Materials & Techniques: brown ink / Image Available: Unavailable

301. Doncaster Racecourse

Creator:: James Pollard, 1792–1867
Date:: ca. 1839
Materials & Techniques:: Watercolor and pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 x 24 inches (34 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Edington Church, Wiltshire, England

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Erlestoke Looking West

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 10 3/4 inches (18.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. Chancel of Edington Church

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and brown ink, brown wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 15/16 × 6 1/2 inches (20.2 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Interior of Edington Church

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and brown ink, brown wash and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 1/2 inches (16.5 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. The Victory Coming up the Channel with the Body of Nelson

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 15 1/2 inches (30.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. The Victory coming up Channel with the body of Nelson on Board

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1800
Materials & Techniques:: Etching printed in brown ink; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 28 1/4 inches (58.7 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Untitled

Creator:: Print made by Stephen Buckley, born 1944
Date:: 1977
Materials & Techniques:: Etching and aquatint from four plates, printed in brown ink; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:: Sheet: 27 5/8 × 19 1/2 inches (70.2 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

310. Master George Contemplating Jumping a Stream

Creator:: unknown artist
Date:: ca. 1860
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 7/8 inches (17.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Forty-three Studies of Horses and Riders

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1787
Materials & Techniques:: Each graphite, pen, brown ink and gray wash, one in graphite only
Dimensions:: Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Hinton St. George, Somerset: Plan of the Garden

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 20 11/16 × 14 inches (52.5 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Hinton St. George, Somerset: Design for a Door Frame

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on moderately textured, medium, brown laid paper
Dimensions:: Sheet: 13 3/4 × 12 1/2 inches (34.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. Hinton St. George, Somerset: Design for a Funerary Monument

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink, wash on slightly textured, thick, white wove paper
Dimensions:: Sheet: 20 5/8 × 16 1/2 inches (52.4 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Shipping By A Breakwater

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1889
Materials & Techniques:: Etching and aquatint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 10 1/2 inches (36.2 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Young Northamptonshire

Creator:: unknown artist
Date:: ca. 1860
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 9 3/4 inches (17.8 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. The Contented Mind

Creator:: unknown artist
Date:: ca. 1860
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 9 7/8 inches (17.8 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Boy with a Donkey and a Horse and a Rider

Creator:: unknown artist
Date:: ca. 1860
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. A Farmer who has Come out to Protect his Fields from Riders

Creator:: unknown artist
Date:: ca. 1860
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 1/4 inches (19.1 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Our National Defences

Creator:: unknown artist
Date:: ca. 1860
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 3/4 inches (18.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Landscape near Dolgelly, Wales

Creator:: David Cox, 1783–1859
Date:: 1840s
Materials & Techniques:: Graphite, black chalk, brown ink, and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 3/4 inches (19.1 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Estate of Roberta A. Kendall

322. Facciata duna Casa per fare alla Campagna

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, pen and black and brown ink, gray wash, within double-ruled black ink border on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 13 3/8 × 8 7/8 inches (34 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Alzata di'una faciata d'un Palazzo di 15 finestre per fare in luogo nobile della citta

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, pen and black, brown, and gray ink, brown and gray wash, within single-ruled black ink border on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 8 7/8 × 13 3/8 inches (22.5 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Il diritto della Facciata d'una Casa per fare alla Campagna

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, pen and black, brown, and gray ink, brown and gray wash, within double-ruled black ink border on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 8 7/8 × 13 3/8 inches (22.5 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Alzata d'una Porta congli Prigioni della Citta

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, watercolor, pen and black and brown ink on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 13 3/8 × 8 7/8 inches (34 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Belah Viaduct

Creator:: John Osborn Brown, active 1868
Date:: 1869
Materials & Techniques:: Watercolor, gouache, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 20 3/4 × 37 5/8 inches (52.7 × 95.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. La facciata d'una Casa per fare alla Campagna

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, watercolor, pen and black and brown ink, within double-ruled black ink border on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 8 7/8 × 13 3/8 inches (22.5 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Alzata della faciata d'una Casa per fare alla Villa

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, gray wash, pen and black and brown ink, within double-ruled black ink border on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 8 7/8 × 13 3/8 inches (22.5 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. La Prigioni a Venezia

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, pen and black, brown, and gray ink, brown and gray wash, within double-ruled black ink border on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 8 7/8 × 13 3/8 inches (22.5 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. Arco nel Campo Marzo a Vicenza

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, pen and black, brown, and gray ink, brown and gray wash, within double-ruled black ink border on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 13 3/8 × 8 7/8 inches (34 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Alzata della Facciata d'una Chiesa

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, pen and black, brown, and gray ink, brown and gray wash on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 13 3/8 × 8 7/8 inches (34 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Rough Elevation of a Domed Church

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, pen and brown ink, gray wash on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 13 3/8 × 8 7/8 inches (34 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Alzata d'una Facciata di Chesa con il campanile a l'uro Veneto

Creator:: Stephen Riou, 1720–1780
Date:: 1752
Materials & Techniques:: Graphite, pen and brown ink on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 13 3/8 × 8 7/8 inches (34 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. View of Greenwich from Deptford Yard

Creator:: Joseph Farington, 1747–1821
Date:: before 1795
Materials & Techniques:: Watercolor, gray wash and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 11 1/2 inches (19.1 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Primitive Methodist Church, Howard Terrace, Morpeth

Creator:: John Walton Taylor, 1854–1915
Date:: 1905
Materials & Techniques:: Watercolor, graphite, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 19 1/4 inches (35.2 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

336. Proposed Shops for Gidea Park Estate, Romford

Creator:: unknown artist
Date:: 1906
Materials & Techniques:: Pen and brown ink, and graphite on medium, slightly textured, cream wove paper mounted to board
Dimensions:: Sheet: 8 1/4 × 12 inches (21 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

337. North-Country Mails at the Peacock, Islington

Creator:: James Pollard, 1792–1867
Date:: 1815 to 1823
Materials & Techniques:: Graphite and pen and brown ink, numbered for transfer on medium, slightly textured, beige wove paper, mounted on board
Dimensions:: Sheet: 22 7/8 x 31 7/8 inches (58.1 x 81 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Richmond Castle

Creator:: George Cuitt, 1743–1818
Date:: 1788
Materials & Techniques:: Watercolor, gouache, pen and brown ink and graphite on medium, slightly textured, cream laid paper mounted on stretched canvas
Dimensions:: Sheet: 17 1/4 × 21 1/8 inches (43.8 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Design for Grosvenor House, London: Principal Floor Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1830
Materials & Techniques:: Graphite, pen and black, brown and red ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 21 1/8 × 25 1/8 inches (53.7 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. Design for Grosvenor House, London: Chamber Floor Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1830
Materials & Techniques:: Graphite, pen and black and brown ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 21 3/4 × 26 1/8 inches (55.2 × 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Study of Two Peacocks

Creator:: Andrew Geddes, 1783–1844
Date:: undated
Materials & Techniques:: Black chalk, pen and brown ink, pastel, and graphite on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 10 1/8 × 7 inches (25.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Design for Grosvenor House, London: Principal Floor Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1830
Materials & Techniques:: Graphite, pen and red, black and brown ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 21 5/8 × 26 inches (54.9 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. Old Fireplace in Sixteenth Century Houses in Bermondsey Street

Creator:: unknown artist
Date:: ca. 1893
Materials & Techniques:: Graphite, pen and black and brown ink on smooth, thick, gray card
Dimensions:: Sheet: 8 1/2 × 10 3/4 inches (21.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Entrance to Hypostyle Hall, Midland Adelphi Hotel, Liverpool

Creator:: Robert Frank Atkinson, 1869 or 1871–1923
Date:: ca. 1911
Materials & Techniques:: Pen and black ink, brown ink, and graphite on thick, moderately textured, cream board
Dimensions:: Sheet: 18 1/4 × 11 1/2 inches (46.4 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

345. View of the Robert Burns Monument, Ayr

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Etching printed in brown ink on very thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 13 inches (26 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

346. Antiquary's Drawing of an Urn Found in Castle Ruins at Eye

Creator:: William Henry Brooke, 1772–1860
Date:: 1828
Materials & Techniques:: Pen and brown ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 5 inches (18.4 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

YCBA Collections Search

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Materials & Techniques brown ink

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301. Doncaster Racecourse

302. Edington Church, Wiltshire, England

303. Erlestoke Looking West

304. Chancel of Edington Church

305. Interior of Edington Church

306. The Victory Coming up the Channel with the Body of Nelson

307. The Victory coming up Channel with the body of Nelson on Board

308. The Mausoleum at Brocklesby

309. Untitled

310. Master George Contemplating Jumping a Stream

311. Forty-three Studies of Horses and Riders

312. Hinton St. George, Somerset: Plan of the Garden

313. Hinton St. George, Somerset: Design for a Door Frame

314. Hinton St. George, Somerset: Design for a Funerary Monument

315. Shipping By A Breakwater

316. Young Northamptonshire

317. The Contented Mind

318. Boy with a Donkey and a Horse and a Rider

319. A Farmer who has Come out to Protect his Fields from Riders

320. Our National Defences

321. Landscape near Dolgelly, Wales

322. Facciata duna Casa per fare alla Campagna

323. Alzata di'una faciata d'un Palazzo di 15 finestre per fare in luogo nobile della citta

324. Il diritto della Facciata d'una Casa per fare alla Campagna

325. Alzata d'una Porta congli Prigioni della Citta

326. Belah Viaduct

327. La facciata d'una Casa per fare alla Campagna

328. Alzata della faciata d'una Casa per fare alla Villa

329. La Prigioni a Venezia

330. Arco nel Campo Marzo a Vicenza

331. Alzata della Facciata d'una Chiesa

332. Rough Elevation of a Domed Church

333. Alzata d'una Facciata di Chesa con il campanile a l'uro Veneto

334. View of Greenwich from Deptford Yard

335. Primitive Methodist Church, Howard Terrace, Morpeth

336. Proposed Shops for Gidea Park Estate, Romford

337. North-Country Mails at the Peacock, Islington

338. Richmond Castle

339. Design for Grosvenor House, London: Principal Floor Plan

340. Design for Grosvenor House, London: Chamber Floor Plan

341. Study of Two Peacocks

342. Design for Grosvenor House, London: Principal Floor Plan

343. Old Fireplace in Sixteenth Century Houses in Bermondsey Street

344. Entrance to Hypostyle Hall, Midland Adelphi Hotel, Liverpool

345. View of the Robert Burns Monument, Ayr

346. Antiquary's Drawing of an Urn Found in Castle Ruins at Eye