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Period 18th century-19th century

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John White Abbott Classical Composition
John White Abbott, 1763–1851
Classical Composition
undated
Francesco Bartolozzi Gainsborough
Print made by Francesco Bartolozzi, 1728–1815
Gainsborough
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Francesco Bartolozzi View of the Inside of the Vestibulum
Francesco Bartolozzi, 1728–1815
View of the Inside of the Vestibulum
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Francesco Bartolozzi Bacchus on a Barrel
Francesco Bartolozzi, 1728–1815
Bacchus on a Barrel
Francesco Bartolozzi Medallion: Profile of a Woman wearing an Ivy Wreath facing Right
Francesco Bartolozzi, 1728–1815
Medallion: Profile of a Woman wearing an Ivy Wreath facing Right
undated
Francesco Bartolozzi Medallion: Profiles of two Bearded Men facing each Other
Francesco Bartolozzi, 1728–1815
Medallion: Profiles of two Bearded Men facing each Other
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Francesco Bartolozzi Medallion: Profile of a Woman wearing an Ivy Wreath facing Right
Francesco Bartolozzi, 1728–1815
Medallion: Profile of a Woman wearing an Ivy Wreath facing Right
undated
Francesco Bartolozzi Medallion: Fantastic Head of an Animal (? Canine) wearing a Collar Lettered (VIXEI7O1E1)
Francesco Bartolozzi, 1728–1815
Medallion: Fantastic Head of an Animal (? Canine) wearing a Collar Lettered (VIXEI7O1E1)
undated
Francesco Bartolozzi Medallion: Head and Shoulders of a Man in Profile Helmet and Armour with Grotesque Faces on It
Francesco Bartolozzi, 1728–1815
Medallion: Head and Shoulders of a Man in Profile Helmet and Armour with Grotesque Faces on It
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Francesco Bartolozzi Horsewoman to Woman - with Three Children
Francesco Bartolozzi, 1728–1815
Horsewoman to Woman - with Three Children
undated
Francesco Bartolozzi Shepherdess on Horseback talking to Traveller with Sythe
Francesco Bartolozzi, 1728–1815
Shepherdess on Horseback talking to Traveller with Sythe
undated
Francesco Bartolozzi Medallion: Head of a Man with Short Hair (Lettered AEXIOE)
Francesco Bartolozzi, 1728–1815
Medallion: Head of a Man with Short Hair (Lettered AEXIOE)
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Francesco Bartolozzi Medallion: Bust of Woman with bared Shoulder and an Arrow or Spear
Francesco Bartolozzi, 1728–1815
Medallion: Bust of Woman with bared Shoulder and an Arrow or Spear
undated
Francesco Bartolozzi Coat of Amis of the Right Honable Willoughby Bertie, Earl of Abingdon and Baron Norris of Rycot
Francesco Bartolozzi, 1728–1815
Coat of Amis of the Right Honable Willoughby Bertie, Earl of Abingdon and Baron Norris of Rycot
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Thomas Bonnor Stanford, the Seat of Sir Edward Winnington, Baronet
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Stanford, the Seat of Sir Edward Winnington, Baronet
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Edward Francis Burney Putting Arms in the Hands of the Indians
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
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Anthony Cardon Portrait of Maria Rebecca Davison, Actress
Anthony Cardon, 1772–1813
Portrait of Maria Rebecca Davison, Actress
1799-1805
Anthony Cardon Portrait of George Frederick Cooke, Actor
Anthony Cardon, 1772–1813
Portrait of George Frederick Cooke, Actor
1799-1805
Henry Bernard Chalon Studies of Horses: 'Hunter at Grass-Property of His Grace the Duke of Beaufort'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Hunter at Grass-Property of His Grace the Duke of Beaufort'
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Henry Bernard Chalon Studies of Horses: 'Artillery Horses Taking Fright at Lightning'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Artillery Horses Taking Fright at Lightning'
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Henry Bernard Chalon Studies of Horses: 'Various Actions of Flemish Horses'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Various Actions of Flemish Horses'
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Henry Bernard Chalon Studies of Horses: 'Explanation to the first Anatomical Table of Outline of the Skeleton of the Horse'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Explanation to the first Anatomical Table of Outline of the Skeleton of the Horse'
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Henry Bernard Chalon Studies of Horses: 'Explanation to the Second Anatomical Table of Outline of the Horse - Muscles in Action'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Explanation to the Second Anatomical Table of Outline of the Horse - Muscles in Action'
undated
Henry Bernard Chalon Studies of Horses: 'Leaping ...Starting off Again From the Bar and Shewing the Horse With His Muscles'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Leaping ...Starting off Again From the Bar and Shewing the Horse With His Muscles'
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Henry Bernard Chalon Studies of Horses: 'Officers Chargers With Their Muscles in Action'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Officers Chargers With Their Muscles in Action'
undated
Henry Bernard Chalon Studies of Horses: `Outline of Wounded Horses With Their Muscles in Action in the Field of Battle' (Study of Six Horses on a Page)
Henry Bernard Chalon, 1771–1849
Studies of Horses: `Outline of Wounded Horses With Their Muscles in Action in the Field of Battle' (Study of Six Horses on a Page)
undated
Henry Bernard Chalon Studies of Horses: 'Wounded in the Field of Battle - Outline With Their Muscles in Action'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Wounded in the Field of Battle - Outline With Their Muscles in Action'
undated
Henry Bernard Chalon Studies of Horses: '...A Mare Enclosed - a Horse Looking Over'
Henry Bernard Chalon, 1771–1849
Studies of Horses: '...A Mare Enclosed - a Horse Looking Over'
undated
Henry Bernard Chalon Studies of Horses: 'The First Action of Leapin at the Bar-Shewing the Horse With His Muscles'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'The First Action of Leapin at the Bar-Shewing the Horse With His Muscles'
undated
Henry Bernard Chalon Studies of Horses: 'Second Action in Leaping - Clearing the Bar Cleverley & Shewing His Muscles'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Second Action in Leaping - Clearing the Bar Cleverley & Shewing His Muscles'
undated
Henry Bernard Chalon Studies of Horses: 'Third Action - Leaping Down From Over the Bar - Shewing the Horse With His Muscles'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Third Action - Leaping Down From Over the Bar - Shewing the Horse With His Muscles'
undated
Henry Bernard Chalon Studies of Horses: 'No. 1 Full Trotting - No. 2 Cantering on a Ladys Horse - All with Their Muscles in Action'
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'No. 1 Full Trotting - No. 2 Cantering on a Ladys Horse - All with Their Muscles in Action'
undated
Henry Bernard Chalon Studies of Horses: 'Outline of Wounded Horses with Their Muscles in Action in the Field of Battle' (Study of Four Horses on a Page)
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Outline of Wounded Horses with Their Muscles in Action in the Field of Battle' (Study of Four Horses on a Page)
undated
Joseph Collyer The Admiralty
Joseph Collyer, 1748–1827
The Admiralty
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John Crome Three Landscape Studies
Print made by John Crome, 1768–1821
Three Landscape Studies
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George Cuitt Easby Abbey
George Cuitt, 1743–1818
Easby Abbey
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George Dance "Curtius Leaping into the Gulph"
George Dance, 1741–1825
"Curtius Leaping into the Gulph"
undated
Peter DeWint Stonehenge
Peter DeWint, 1784–1849
Stonehenge
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John Dixon Mary Bertie, Duchess of Ancaster and Kesteven
John Dixon, ca. 1740–1811
Mary Bertie, Duchess of Ancaster and Kesteven
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Sawrey Gilpin Volume of Sketches
Sawrey Gilpin, 1733–1807
Volume of Sketches
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Sawrey Gilpin Volume of Sketches
Sawrey Gilpin, 1733–1807
Volume of Sketches
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Sawrey Gilpin Volume of Sketches
Sawrey Gilpin, 1733–1807
Volume of Sketches
undated
Rev. William Gilpin A Withered Top
Attributed to Rev. William Gilpin, 1724–1804
A Withered Top
Undated
George Perfect Harding Lady Mary Dudley
George Perfect Harding, 1780–1853
Lady Mary Dudley
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Thomas Harrison Designs for Clifton Castle, Yorkshire: Two Alternative Elevations
Thomas Harrison, 1744–1829
Designs for Clifton Castle, Yorkshire: Two Alternative Elevations
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Thomas Harvey Thirty-two Etchings of Cattle &c. &c.
Thomas Harvey, 1748–1820
Thirty-two Etchings of Cattle &c. &c
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Thomas Hazlehurst Young woman, white dress and turban
Thomas Hazlehurst, active 1740–1821
Young woman, white dress and turban
undated
Thomas Hazlehurst Young Man
Thomas Hazlehurst, active 1740–1821
Young Man
undated
James Heath James Bruce of Kinnaird Lord of Geesh. Vitam impendere vero.
James Heath, 1757–1834
James Bruce of Kinnaird Lord of Geesh. Vitam impendere vero
undated
James Heath Portrait of Dorothy Jordan, Actress
James Heath, 1757–1834
Portrait of Dorothy Jordan, Actress
1799-1805
James Heath John Bannister, Actor
James Heath, 1757–1834
John Bannister, Actor
1799-1805
Henry Phillip Hope Vue du Temple de Minerve au Cap Colonne
Henry Phillip Hope, active 1799–1818
Vue du Temple de Minerve au Cap Colonne
undated
Henry Phillip Hope Vue d'une Ancien Aquaduc a Alexandria Troas
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
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Henry Phillip Hope Vue d'une Ancien Aquaduc a Alexandria Troas
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
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Henry Phillip Hope Fragmens des Differens Monumens de la Troade
Henry Phillip Hope, active 1799–1818
Fragmens des Differens Monumens de la Troade
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Henry Phillip Hope Vue de la Porte aux Lions a Constantinople
Henry Phillip Hope, active 1799–1818
Vue de la Porte aux Lions a Constantinople
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Henry Phillip Hope Paysage
Henry Phillip Hope, active 1799–1818
Paysage
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Henry Phillip Hope Vue d'une Colonne dans L'Interieur du Serail a Constantinople
Henry Phillip Hope, active 1799–1818
Vue d'une Colonne dans L'Interieur du Serail a Constantinople
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Henry Phillip Hope Mariage Grec
Henry Phillip Hope, active 1799–1818
Mariage Grec
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Henry Phillip Hope Mariage Grec
Henry Phillip Hope, active 1799–1818
Mariage Grec
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Henry Phillip Hope Soldats Asiatique
Henry Phillip Hope, active 1799–1818
Soldats Asiatique
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Henry Phillip Hope Cariatides d'Athenes
Henry Phillip Hope, active 1799–1818
Cariatides d'Athenes
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Henry Phillip Hope Arabes
Henry Phillip Hope, active 1799–1818
Arabes
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Henry Phillip Hope Fille Greque
Henry Phillip Hope, active 1799–1818
Fille Greque
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Henry Phillip Hope Facade of Three Bay Late Georgian House
Henry Phillip Hope, active 1799–1818
Facade of Three Bay Late Georgian House
undated
Henry Phillip Hope Plan of Private Entrance from the Uxbridge Road (Arklow House)
Henry Phillip Hope, active 1799–1818
Plan of Private Entrance from the Uxbridge Road (Arklow House)
undated
Henry Phillip Hope Perspective View of Henry Phillip Hope's Arklow House in Connaught Place
Henry Phillip Hope, active 1799–1818
Perspective View of Henry Phillip Hope's Arklow House in Connaught Place
undated
Henry Phillip Hope Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
Henry Phillip Hope, active 1799–1818
Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
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