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Materials & Techniques black ink

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On-site Access Accessible by appointment in the Study Room

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Subject Terms church

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Classification Drawing & Watercolors-Architectural

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George Edmund Street Design for Polychromatic Decoration of a Church
George Edmund Street, 1824–1881
Design for Polychromatic Decoration of a Church
undated
Augustus Welby Northmore Pugin Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
1838
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
James Lambert of Lewes Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone
James Lambert of Lewes, 1725–1788
Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone
undated
James Lambert of Lewes The Monument of Thomas Fiennes
James Lambert of Lewes, 1725–1788
The Monument of Thomas Fiennes
undated
James Paine Design for a Church: Elevation of the West Front
James Paine, 1717–1789
Design for a Church: Elevation of the West Front
ca. 1750
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
Thomas Grieve Design for Love's Labour's Lost
Thomas Grieve, 1799–1882
Design for Love's Labour's Lost
1839
Sir Robert Taylor Thames Ditton, Surrey: Design for Gothic Church
Sir Robert Taylor, 1714–1788
Thames Ditton, Surrey: Design for Gothic Church
ca. 1776
James Wyatt [One of] Five Designs for a Church
James Wyatt, 1746–1813
[One of] Five Designs for a Church
undated
James Wyatt [One of] Five Designs for a Church
James Wyatt, 1746–1813
[One of] Five Designs for a Church
undated
Giovanni Battista Borra Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
Giovanni Battista Borra, 1713–1770
Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
ca. 1750
Giovanni Battista Borra Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
John Carter South View in the Entrance of Porch at West End of St. Stephen's Chapel West
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
Lewis Vulliamy Design for a Chapel at Enfield: Longitudinal Section
Lewis Vulliamy, 1791–1871
Design for a Chapel at Enfield: Longitudinal Section
undated
Lewis Vulliamy Design for a Chapel at Enfield: Transverse Sections, East and West End
Lewis Vulliamy, 1791–1871
Design for a Chapel at Enfield: Transverse Sections, East and West End
undated
Lewis Vulliamy Design for a Chapel at Enfield: Transverse Sections of the East and West End
Lewis Vulliamy, 1791–1871
Design for a Chapel at Enfield: Transverse Sections of the East and West End
undated
Lewis Vulliamy Design for a Chapel at Enfield: Longitudinal Section
Lewis Vulliamy, 1791–1871
Design for a Chapel at Enfield: Longitudinal Section
undated
unknown artist Seer Green Church, Buckinghamshire
unknown artist
Seer Green Church, Buckinghamshire
1845
Capt. Francis Grose Northwest View of Castle Church, Hexham, Northumberland
Attributed to Capt. Francis Grose, 1731–1791
Northwest View of Castle Church, Hexham, Northumberland
undated