The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
2
James Gillray, 1756–1815
The Royal Academy
1786
3
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
4
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
5
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
6
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
7
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
8
James Gillray, 1756–1815
Charming-well again
1804
9
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
10
James Gillray, 1756–1815
A Morning Ride
1804
11
Print made by Joseph Brown, 19th century
James Gillray
1848
12
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
13
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
14
James Gillray, 1756–1815
The Kettle Hooting the Porridge-Pot
1782
15
James Gillray, 1756–1815
Apothecaries, Taylors & c. Conquering France and Spain
1779
16
James Gillray, 1756–1815
The Nabob Rumbled or A Lord Advocates Amusement
1783
17
James Gillray, 1756–1815
National Discourse
1780
18
James Gillray, 1756–1815
Le Diable-Boiteaux, or the Devil upon Two Sticks, conveying John Bull to the Land of Promise
1806
19
Charles Williams, active 1796–1830
The Patriot turned Plagarist, or the Petty Tax Gatherers Hunting John Bull
1806
20
James Gillray, 1756–1815
Les Trois Magots
1791
21
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
22
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
23
James Gillray, 1756–1815
Anticipation, or the approaching fate of the French commercial treaty
1787
24
James Gillray, 1756–1815
A Standing-dish at Boodles
1800
25
James Gillray, 1756–1815
Gentle Emetic
1804
26
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
27
James Gillray, 1756–1815
Britania's Assassination..or - The Republican Amuseument
1782
28
James Gillray, 1756–1815
Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
1798
29
James Gillray, 1756–1815
Scene le Vrog House
1782
30
James Gillray, 1756–1815
INTEGRITY retiring from Office
1801
31
Print made by James Gillray, 1756–1815
Every Man has his Hobby Horse
1784
32
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
33
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
34
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
35
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
36
James Gillray, 1756–1815
The Death of the Great Wolf
1795
37
James Gillray, 1756–1815
Presages of the Millenium
1795
38
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
39
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
40
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
41
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
42
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
43
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
44
James Gillray, 1756–1815
The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)
1796
45
James Gillray, 1756–1815
Le Coup de Maitre
1797
46
Charles Turner, 1774–1857
James Gillray
1819
47
Print made by James Gillray, 1756–1815
Venus Attired by the Graces
1800
48
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1803
49
James Gillray, 1756–1815
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
50
James Gillray, 1756–1815
Political Mathematician's Shaking the Broad Bottom'd Hemispheres
ca. 1811
51
James Gillray, 1756–1815
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
52
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
53
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"
1801
54
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
55
James Gillray, 1756–1815
Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing
1806
56
James Gillray, 1756–1815
Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
1806
57
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
58
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
59
James Gillray, 1756–1815
Be gone Dull Care, I Prithee Begone From Me!
1801
60
James Gillray, 1756–1815
King Henry The Fourth's Last Scene
1788
61
James Gillray, 1756–1815
Prince Pitt
1788
62
James Gillray, 1756–1815
The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)
1800
63
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
64
James Gillray, 1756–1815
Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!
1808
65
James Gillray, 1756–1815
Delicious Dreams! Castles in the Air! Glorious Prospects!
1808
66
James Gillray, 1756–1815
Delicious Weather
1808
67
James Gillray, 1756–1815
Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle
1802
68
James Gillray, 1756–1815
Sketch of the Interior of St. Stephen's, as It Now Stands. -
1802
69
James Gillray, 1756–1815
Hope
1802
70
James Gillray, 1756–1815
Blood on Thunder Fording the Red Sea
1788
71
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
72
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
73
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
74
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
75
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
76
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
77
James Gillray, 1756–1815
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
1806
78
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
79
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
80
James Gillray, 1756–1815
Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition
1808
81
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
82
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
83
James Gillray, 1756–1815
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
84
James Gillray, 1756–1815
Half Natural
1799
85
James Gillray, 1756–1815
Pen-etration
1799
86
James Gillray, 1756–1815
Citizens Visiting the Bastille, - Vide. Democratic Charities. -
1799
87
James Gillray, 1756–1815
The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom
1809
88
James Gillray, 1756–1815
Pillars of the Constitution - Three O'Clock and A Cloudy Morning
1809
89
James Gillray, 1756–1815
Overthrow of the Republican-Babel
1809
90
James Gillray, 1756–1815
True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard
1809
91
James Gillray, 1756–1815
An Old English-Gentleman pester'd by Servants wanting Places
1809
92
James Gillray, 1756–1815
British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition