Collection: Prints and Drawings / Period: 18th century / Creator: Blake, William, 1757–1827 - YCBA Collections Search Search Results

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Collection Prints and Drawings

Period 18th century

Creator Blake, William, 1757–1827

William Blake Water; Plate 4

Print made by William Blake, 1757–1827

Water; Plate 4

1793

William Blake At Length for Hatching Ripe He Breaks the Shell; Plate 8

Print made by William Blake, 1757–1827

At Length for Hatching Ripe He Breaks the Shell; Plate 8

1793

William Blake Help! Help!; Plate 12

Print made by William Blake, 1757–1827

Help! Help!; Plate 12

1793

William Blake Fear & Hope Are -- Vision; Plate 15

Print made by William Blake, 1757–1827

Fear & Hope Are -- Vision; Plate 15

1793

William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'

William Blake, 1757–1827

Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'

1797

William Blake The Book of Thel, Plate 2, Title Page

Print made by William Blake, 1757–1827

The Book of Thel, Plate 2, Title Page

1789

William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

1789

William Blake The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

1789

William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

1789

William Blake Plate 8 (page 13): 'The present moment terminates our sight'

William Blake, 1757–1827

Plate 8 (page 13): 'The present moment terminates our sight'

1797

William Blake Plate 9 (page 15):' The longest night though longer far, would fail'

Engravings by William Blake, 1757–1827

Plate 9 (page 15):' The longest night though longer far, would fail'

1797

William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'

William Blake, 1757–1827

Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'

1797

William Blake Plate 12 (page 19): 'Emblem of that which shall awake the dead'

William Blake, 1757–1827

Plate 12 (page 19): 'Emblem of that which shall awake the dead'

1797

William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'

William Blake, 1757–1827

Plate 15 (page 25): 'Behold him, when past by; what then is seen'

1797

William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"

William Blake, 1757–1827

Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"

1797

William Blake Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'

William Blake, 1757–1827

Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'

1797

William Blake The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."

1789

William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

William Blake, 1757–1827

Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

1797

William Blake Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'

William Blake, 1757–1827

Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'

1797

William Blake Plate 21 (page 37): 'Love, and love only, is the loan for love'

William Blake, 1757–1827

Plate 21 (page 37): 'Love, and love only, is the loan for love'

1797

William Blake Plate 22 (page 40): ' Angels should paint it, angels ever there'

William Blake, 1757–1827

Plate 22 (page 40): ' Angels should paint it, angels ever there'

1797

William Blake The Complaint and the Consolation; or Night Thoughts (and title page)

William Blake, 1757–1827

The Complaint and the Consolation; or Night Thoughts (and title page)

1797

William Blake Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'

William Blake, 1757–1827

Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'

1797

William Blake Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'

William Blake, 1757–1827

Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'

1797

William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'

William Blake, 1757–1827

Plate 6 (page 10): 'Disease invades the chastest temperence'

1797

William Blake Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'

William Blake, 1757–1827

Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'

1797

William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

William Blake, 1757–1827

Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

1797

William Blake Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'

William Blake, 1757–1827

Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'

1797

William Blake Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'

William Blake, 1757–1827

Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'

1797

William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

William Blake, 1757–1827

Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

1797

William Blake Plate 26 (page 49): 'As if the sun could envy, check'd his beam'

William Blake, 1757–1827

Plate 26 (page 49): 'As if the sun could envy, check'd his beam'

1797

William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'

William Blake, 1757–1827

Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'

1797

William Blake Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'

William Blake, 1757–1827

Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'

1797

William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'

William Blake, 1757–1827

Plate 43 (page 95): 'The goddess bursts in thunder and in flame'

1797

William Blake The Book of Thel, Plate 1, "Thel's Motto . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 1, "Thel's Motto . . . ."

1789

William Blake The Book of Thel, Plate 5, "II. / O little Cloud . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 5, "II. / O little Cloud . . . ."

1789

William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'

William Blake, 1757–1827

Plate 7 (page 12): 'Its favours here are trials, not rewards'

1797

William Blake Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'

William Blake, 1757–1827

Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'

1797

William Blake Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

1794

William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'

William Blake, 1757–1827

Plate 3 (page 4): 'What, though my soul fantastick measures trod'

1797

William Blake Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'

William Blake, 1757–1827

Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'

1797

William Blake Plate 13 (page 23): 'We censure nature for a span too short'

Engravings by William Blake, 1757–1827

Plate 13 (page 23): 'We censure nature for a span too short'

1797

William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

William Blake, 1757–1827

Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

1797

William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'

William Blake, 1757–1827

Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'

1797

William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'

William Blake, 1757–1827

Plate 37 (page 86): 'His hand the good man fastens on the skies'

1797

William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'

William Blake, 1757–1827

Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'

1797

William Blake May-Day in London

William Blake, 1757–1827

May-Day in London

1784

William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

1797

William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

1797

William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

William Blake Romeo and Juliet, Act IV, Scene V

Print made by William Blake, 1757–1827

Romeo and Juliet, Act IV, Scene V

1799

William Blake "The Book of Thel William Blake Original Wrappers 1789"

William Blake, 1757–1827

"The Book of Thel William Blake Original Wrappers 1789"

1789

William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

1789

William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

William Blake Beggar's Opera, Act III

William Blake, 1757–1827

Beggar's Opera, Act III

c.1790

William Blake An Essay on Sculpture on a Series of Epistles to John Flaxman

William Blake, 1757–1827

An Essay on Sculpture on a Series of Epistles to John Flaxman

1800

William Blake An Essay on Sculpture on a Series of Epistles to John Flaxman

William Blake, 1757–1827

An Essay on Sculpture on a Series of Epistles to John Flaxman

1800

William Blake The Death of Juliet

Print made by William Blake, 1757–1827

The Death of Juliet

1799

William Blake The Shepherd, from Songs of Innocence

William Blake, 1757–1827

The Shepherd, from Songs of Innocence

ca. 1795

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake An Essay on Sculpture on a Series of Epistles to John Flaxman

William Blake, 1757–1827

An Essay on Sculpture on a Series of Epistles to John Flaxman

1800

William Blake Spring, from Songs of Innocence

Print made by William Blake, 1757–1827

Spring, from Songs of Innocence

ca. 1795

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons

William Blake, 1757–1827

Tiriel Supporting the Dying Myratana and Cursing His Sons

1786 to 1789

William Blake Moses Receiving the Law

William Blake, 1757–1827

Moses Receiving the Law

ca. 1780

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake "There is No Natural Religion", London, by William Blake

William Blake, 1757–1827

"There is No Natural Religion", London, by William Blake

ca. 1788

William Blake Songs of Innocence and of Experience

William Blake, 1757–1827

Songs of Innocence and of Experience

1789-1794

William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young

William Blake, 1757–1827

"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young

1797

William Blake The [First] Book of Urizen

William Blake, 1757–1827

The [First] Book of Urizen

1794

William Blake The Complaint and The Consolation: or Night Thoughts

William Blake, 1757–1827

The Complaint and The Consolation: or Night Thoughts

ca. 1797

William Blake The Complaint and the Consolation; or Night Thoughts

William Blake, 1757–1827

The Complaint and the Consolation; or Night Thoughts

1797

William Blake For Children. The Gates of Paradise, London, by William Blake

William Blake, 1757–1827

For Children. The Gates of Paradise, London, by William Blake

1793

William Blake "Visions of the Daughters of Albion", London, by William Blake

William Blake, 1757–1827

"Visions of the Daughters of Albion", London, by William Blake

1793

William Blake Pity

Print made by William Blake, 1757–1827

Pity

ca. 1795

William Blake Fable XXII. The Goat Without a Beard

Print made by William Blake, 1757–1827

Fable XXII. The Goat Without a Beard

1793

William Blake Fable XXIV. The Butterfly and the Snail

Print made by William Blake, 1757–1827

Fable XXIV. The Butterfly and the Snail

1793

William Blake Fable XLI. The Owl and the Farmer

Print made by William Blake, 1757–1827

Fable XLI. The Owl and the Farmer

1793

William Blake Fable I. The Dog and the Fox

Print made by William Blake, 1757–1827

Fable I. The Dog and the Fox

1793

William Blake Fable XII. Pan and Fortune

Print made by William Blake, 1757–1827

Fable XII. Pan and Fortune

1793

William Blake Europe. A Prophecy, 1793 (printed 1795)

William Blake, 1757–1827

Europe. A Prophecy, 1793 (printed 1795)

1793, printed 1795

William Blake The Book of Thel

William Blake, 1757–1827

The Book of Thel

1789

William Blake Fable XIII. The Tame Stag

Print made by William Blake, 1757–1827

Fable XIII. The Tame Stag

1793

William Blake Fable XXVIII. The Persian, the Sun, and the Cloud

Print made by William Blake, 1757–1827

Fable XXVIII. The Persian, the Sun, and the Cloud

1793

William Blake Fable XXX. The Setting-dog and the Partridge

Print made by William Blake, 1757–1827

Fable XXX. The Setting-dog and the Partridge

1793

William Blake Fable XVI. The Ravens, the Sexton, and the Earth-Worm

Print made by William Blake, 1757–1827

Fable XVI. The Ravens, the Sexton, and the Earth-Worm

1793