Jerusalem, Plate 89, "Tho divided by the Cross...."
1804 to 1820
105
Print made by William Blake, 1757–1827
Jerusalem, Plate 9, "Condens'd his Emanations...."
1804 to 1820
106
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
107
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
108
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
109
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
110
Print made by William Blake, 1757–1827
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
111
Print made by William Blake, 1757–1827
Jerusalem, Plate 25, "And there was heard...."
1804 to 1820
112
Print made by William Blake, 1757–1827
Jerusalem, Plate 31, "His western heaven...."
1804 to 1820
113
Print made by William Blake, 1757–1827
Jerusalem, Plate 36, "Reuben returnd to his place...."
1804 to 1820
114
Print made by William Blake, 1757–1827
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
115
Print made by William Blake, 1757–1827
Jerusalem, Plate 49, "The secret coverts of Albion...."
1804 to 1820
116
Print made by William Blake, 1757–1827
Jerusalem, Plate 5, "The banks of the Thames...."
1804 to 1820
117
Print made by William Blake, 1757–1827
Jerusalem, Plate 50, "The Atlantic Mountains...."
1804 to 1820
118
Print made by William Blake, 1757–1827
Jerusalem, Plate 51
1804 to 1820
119
Print made by William Blake, 1757–1827
Jerusalem, Plate 57, "And the voices of Bath...."
1804 to 1820
120
Print made by William Blake, 1757–1827
Jerusalem, Plate 62, "Repose on me...."
1804 to 1820
121
Print made by William Blake, 1757–1827
Jerusalem, Plate 67, "By those who drink their blood...."
1804 to 1820
122
Print made by William Blake, 1757–1827
Jerusalem, Plate 7, "Was living: panting...."
1804 to 1820
123
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
124
Print made by William Blake, 1757–1827
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
125
Print made by William Blake, 1757–1827
Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
1804 to 1820
126
Print made by William Blake, 1757–1827
Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
1804 to 1820
127
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
128
William Blake, 1757–1827
Jerusalem, Plate 78, "The Spectres of..."
1804 to 1820
129
Print made by William Blake, 1757–1827
Jerusalem, Plate 79, "My tents are fall'n...."
1804 to 1820
130
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
131
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
132
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
133
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
134
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
135
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
136
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
137
William Blake, 1757–1827
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
138
William Blake, 1757–1827
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
139
William Blake, 1757–1827
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
140
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
141
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
142
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
143
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
144
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
145
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
146
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
147
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
148
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
149
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
150
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
151
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
152
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
153
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
154
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
155
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 5 (Bentley 12)
1794
156
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)
1794
157
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 8 (Bentley 9)
1794
158
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)
1794
159
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
1794
160
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
161
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 12 (Bentley 22)
1794
162
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
1794
163
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 16 (Bentley 17)
1794
164
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 21 (Bentley 27)
1794
165
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 22 (Bentley 24)
1794
166
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
1794
167
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 14 (Bentley 14)
1794
168
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)
1794
169
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
1794
170
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
171
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)
1794
172
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)
1794
173
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
1794
174
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
1794
175
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 24 (Bentley 26)
1794
176
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
177
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
1794
178
Print made by William Blake, 1757–1827
What is Man!, Frontispiece; Plate 1
1793
179
Print made by William Blake, 1757–1827
Help! Help!; Plate 12
1793
180
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
1789
181
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
1789
182
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
1789
183
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
1789
184
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
185
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
186
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
187
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
188
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
1789
189
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
1789
190
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
191
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
192
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
1794
193
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31)
1794
194
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
195
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
1794
196
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)
1794
197
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
1794
198
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)
1794
199
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
200
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "