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Materials & Techniques black ink
Remove constraint Materials & Techniques: black inkGenre literary theme
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1
- Oberon and Titania
- 1837
2
- John Henderson as Falstaff
- 1780
3
- The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
- 1794
4
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
5
- The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
6
- The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
- between 1797 and 1798
7
- The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
- between 1797 and 1798
8
- The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
- between 1797 and 1798
9
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
10
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
11
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
12
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
13
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
14
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
15
- Jerusalem, Plate 53, "Jerusalem / Chap. 3"
- 1804 to 1820
16
- Jerusalem, Plate 54, "In Great Eternity...."
- 1804 to 1820
17
- Jerusalem, Plate 55, "When those who disregard...."
- 1804 to 1820
18
- Jerusalem, Plate 56, "Then Los heaved...."
- 1804 to 1820
19
- Jerusalem, Plate 57, "And the voices of Bath...."
- 1804 to 1820
20
- Jerusalem, Plate 59, "And formed into Four precious stones...."
- 1804 to 1820
21
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
22
- Jerusalem, Plate 51
- 1804 to 1820
23
- Jerusalem, Plate 52, "To the Deists...."
- 1804 to 1820
24
- Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
- 1804 to 1820
25
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
26
- The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
27
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
28
- The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
29
- The Poems of Thomas Gray, Design 29, "A Long Story."
- between 1797 and 1798
30
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
31
- The Poems of Thomas Gray, Design 33, "A Long Story."
- between 1797 and 1798
32
- The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
- between 1797 and 1798
33
- The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
- between 1797 and 1798
34
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
35
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
36
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
37
- Songs of Innocence, Plate 16, "Night" (Bentley 20)
- 1789
38
- Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
- 1789
39
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
40
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
41
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
42
- America. A Prophecy, Plate 7, "Albions Angel stood...."
- 1793
43
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
44
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
45
- The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
46
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
47
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
48
- The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
49
- The Poems of Thomas Gray, Design 27, "A Long Story."
- between 1797 and 1798
50
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
51
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
52
- The Poems of Thomas Gray, Design 37, "Ode to Adversity."
- between 1797 and 1798
53
- The Poems of Thomas Gray, Design 39, "Ode to Adversity."
- between 1797 and 1798
54
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
55
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
56
- The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
- between 1797 and 1798
57
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
58
- Jerusalem, Plate 29, "Then the Divine Vision...."
- 1804 to 1820
59
- Jerusalem, Plate 3, "To the Public...."
- 1804 to 1820
60
- Jerusalem, Plate 30, "And the Two that escaped...."
- 1804 to 1820
61
- Jerusalem, Plate 31, "His western heaven...."
- 1804 to 1820
62
- Jerusalem, Plate 32, "Leaning against the pillars...."
- 1804 to 1820
63
- Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
- 1804 to 1820
64
- Jerusalem, Plate 35, "Then the Divine hand...."
- 1804 to 1820
65
- Jerusalem, Plate 36, "Reuben returnd to his place...."
- 1804 to 1820
66
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
67
- Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
- 1804 to 1820
68
- Jerusalem, Plate 46, "Bath, mild Physician...."
- 1804 to 1820
69
- Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."
- 1804 to 1820
70
- Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."
- 1804 to 1820
71
- Jerusalem, Plate 62, "Repose on me...."
- 1804 to 1820
72
- Jerusalem, Plate 64, "Of the Mundane Shell...."
- 1804 to 1820
73
- Jerusalem, Plate 66, "In awful pomp & gold...."
- 1804 to 1820
74
- Jerusalem, Plate 68, "O Skofield why art thou cruel?...."
- 1804 to 1820
75
- Jerusalem, Plate 70, "And this the form of mighty Hand...."
- 1804 to 1820
76
- Jerusalem, Plate 72, "And the Thirty-two Counties...."
- 1804 to 1820
77
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798
78
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
79
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
80
- The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
- between 1797 and 1798
81
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
82
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
83
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
84
- Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
- 1793
85
- Jerusalem, Plate 100
- 1804 to 1820
86
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
87
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
88
- Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
- 1804 to 1820
89
- Jerusalem, Plate 24, "What have I said?...."
- 1804 to 1820
90
- Jerusalem, Plate 25, "And there was heard...."
- 1804 to 1820
91
- Jerusalem, Plate 8, "Rose up against me...."
- 1804 to 1820
92
- Jerusalem, Plate 77, "To the Christians...."
- 1804 to 1820
93
- Jerusalem, Plate 80, "Encompassd by the frozen net...."
- 1804 to 1820
94
- Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
- 1804 to 1820
95
- Jerusalem, Plate 84, "Highgates heights & Hampstead...."
- 1804 to 1820
96
- Jerusalem, Plate 87, "Repelling weeping Enion...."
- 1804 to 1820
97
- Jerusalem, Plate 88, "Los answerd sighing...."
- 1804 to 1820
98
- Jerusalem, Plate 89, "Tho divided by the Cross...."
- 1804 to 1820
99
- Jerusalem, Plate 94, "Albion cold lays on his Rock...."
- 1804 to 1820
100
- Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
- 1804 to 1820