Collection: Prints and Drawings / Period: 18th century - YCBA Collections Search Search Results

15301. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15302. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15303. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15304. Temple of Peace

Creator:: Print made by Michael "Angelo" Rooker, 1746–1801
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15305. Baths of Dioclesian

Creator:: Print made by James Gandon, 1742–1823
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15306. Circus of Caracalla

Creator:: Print made by Edward Rooker, 1724–1774
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15307. In the Villa Adriana

Creator:: Print made by Michael "Angelo" Rooker, 1746–1801
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15308. The Lignum vitae, or Guaiacum, Plate 9

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 8 5/8 inches (33 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

15309. Lady

Creator:: John Bogle, 1746–1804
Date:: 1784
Materials & Techniques:: Watercolor on ivory set in rose gold locket
Dimensions:: Frame: 1 1/2 × 1 1/8 × 1/8 inches (3.8 × 2.9 × 0.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

15310. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15311. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15312. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15313. Cavalry Advancing to the Charge

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1735
Materials & Techniques:: Etching and chiaroscuro woodcut on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 10 1/2 inches (21.6 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

15314. The Right Honourable Lady Mary Campbell

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: between 1762 and 1765
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 14 inches (50.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

15315. Gymnastics for Youth

Creator:: Christian Gotthilf Salzmann, 1744–1811
Date:: 1800
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15316. Gymnastics for Youth

Creator:: Christian Gotthilf Salzmann, 1744–1811
Date:: 1800
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15317. Gymnastics for Youth

Creator:: Christian Gotthilf Salzmann, 1744–1811
Date:: 1800
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15318. The British Naval Hero

Creator:: Print made by John Young, 1755–1825
Date:: 1800
Materials & Techniques:: Color-printed mezzotint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 28 1/4 inches (58.7 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Carole Young

15319. Self Portrait

Creator:: Thomas Frye, 1710–1762
Date:: 1762
Materials & Techniques:: Enamel, oil on board
Dimensions:: Overall: 10 × 8 inches (25.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Christopher Bryant

15320. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15321. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15322. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15323. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15324. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15325. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15326. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15327. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15328. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15329. The Male Popaw Tree, Papaya, Plate 14

Creator:: Print made by Georg Dionysius Ehret, 1708–1770
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 9 inches (35.2 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

15330. The Bay-Berry Tree, Myrtus arborea aromatica, Plate X

Creator:: Print made by Georg Dionysius Ehret, 1708–1770
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 × 9 inches (33.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

15331. The Female Popaw Tree, Papaya, Plate 15

Creator:: Print made by Georg Dionysius Ehret, 1708–1770
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 9 inches (35.6 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

15332. The Tree Jessamin, Plate 17

Creator:: Print made by Georg Dionysius Ehret, 1708–1770
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 8 3/4 inches (33 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

15333. The Pine Apple, Anana, Plate 21

Creator:: Print made by Georg Dionysius Ehret, 1708–1770
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 8 5/8 inches (33 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

15334. The Sea-side Laurel, Plate 22

Creator:: Print made by J. Mynde, active 1740–1770
Date:: 1750
Materials & Techniques:: Line engraving with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 8 3/8 inches (33 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Kosto, Yale 1957, MD 1962

15335. Young Lady

Creator:: Richard Crosse, 1742–1810
Date:: ca. 1790
Materials & Techniques:: Watercolor on ivory set in in rose gold locket with bale
Dimensions:: Frame: 3 1/4 × 2 1/2 × 1/8 inches (8.3 × 6.4 × 0.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

15336. Young Lady

Creator:: John Bogle, 1746–1804
Date:: 1781
Materials & Techniques:: Watercolor on ivory set in a metal locket frame
Dimensions:: Frame: 1 1/2 × 1 1/4 × 1/8 inches (3.8 × 3.2 × 0.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

15337. Gentleman from a Pair of Portraits of a Lady and Gentleman

Creator:: George Engleheart, 1753–1829
Date:: ca. 1770
Materials & Techniques:: Watercolor on ivory set in rose gold bracelet locket
Dimensions:: Frame: 1 1/2 × 1 1/4 × 1/8 inches (3.8 × 3.2 × 0.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

15338. Young Woman

Creator:: Edward Greene Malbone, 1777 - 1807
Date:: 1796
Materials & Techniques:: Watercolor on ivory set in rose gold locket with bale and ring
Dimensions:: Frame: 2 3/8 × 2 1/8 × 1/8 inches (6 × 5.4 × 0.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

15339. Young Woman from a Pair of Miniatures, Possibly Husband and Wife

Creator:: George Francis Joseph, 1764–1846
Date:: ca. 1798
Materials & Techniques:: Watercolor and white gouache on ivory set in a rose gold pinned locket with bale and ring
Dimensions:: Frame: 3 1/4 × 2 3/4 × 1/8 inches (8.3 × 7 × 0.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

15340. Lady from a Pair of Portraits of a Lady and Gentleman

Creator:: George Engleheart, 1753–1829
Date:: ca. 1770
Materials & Techniques:: Watercolor on ivory set in rose gold bracelet locket
Dimensions:: Frame: 1 1/2 × 1 1/4 × 1/8 inches (3.8 × 3.2 × 0.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

15341. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15342. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15343. Thoughts on Outline, Sculpture, and the System that Guided Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15344. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15345. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15346. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15347. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15348. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15349. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15350. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15351. Bridge near the Beach, Old Panama

Creator:: Eadweard Muybridge, 1830–1904
Date:: between 1875 and 1877
Materials & Techniques:: Albumen print from wet collodion glass negative on thin, smooth, cream wove paper
Dimensions:: Frame: 12 5/8 × 16 1/2 × 1 inches (32.1 × 41.9 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

15352. Spirit of Aristocracy enforcing Reform, or, The Rights of Kings maintained

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Etching with hand coloring in watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 × 18 7/8 inches (33 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

15353. Scrub and Archer

Creator:: Published by William Holland, 1757–1815
Date:: 1783
Materials & Techniques:: Etching with hand coloring in watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 9 1/8 inches (24.8 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

15354. James Gordon (black coat)

Creator:: John Smart, 1741–1811
Date:: 1765
Materials & Techniques:: Watercolor and gouache on card
Dimensions:: Frame: 1 5/8 × 1 1/8 × 1/4 inches (4.1 × 2.9 × 0.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Ann and Kenneth Rapoport

15355. Gentleman

Creator:: Nathaniel Hone, 1718–1784
Date:: 1761
Materials & Techniques:: Watercolor and gouache on card
Dimensions:: Frame: 1 3/8 × 1 1/8 × 1/4 inches (3.5 × 2.9 × 0.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Ann and Kenneth Rapoport

15356. Lady, pearl choker

Creator:: Thomas Redmond, ca. 1745–1785
Date:: 1772
Materials & Techniques:: Watercolor and gouache with silver on card
Dimensions:: Frame: 1 5/8 × 1 1/4 × 1/4 inches (4.1 × 3.2 × 0.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Ann and Kenneth Rapoport

15357. Sir John Fielding, As Chairman of the Quarter Sessions for the City of Westminster

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1778
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 × 15 1/2 inches (53.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

15358. Butler's Hudibras

Creator:: Text by Samuel Butler, 1613–1680
Date:: 1726
Materials & Techniques:: Book
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

15359. The Memorial of Lord Darnley

Creator:: Bernard Lens III, 1682–1740
Date:: 1728
Materials & Techniques:: Gouache on vellum wrapped around panel
Dimensions:: Sheet: 11 1/4 × 18 1/4 inches (28.6 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

15360. William Cavendish, 4th Duke of Devonshire, Marquess of Hartington

Creator:: Print made by John Brooks, active 1730–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 3/8 × 14 3/8 inches (51.8 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15361. Spectrum Dioneum

Creator:: Print made by Henry Fuseli, 1741–1825
Date:: 1768
Materials & Techniques:: Etching with hand coloring in watercolor
Dimensions:: Frame: 34 1/2 × 30 3/4 × 1 1/4 inches (87.6 × 78.1 × 3.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

15362. The Case is Altered

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 × 13 1/8 inches (23.8 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

15363. At a Tragedy

Creator:: Print made by unknown artist
Date:: 1795
Materials & Techniques:: Mezzotint with hand coloring in watercolor on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 9 1/8 × 5 3/4 inches (23.2 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

15364. Moses Brought to Pharaoh's Daughter

Creator:: Print made by Luke Sullivan, 1705–1771
Date:: 1752
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 16 5/8 × 20 5/8 inches (42.2 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

15365. Slender Billy & hopping Harry trying to bring a wild Irish bull to Westminster to be baited by English bull dogs.

Creator:: Print made by unknown artist
Date:: 1800
Materials & Techniques:: Etching with hand coloring in watercolor on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 8 7/8 × 12 1/8 inches (22.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

15366. Members of the Whig Club

Creator:: Print made by Robert Dighton, 1752–1814
Date:: 1798
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 5/8 × 7 1/2 inches (24.4 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

15367. Paul Before Felix

Creator:: Print made by Luke Sullivan, 1705–1771
Date:: 1752
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 16 3/4 × 20 3/4 inches (42.5 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

15368. Marriage à la Mode, Plate 2

Creator:: Print made by Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 15 1/4 × 18 1/4 inches (38.7 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

15369. Shrimp Girl

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Engraving
Dimensions:: Plate: 10 5/8 x 8 1/8 inches (27 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mary E. Knapp

15370. Classical Landscape

Creator:: Bernard Lens III, 1682–1740
Date:: 1717
Materials & Techniques:: Gouache and gum arabic on vellum
Dimensions:: Sheet: 7 5/8 × 10 1/4 inches (19.4 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

15371. View of Greenwich from Deptford Yard

Creator:: Joseph Farington, 1747–1821
Date:: before 1795
Materials & Techniques:: Watercolor, gray wash and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 11 1/2 inches (19.1 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15372. View of St. Paul's Cathedral from below Blackfriars

Creator:: Joseph Farington, 1747–1821
Date:: 1791
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 1/4 inches (17.5 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15373. The Old Cheshire Cheese

Creator:: Everard Morant Cox, active 1876–1886
Date:: ca. 1886
Materials & Techniques:: Pen and black ink with drawn border on heavy wove card
Dimensions:: Sheet: 12 3/4 x 8 15/16in. (32.4 x 22.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15374. Valley of the Yosemite from Glacier Point, No.33

Creator:: Eadweard Muybridge, 1830–1904
Date:: 1872
Materials & Techniques:: Albumen print on thin, smooth, beige wove paper
Dimensions:: Sheet: 16 1/2 × 21 1/8 inches (41.9 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

15375. The Seizure, or Give the Devil His Due

Creator:: Jeffreyes Hamett O'Neale, 1750–1806
Date:: 1763
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 7/8 × 19 1/8 inches (30.2 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

15376. The Garden Front of Garrahundon House, County Carlow

Creator:: William Halfpenny, active 1723–1755
Date:: 1734
Materials & Techniques:: Pen and ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 19 1/4 inches (30.8 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

15377. The 'Old Cheshire Cheese' Wine Office Court, Fleet Street

Creator:: Everard Morant Cox, active 1876–1886
Date:: ca. 1886
Materials & Techniques:: Pen and black ink with drawn border on heavy wove card
Dimensions:: Sheet: 12 5/8 x 9 5/8in. (32.1 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15378. Elisabet Comitissa Warwyck

Creator:: Print made by unknown artist
Date:: 1798
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery Collection

15379. King James II

Creator:: Print made by George Vertue, 1684–1756
Date:: 1736
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery Collection

15380. A Ship of War, of the First Rate, with Rigging &c. at Anchor

Creator:: Print made by unknown artist
Date:: ca. 1728
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery Collection

15381. Ships of the Secret Expedition against the Havannah

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: ca. 1764
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery Collection

15382. Richmond Castle

Creator:: George Cuitt, 1743–1818
Date:: 1788
Materials & Techniques:: Watercolor, gouache, pen and brown ink and graphite on medium, slightly textured, cream laid paper mounted on stretched canvas
Dimensions:: Sheet: 17 1/4 × 21 1/8 inches (43.8 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15383. The Bar in the Old Cheshire Cheese, Fleet Street

Creator:: Everard Morant Cox, active 1876–1886
Date:: ca. 1886
Materials & Techniques:: Pen and black ink with drawn border on heavy wove card
Dimensions:: Sheet: 10 1/2 x 10 5/16in. (26.7 x 26.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15384. The Capture of Havannah, Attacks of the City and Punto Castle

Creator:: Print made by James Mason, 1710–1783
Date:: ca. 1766
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery Collection

15385. John Locke Esq.

Creator:: Print made by George Vertue, 1684–1756
Date:: 1738
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery Collection

15386. Maria Scotoru Regina et Franciae Dotaria

Creator:: Print made by George Vertue, 1684–1756
Date:: 1735
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery Collection

15387. Richard Boyle, 2nd Viscount Shannon

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1733
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery Collection

15388. Church Tower Near a Country Estate

Creator:: Thomas Beilby, 1747–1826
Date:: ca. 1775
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15389. Conisbrough Castle, Yorkshire

Creator:: Thomas Beilby, 1747–1826
Date:: 1775
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15390. Blank Page

Creator:: Thomas Beilby, 1747–1826
Date:: ca. 1775
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15391. Landscape Study

Creator:: Thomas Beilby, 1747–1826
Date:: ca. 1775
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15392. Blank Page

Creator:: Thomas Beilby, 1747–1826
Date:: ca. 1775
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15393. A Feather

Creator:: Thomas Beilby, 1747–1826
Date:: ca. 1775
Materials & Techniques:: Watercolor, pen and ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15394. Blank Page with Inscription

Creator:: Thomas Beilby, 1747–1826
Date:: ca. 1775
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15395. Portrait of Mrs. Elliot Reigate, or Mrs. Elliot of Reigate

Creator:: Daniel Gardner, 1750–1805
Date:: ca. 1780
Materials & Techniques:: Pastel, gouache, red chalk and graphite on moderately thick, slightly textured, laid paper mounted to linen
Dimensions:: Sheet: 14 × 11 inches (35.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15396. Mrs. Jane Mounsey and Child

Creator:: Daniel Gardner, 1750–1805
Date:: ca. 1770
Materials & Techniques:: Black chalk, pastel, gouache, red chalk, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 8 1/4 inches (26.4 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15397. Gov. Thomas Pownall

Creator:: Daniel Gardner, 1750–1805
Date:: 1784
Materials & Techniques:: Pastel, gouache, white chalk, and graphite on moderately thick, slightly textured, cream laid paper mounted to linen
Dimensions:: Sheet: 12 × 10 inches (30.5 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Edward B. Greene, B.A. 1900

15398. Design for a Medal: Novum Ex Prole Decus Et Tutamen

Creator:: Hubert-François Gravelot, 1699–1773
Date:: 1769
Materials & Techniques:: Pen in black ink and graphite, incised and squared for transfer on medium, slightly textured, cream laid paper
Dimensions:: Mount: 10 5/8 x 7 3/4 inches (27 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15399. Design for a Medal: Novum Ex Prole Decus Et Tutamen

Creator:: Hubert-François Gravelot, 1699–1773
Date:: ca. 1769
Materials & Techniques:: Pen and black ink and graphite, incised and squared for transfer on medium, slightly textured, cream laid paper
Dimensions:: Mount: 10 5/8 x 7 3/4 inches (27 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15400. Fables by John Gay, with a Life of the Author and Embellished with Seventy Plates, Volume 1

Creator:: Text by John Gay, 1685–1732
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 6 11/16in. (26.7 x 17cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

YCBA Collections Search

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Collection Prints and Drawings

Period 18th century

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15301. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15302. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15303. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15304. Temple of Peace

15305. Baths of Dioclesian

15306. Circus of Caracalla

15307. In the Villa Adriana

15308. The Lignum vitae, or Guaiacum, Plate 9

15309. Lady

15310. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15311. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15312. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15313. Cavalry Advancing to the Charge

15314. The Right Honourable Lady Mary Campbell

15315. Gymnastics for Youth

15316. Gymnastics for Youth

15317. Gymnastics for Youth

15318. The British Naval Hero

15319. Self Portrait

15320. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15321. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15322. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15323. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15324. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15325. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15326. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15327. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15328. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15329. The Male Popaw Tree, Papaya, Plate 14

15330. The Bay-Berry Tree, Myrtus arborea aromatica, Plate X

15331. The Female Popaw Tree, Papaya, Plate 15

15332. The Tree Jessamin, Plate 17

15333. The Pine Apple, Anana, Plate 21

15334. The Sea-side Laurel, Plate 22

15335. Young Lady

15336. Young Lady

15337. Gentleman from a Pair of Portraits of a Lady and Gentleman

15338. Young Woman

15339. Young Woman from a Pair of Miniatures, Possibly Husband and Wife

15340. Lady from a Pair of Portraits of a Lady and Gentleman

15341. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

15342. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15343. Thoughts on Outline, Sculpture, and the System that Guided Ancient Artists

15344. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15345. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15346. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15347. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15348. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15349. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15350. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

15351. Bridge near the Beach, Old Panama

15352. Spirit of Aristocracy enforcing Reform, or, The Rights of Kings maintained

15353. Scrub and Archer

15354. James Gordon (black coat)

15355. Gentleman

15356. Lady, pearl choker

15357. Sir John Fielding, As Chairman of the Quarter Sessions for the City of Westminster

15358. Butler's Hudibras

15359. The Memorial of Lord Darnley

15360. William Cavendish, 4th Duke of Devonshire, Marquess of Hartington

15361. Spectrum Dioneum

15362. The Case is Altered

15363. At a Tragedy

15364. Moses Brought to Pharaoh's Daughter

15365. Slender Billy & hopping Harry trying to bring a wild Irish bull to Westminster to be baited by English bull dogs.

15366. Members of the Whig Club

15367. Paul Before Felix

15368. Marriage à la Mode, Plate 2

15369. Shrimp Girl

15370. Classical Landscape

15371. View of Greenwich from Deptford Yard

15372. View of St. Paul's Cathedral from below Blackfriars

15373. The Old Cheshire Cheese

15374. Valley of the Yosemite from Glacier Point, No.33