Period: 19th century / Image Available: Unavailable - YCBA Collections Search Search Results

301. Study of the Ruins of Brambletye House, Sussex

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Graphite and black chalk
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Landscape with trees set at base of low hills

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Graphite and black chalk
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. View from Putney Bridge, of several figures in sailboats on a river

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Graphite and black chalk
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. West-Front Lichfield Cathedral from the Southwest from An Illustration of the Architecture of the Cathedral Church of Lichfield

Creator:: Charles Wild, 1781–1835
Date:: 1813
Materials & Techniques:: Graphite
Dimensions:: Sheet: 12 7/8 x 10 3/8in. (32.7 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. North-East View of Lichfield Cathedral showing the Lady Chapel, Chapter House, etc. from An Illustration of the Architecture of the Cathedral Church of Lichfield

Creator:: Charles Wild, 1781–1835
Date:: 1810
Materials & Techniques:: Graphite
Dimensions:: Sheet: 13 x 10 5/16in. (33 x 26.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Entrance in the South Transept, Lichfield Cathedral from An Illustration of the Architecture of the Cathedral Church of Lichfield

Creator:: Charles Wild, 1781–1835
Date:: 1813
Materials & Techniques:: Graphite
Dimensions:: Sheet: 14 1/8 x 10 3/8in. (35.9 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. Downing College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: 1830
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gouache, black chalk, gum arabic, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 19 × 25 3/16 inches (48.3 × 64 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. Emanuel College from St. Andrews Street, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gouache, black chalk and graphite on thick, moderately textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/8 inches (47.5 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Jesus College from the Meadows, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and black ink, gray ink, black chalk, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/16 inches (47.5 × 61.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Chapel Front, Emanuel College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1833
Materials & Techniques:: Watercolor, pen and black ink, black chalk, and graphite on medium, slightly textured, cream wove paper, mounted on card
Dimensions:: Cover: 18 11/16 × 24 1/8 inches (47.5 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Jesus College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and brown ink, black ink, black chalk, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/8 inches (47.5 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Portrait of Edwin Austin Abbey at Work

Creator:: George Percy Jacomb-Hood, 1857–1929
Date:: 1898
Materials & Techniques:: Black chalk and white chalk on medium, moderately textured, blue wove paper
Dimensions:: Sheet: 14 7/8 × 11 1/8 inches (37.8 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, The Edwin Austin Abbey Memorial Collection

313. Flower Garden at Middleton Park, Oxfordshire

Creator:: Lewis Kennedy, active 1775–1811
Date:: 1811
Materials & Techniques:: Gray wash, pen and black ink, graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 18 7/8 × 24 3/8 inches (47.9 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. St. Peter's College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and black ink, black chalk, brown chalk, gouache, scratching out, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/16 inches (47.5 × 61.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. New Building of St. John's from the Gardens, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and black ink, gouache, black chalk and graphite on thick, moderately textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/8 inches (47.5 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Pembroke College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, black ink, black chalk, gouache, scratching out, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 18 1/2 inches (31.1 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Christ's College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1836
Materials & Techniques:: Watercolor, pen and black ink, black chalk, gouache, graphite and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 16 5/16 × 21 1/2 inches (41.4 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Corpus Christi College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: 1836
Materials & Techniques:: Watercolor, pen and gray ink, black ink, gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Cover: 18 3/4 × 24 3/8 inches (47.6 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Warwick Vase, Public Library, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: 1842
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper, mounted on card
Dimensions:: Cover: 20 3/8 × 17 1/16 inches (51.8 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Midnight

Creator:: Robert Walker Macbeth, 1848–1910
Date:: ca. 1886
Materials & Techniques:: Watercolor and black chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 20 7/8 inches (36.2 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, The Edwin Austin Abbey Memorial Collection

321. The Doric Order

Creator:: Edward Walhouse Mark, 1817–1895
Date:: undated
Materials & Techniques:: Gray washes, yellow watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 13 3/16 inches (53.3 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. The Roman Doric or Italian of Palladio

Creator:: Edward Walhouse Mark, 1817–1895
Date:: undated
Materials & Techniques:: Gray washes, yellow watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 13 3/16 inches (53.3 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. The Composite Order

Creator:: Edward Walhouse Mark, 1817–1895
Date:: undated
Materials & Techniques:: Gray washes, yellow watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 × 13 5/16 inches (54 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. The Ionic Order

Creator:: Edward Walhouse Mark, 1817–1895
Date:: undated
Materials & Techniques:: Gray washes, yellow watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 13 1/8 inches (53.3 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. A Sketchbook containing 21 drawings of Views and Subjects Near Capetown and 8 drawings of Indian Subjects

Creator:: George De Giberne, 1797–1875
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Smailbohn Tower

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Graphite
Dimensions:: Sheet: 7 1/2 x 11in. (19.1 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Landscape with Grazing Cows and Watermill

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk heightened with white chalk
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Landscape with Houses Set into a Hillside

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk heightened with white chalk
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Cityscape from a Distance, with Church Towers and Smokestacks

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk heightened with white chalk
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. Mining Scene: Buildings and Standing Figure Set Against Dark Mountainside

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk heightened with white chalk
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Mountainous Sketch

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk and white chalk
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Landscape with Crumbling Building atop a Cliff

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk heightened with white chalk
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Landscape of Steep Hills with Building on one Summit

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk heightened with white chalk
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Grassy Ravine with Grazing Sheep

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk heightened with white chalk
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Coal Mining Posts and Houses Set Against a Dark Mountainside

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk heightened with white chalk
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Landscape with Houses set at the Foot of Hills

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk heightened with white chalk
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. Hillside Entrance to a Mine, with Figure Standing in Front

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk with traces of white chalk
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Faint Sketch of Mountains

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk with traces of white chalk
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Sketch of Mountains, with House in the Foreground on right

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk and graphite
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. View up a River at the Base of a Steep Mountain Range

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Faint landscape Sketch

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Graphite
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Herstmonceux Church

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving, with graphite on smooth, medium, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. Sir William Ffienlez Knight

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 7/8 × 11 1/8 inches (40.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Two Stained Glass Windows, Chartres

Creator:: Robert H. Burden, fl.1850–1890
Date:: 1862
Materials & Techniques:: Watercolor and pen and ink
Dimensions:: Sheet: 8 7/16 x 5 5/16in. (21.5 x 13.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. The Beach at Low Tide

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 × 19 1/2 inches (35.6 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. The Building of London Bridge

Creator:: Attributed to Gideon Yates, active 1825–1837
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 23 7/8 inches (34.3 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. Fishermen Hauling their Net Ashore on the Bay of Naples

Creator:: Ramsay Richard Reinagle, 1775–1862
Date:: 1812
Materials & Techniques:: Watercolor, gum arabic, graphite, and scraping on moderately textured, cream wove paper
Dimensions:: Sheet: 37 1/2 × 55 inches (95.3 × 139.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Sketchbook of 1807

Creator:: Lt. James Christie, active 1807
Date:: 1807
Materials & Techniques:: Graphite and red chalk
Dimensions:: Sheet: 11 x 9 1/16in. (28 x 23cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. Ancient Jerusalem

Creator:: Thomas Goff Lupton, 1791–1873
Date:: 1837
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 23 1/8 x 34 1/4in. (58.7 x 87cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

350. Tivoli

Creator:: Andrew Wilson, 1780–1848
Date:: 1810
Materials & Techniques:: Watercolor, gouache, and graphite with scraping out on moderately textured, cream wove paper
Dimensions:: Sheet: 29 1/2 x 46 1/2 inches (74.9 x 118.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Hilly Landscape with Horse-Drawn Cart in Foreground

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk heightened with white chalk
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Three Figures Illuminated in Dark Scene

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black wash and chalk
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Mountain Landscape with Building on one Peak

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk; verso: faint graphite sketch of mountains
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Mountain Landscape with Building on one Peak

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk and graphite
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Faint Sketch of Mountains and Ravines

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Full-length Portrait of Man Holding a Top Hat and Walking Stick

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk heightened with white chalk
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Step Mountain Landscape with Prominent Pine Tree

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. Two Sketches of Mountains

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. Hillside Landscape with River Winding Around Bottom

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Black chalk heightened with white chalk
Dimensions:: Sheet: 14 9/16 x 10 5/8in. (37 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Herstmonceux Castle

Creator:: Print made by unknown artist
Date:: 1858
Materials & Techniques:: Engraving, with graphite on smooth, thin, cream wove paper
Dimensions:: Sheet: 3 3/4 × 6 3/16 inches (9.5 × 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Two Colored Glass Borders, Chartres

Creator:: Robert H. Burden, fl.1850–1890
Date:: 1862
Materials & Techniques:: Watercolor and pen and ink
Dimensions:: Sheet: 8 7/16 x 5 5/16in. (21.5 x 13.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Three Studies of Colored Glass in St. Pierre, Chartres, on One Paper

Creator:: Robert H. Burden, fl.1850–1890
Materials & Techniques:: Watercolor and pen and ink
Dimensions:: Sheet: 8 7/16 x 5 5/16in. (21.5 x 13.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. Drawing of Carved Tomb, Amiens

Creator:: Robert H. Burden, fl.1850–1890
Materials & Techniques:: Watercolor and pen and ink
Dimensions:: Sheet: 8 7/16 x 5 5/16in. (21.5 x 13.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. Portfolio of Drawings for the Use of Pupils, with Notes

Creator:: John Flower, 1793–1861
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. Crucifixion in Stained Glass, Chartres

Creator:: Robert H. Burden, fl.1850–1890
Materials & Techniques:: Watercolor and pen and ink
Dimensions:: Sheet: 8 7/16 x 5 5/16in. (21.5 x 13.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Three Studies of Colored Diapers and Borders, Chartres, on One Paper

Creator:: Robert H. Burden, fl.1850–1890
Date:: 1862
Materials & Techniques:: Watercolor and pen and ink
Dimensions:: Sheet: 8 7/16 x 5 5/16in. (21.5 x 13.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Crucifixion in Colored Window, Chartres

Creator:: Robert H. Burden, fl.1850–1890
Materials & Techniques:: Watercolor and pen and ink
Dimensions:: Sheet: 8 7/16 x 5 5/16in. (21.5 x 13.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Five Studies of Colored Glass Borders

Creator:: Robert H. Burden, fl.1850–1890
Materials & Techniques:: Watercolor and pen and ink
Dimensions:: Sheet: 8 7/16 x 5 5/16in. (21.5 x 13.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte

Creator:: John Laporte, 1761–1839
Date:: 1802-1804
Materials & Techniques:: Etching and aquatint
Dimensions:: Sheet: 9 5/8 x 12 1/4in. (24.4 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. Sketchbook containing one watercolor and sketches in graphite of boats

Creator:: Thomas Lound, 1802–1861
Materials & Techniques:: Watercolor and graphite
Dimensions:: Sheet: 5 5/8 x 11 1/8in. (14.3 x 28.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. Wash proofs to accompany Westmacott's "The English Spy"

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1825-1826
Materials & Techniques:: Etching and gray wash (proof)
Dimensions:: Spine: 8 1/4 inches (21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. A Rural Scene

Creator:: John Connell Ogle, active 1844–1864
Date:: ca. 1856
Materials & Techniques:: Chromolithograph with 18 color separations
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 20 inches (34.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. Marie Theresse, Charlotte, de France

Creator:: Charles Turner, 1774–1857
Date:: 1812
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 × 20 1/4 inches (34.3 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Miss Melville

Creator:: Charles Turner, 1774–1857
Date:: 1810
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 × 16 inches (53.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Lady Pitt

Creator:: Print made by William Say, 1768–1834
Date:: 1802
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Palais de Versailles, Cour Royale, page four [A. Pirgin, direx] (Volume Three)

Creator:: Miss Mary Byrne, 1776–1846
Date:: 1829
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. Palais Royal, Street Front, page six [A. Pirgin, direx] (Volume Three)

Creator:: Print made by Josiah Henshall, 1806–1869
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. View of St. Paul's School, London; page seven (Volume Three)

Creator:: unknown artist
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Panshanger, Hertshire, The Seat of the Right Honorable Earl Cowper, page eight (Volume Three)

Creator:: Samuel Rawle, 1771–1860
Date:: 1810
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Statue of Peter the Great (with text); page eleven (Volume Three)

Creator:: unknown artist
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Sir Paul Pindar's House, Bishopsgate Street; page eleven (Volume Three)

Creator:: unknown artist
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. A Pictish House, Plate XLI [from ?]; page thirteen (Volume Three)

Creator:: unknown artist
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. Pictish Buildings and Hunting Houses, Plate XLII; page fourteen (Volume Three)

Creator:: unknown artist
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Period 19th century

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301. Study of the Ruins of Brambletye House, Sussex

302. Landscape with trees set at base of low hills

303. View from Putney Bridge, of several figures in sailboats on a river

304. West-Front Lichfield Cathedral from the Southwest from An Illustration of the Architecture of the Cathedral Church of Lichfield

305. North-East View of Lichfield Cathedral showing the Lady Chapel, Chapter House, etc. from An Illustration of the Architecture of the Cathedral Church of Lichfield

306. Entrance in the South Transept, Lichfield Cathedral from An Illustration of the Architecture of the Cathedral Church of Lichfield

307. Downing College, Cambridge

308. Emanuel College from St. Andrews Street, Cambridge

309. Jesus College from the Meadows, Cambridge

310. Chapel Front, Emanuel College, Cambridge

311. Jesus College, Cambridge

312. Portrait of Edwin Austin Abbey at Work

313. Flower Garden at Middleton Park, Oxfordshire

314. St. Peter's College, Cambridge

315. New Building of St. John's from the Gardens, Cambridge

316. Pembroke College, Cambridge

317. Christ's College, Cambridge

318. Corpus Christi College, Cambridge

319. Warwick Vase, Public Library, Cambridge

320. Midnight

321. The Doric Order

322. The Roman Doric or Italian of Palladio

323. The Composite Order

324. The Ionic Order

325. A Sketchbook containing 21 drawings of Views and Subjects Near Capetown and 8 drawings of Indian Subjects

326. Smailbohn Tower

327. Landscape with Grazing Cows and Watermill

328. Landscape with Houses Set into a Hillside

329. Cityscape from a Distance, with Church Towers and Smokestacks

330. Mining Scene: Buildings and Standing Figure Set Against Dark Mountainside

331. Mountainous Sketch

332. Landscape with Crumbling Building atop a Cliff

333. Landscape of Steep Hills with Building on one Summit

334. Grassy Ravine with Grazing Sheep

335. Coal Mining Posts and Houses Set Against a Dark Mountainside

336. Landscape with Houses set at the Foot of Hills

337. Hillside Entrance to a Mine, with Figure Standing in Front

338. Faint Sketch of Mountains

339. Sketch of Mountains, with House in the Foreground on right

340. View up a River at the Base of a Steep Mountain Range

341. Faint landscape Sketch

342. Herstmonceux Church

343. Sir William Ffienlez Knight

344. Two Stained Glass Windows, Chartres

345. The Beach at Low Tide

346. The Building of London Bridge

347. Fishermen Hauling their Net Ashore on the Bay of Naples

348. Sketchbook of 1807

349. Ancient Jerusalem

350. Tivoli

351. Hilly Landscape with Horse-Drawn Cart in Foreground

352. Three Figures Illuminated in Dark Scene

353. Mountain Landscape with Building on one Peak

354. Mountain Landscape with Building on one Peak

355. Faint Sketch of Mountains and Ravines

356. Full-length Portrait of Man Holding a Top Hat and Walking Stick

357. Step Mountain Landscape with Prominent Pine Tree

358. Two Sketches of Mountains

359. Hillside Landscape with River Winding Around Bottom

360. Herstmonceux Castle

361. Two Colored Glass Borders, Chartres

362. Three Studies of Colored Glass in St. Pierre, Chartres, on One Paper

363. Drawing of Carved Tomb, Amiens

364. Portfolio of Drawings for the Use of Pupils, with Notes

365. Crucifixion in Stained Glass, Chartres

366. Three Studies of Colored Diapers and Borders, Chartres, on One Paper

367. Crucifixion in Colored Window, Chartres

368. Five Studies of Colored Glass Borders

369. [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte

370. Sketchbook containing one watercolor and sketches in graphite of boats

371. Wash proofs to accompany Westmacott's "The English Spy"

372. A Rural Scene

373. The Descent of Man into the Vale of Death

374. Death of the Strong Wicked Man