Newman, 1786–1859
Pas Llanberis
undated
60
unknown artist
Mount Edgecombe
1842
61
unknown artist
Beaumaris
62
unknown artist
Plymouth Sound and Breakwater
1841
63
J. J. Rurie, active 1843
Two Men in Brown Coats
64
J. J. Rurie, active 1843
Two Men in Top Hats
65
J. J. Rurie, active 1843
Two Figures
66
J. J. Rurie, active 1843
Five Prisoners
67
John Godfrey
Herstmonceux Castle, Sussex Pl. 1
undated
68
John Godfrey
Herstmonceux Castle Pl. I
1779
69
Thomas D. W. Dearn, 1777–1853
Thatched Cottage with an Old Man in the Yard
70
Henry Moses, ca. 1782–1870
[One from] An Album containing 11 drawings from marine subjects
71
John Godfrey
Herstmonceux Castle, Sussex Pl. 2
undated
72
John Godfrey
Herstmonceux Castle, Sussex Pl. 3
undated
73
Thomas D. W. Dearn, 1777–1853
Two Thatched Cottages
1833
74
Thomas D. W. Dearn, 1777–1853
Riverside Cottage with Figures on a Stone Bridge
75
Thomas D. W. Dearn, 1777–1853
Ruins of a Cottage
76
Print made by Thomas Higham, 1796–1844
Aberdeen
1838
77
unknown artist
Dalswinton on the Frith
78
John Brandard, 1812–1863
Guy's Cliff/ The Seat of the Honorable C.B. Percy
1845
79
unknown artist
Il Ponte di Rialto - Venice
80
Print made by Frederick Landseer Maur Griggs, 1876–1938
Duntisbourne Rouse
1927
81
Thomas Beilby, 1747–1826
Drawings after Nature by Thomas Beilby, Sheffield, Yorkshire
1768 to 1780
82
Edward P. Brandard, 1819–1898
Marlowe Meadows
1884
83
unknown artist
Samuel Johnson
84
Henry Thomas Alken, 1785–1851
Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume
85
Henry Thomas Alken, 1785–1851
Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume
86
Henry Thomas Alken, 1785–1851
Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume
87
Henry Thomas Alken, 1785–1851
Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume
88
Henry Thomas Alken, 1785–1851
Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume
89
Henry Thomas Alken, 1785–1851
Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume
90
Henry Thomas Alken, 1785–1851
Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume
91
Henry Thomas Alken, 1785–1851
Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume
92
Henry Thomas Alken, 1785–1851
Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume
93
Henry Thomas Alken, 1785–1851
Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume
94
Henry Thomas Alken, 1785–1851
Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume
95
John Northcote Nash, 1893–1977
Ono, Elegy 6, BK2
c.1925
96
Maud L. Wethered, 1898
[Harbor]
ca. 1925
97
Robert Cockburn, 1812–1836
Giaber, May 1836
1835-1836
98
John Postle Heseltine, 1843–1929
Le Pont de Waterloo a Londres
1897
99
unknown artist
Carriage
100
Print made by Frederick Landseer Maur Griggs, 1876–1938