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Creator Blake, William, 1757–1827

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201. Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)

Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

202. Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)

Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

203. Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

204. Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

205. Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

206. Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

207. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching printed in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

208. Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

209. Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

210. Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

211. Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

212. Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

213. Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
Creator:
William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

214. Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
Creator:
William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

215. Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

216. Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

217. The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

218. The First Book of Urizen, Plate 8 (Bentley 9)

The First Book of Urizen, Plate 8 (Bentley 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

219. The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)

The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

220. The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)

The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

221. The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)

The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

222. The First Book of Urizen, Plate 16 (Bentley 17)

The First Book of Urizen, Plate 16 (Bentley 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

223. The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)

The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

224. The First Book of Urizen, Plate 21 (Bentley 27)

The First Book of Urizen, Plate 21 (Bentley 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

225. The First Book of Urizen, Plate 18 (Bentley 21)

The First Book of Urizen, Plate 18 (Bentley 21)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

226. I Found Him Beneath a Tree; Plate 3

I Found Him Beneath a Tree; Plate 3
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

227. Water; Plate 4

Water; Plate 4
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

228. Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

229. Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)

Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

230. Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)

Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

231. Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

232. Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)

Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

233. Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)

Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
Creator:
William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

234. Plate 33 (page 72): 'And vapid; sense and reason shew the door'

Plate 33 (page 72): 'And vapid; sense and reason shew the door'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

235. The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

236. Aged Ignorance; Plate 13

Aged Ignorance; Plate 13
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

237. Illustrations of The Book of Job, Title Page

Illustrations of The Book of Job, Title Page
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 3/4 inches (38.7 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

238. Book of Job, Plate 1, Job and His Family

Book of Job, Plate 1, Job and His Family
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 3/4 inches (38.7 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

239. Book of Job, Plate 3, Jacob's Sons and Daughters Overwhelmed by Satan

Book of Job, Plate 3, Jacob's Sons and Daughters Overwhelmed by Satan
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

240. Book of Job, Plate 4, The Messengers Tell Job of His Misfortunes

Book of Job, Plate 4, The Messengers Tell Job of His Misfortunes
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

241. Book of Job, Plate 5, Satan Going Forth from the Presence of the Lord and Job's Charity

Book of Job, Plate 5, Satan Going Forth from the Presence of the Lord and Job's Charity
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 3/4 inches (38.4 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

242. Book of Job, Plate 11, Job's Evil Dreams

Book of Job, Plate 11, Job's Evil Dreams
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 11 inches (37.8 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

243. Book of Job, Plate 12, The Wrath of Elihu

Book of Job, Plate 12, The Wrath of Elihu
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 5/8 inches (38.4 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

244. Book of Job, Plate 13, The Lord Answering Job out of the Whirlwind

Book of Job, Plate 13, The Lord Answering Job out of the Whirlwind
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

245. Book of Job, Plate 16, The Fall of Satan

Book of Job, Plate 16, The Fall of Satan
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

246. Book of Job, Plate 14, When the Morning Stars Sang Together

Book of Job, Plate 14, When the Morning Stars Sang Together
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

247. Book of Job, Plate 20, Job and His Daughters

Book of Job, Plate 20, Job and His Daughters
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 5/8 inches (38.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

248. Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)

Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

249. Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

250. Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

251. Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

252. Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)

Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

253. Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)

Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

254. Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

255. Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

256. Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

257. Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)

Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

258. Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)

Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

259. Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)

Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
Creator:
William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

260. Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)

Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
Creator:
William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

261. Visions of the Daughters of Albion, Plate 1, Frontispiece

Visions of the Daughters of Albion, Plate 1, Frontispiece
Creator:
William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

262. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
Creator:
William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

263. Plate 43 (page 95): 'The goddess bursts in thunder and in flame'

Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

264. The Book of Thel, Plate 1, "Thel's Motto . . . ."

The Book of Thel, Plate 1, "Thel's Motto . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and green ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

265. Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

266. Plate 7 (page 12): 'Its favours here are trials, not rewards'

Plate 7 (page 12): 'Its favours here are trials, not rewards'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

267. Plate 8 (page 13): 'The present moment terminates our sight'

Plate 8 (page 13): 'The present moment terminates our sight'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

268. Plate 13 (page 23): 'We censure nature for a span too short'

Plate 13 (page 23): 'We censure nature for a span too short'
Creator:
Engravings by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

269. Plate 15 (page 25): 'Behold him, when past by; what then is seen'

Plate 15 (page 25): 'Behold him, when past by; what then is seen'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

270. Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"

Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

271. Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'

Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

272. Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'

Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

273. Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'

Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

274. Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

275. Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

276. Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

277. Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

278. Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

279. Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

280. Jerusalem, Plate 10, "Into the Furnaces...."

Jerusalem, Plate 10, "Into the Furnaces...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

281. Jerusalem, Plate 100

Jerusalem, Plate 100
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

282. Jerusalem, Plate 1, Frontispiece

Jerusalem, Plate 1, Frontispiece
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

283. The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)

The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

284. The First Book of Urizen, Plate 5 (Bentley 12)

The First Book of Urizen, Plate 5 (Bentley 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

285. The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)

The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

286. The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)

The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

287. The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

288. The First Book of Urizen, Plate 12 (Bentley 22)

The First Book of Urizen, Plate 12 (Bentley 22)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

289. The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)

The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

290. The First Book of Urizen, Plate 14 (Bentley 14)

The First Book of Urizen, Plate 14 (Bentley 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

291. The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)

The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

292. The First Book of Urizen, Plate 22 (Bentley 24)

The First Book of Urizen, Plate 22 (Bentley 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

293. The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)

The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

294. The First Book of Urizen, Plate 24 (Bentley 26)

The First Book of Urizen, Plate 24 (Bentley 26)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

295. For Children. The Gates of Paradise, Title Page; Plate 2

For Children. The Gates of Paradise, Title Page; Plate 2
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

296. Earth; Plate 5

Earth; Plate 5
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

297. Air; Plate 6

Air; Plate 6
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

298. Fire; Plate 7

Fire; Plate 7
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

299. My Son! My Son!; Plate 10

My Son! My Son!; Plate 10
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

300. Alas!; Plate 9

Alas!; Plate 9
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection