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Period 18th century
Remove constraint Period: 18th centuryGenre religious and mythological subject
Remove constraint Genre: religious and mythological subjectImage Available Available
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1
- Jacob's Dream
- 1705
- Not on view
2
- St. Paul before Agrippa
- ca. 1710
- Not on view
3
- 'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
- 1788 to 1790
- Not on view
4
- Mary and Joseph Outside the Inn
- 1763 to 1768
- Not on view
5
- Dido
- 1781
- Not on view
6
- The Rape of Proserpine, design for the staircase of Devonshire House, London
- ca. 1704
- Not on view
7
- Allegory of Fortune
- ca. 1730
- Not on view
8
- Sketch for 'The Last Supper,' St. Mary's, Weymouth
- between 1719 and 1720
- Not on view
9
- The Destruction of the Children of Niobe
- 1760
- Not on view
10
- The Education of Achilles
- ca. 1772
- Not on view
11
- Study of the Lamentation on the Dead Christ
- ca. 1785
- Not on view
12
- Cymon and Iphigenia
- ca. 1766
- Not on view
13
- A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
- between 1712 and 1713
- Not on view
14
- The Good Samaritan
- between 1751 and 1752
- Not on view
15
- Rebecca Receiving the Bracelet at the Well
- 1775
- Not on view
16
- The Angel of Mercy
- ca. 1746
- Not on view
17
- The Ghost of Clytemnestra Awakening the Furies
- 1781
- Not on view
18
- The Angel Binding Satan
- ca. 1797
- Not on view
19
- The Mandrake: A Charm
- exhibited RA 1785
- Not on view
20
- Christ Disappearing at Emmaus
- 1792
- Not on view
21
- The Death of Lucretia
- 1763 to 1767
- Not on view
22
- The Death of Orpheus
- ca. 1770
- Not on view
23
- Man attacking a monster
- between 1770 and 1780
- Not on view
24
- Adonis
- 1770s
- Not on view
25
- Venus
- 1770s
- Not on view
26
- The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
- ca. 1715
- Not on view
27
- The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts
- ca. 1715
- Not on view
28
- Sacrifice to Hercules
- ca. 1766
- Not on view
29
- Pope Clement XIV (Giovanni Vincenzo Antonio Ganganelli, 1705–1774; reigned 1769–1774)
- ca. 1772
- Not on view
30
- Samson Slaying a Philistine
- between 1740 and 1770
- Not on view
31
- Father Time
- ca. 1790
- Not on view
32
- Allegory of Geometry
- 1796
- Not on view
33
- Hymen
- ca. 1748
34
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
35
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
36
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
37
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
38
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
39
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
40
- The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
- between 1797 and 1798
41
- The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
42
- The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
- between 1797 and 1798
43
- The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
- between 1797 and 1798
44
- The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
- between 1797 and 1798
45
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
46
- The Poems of Thomas Gray, Design 79, "The Descent of Odin."
- between 1797 and 1798
47
- The Poems of Thomas Gray, Design 81, "The Descent of Odin."
- between 1797 and 1798
48
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
49
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
50
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
51
- The Poems of Thomas Gray, Design 95, "Ode for Music."
- between 1797 and 1798
52
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
53
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
54
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
55
- Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
- 1789
56
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
57
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
58
- The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
- 1789
59
- The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
- 1789
60
- Europe. A Prophecy, Plate 3, "Preludium"
- 1794
61
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
62
- Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
- 1794
63
- Europe. A Prophecy, Plate 8 (Bentley 9)
- 1794
64
- The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)
- 1794
65
- The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
- 1794
66
- The First Book of Urizen, Plate 7 (Bentley 12)
- 1794
67
- The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)
- 1794
68
- The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)
- 1794
69
- America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
- 1793
70
- Europe. A Prophecy, Plate 1, Frontispiece
- 1794
71
- Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
- 1794
72
- Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
- 1794
73
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
74
- Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
- 1794
75
- The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)
- 1794
76
- The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)
- 1794
77
- The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)
- 1794
78
- The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)
- 1794
79
- The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
- 1794
80
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
81
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
82
- America. A Prophecy, Plate 1, Frontispiece
- 1793
83
- America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
- 1793
84
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
85
- America. A Prophecy, Plate 17, "On Albions Angels...."
- 1793
86
- America. A Prophecy, Plate 18, "Over the Hills...."
- 1793
87
- America. A Prophecy, Plate 2, Title Page
- 1793
88
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
89
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
90
- America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
- 1793
91
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
92
- America. A Prophecy, Plate 7, "Albions Angel stood...."
- 1793
93
- America. A Prophecy, Plate 8, "The Morning Comes...."
- 1793
94
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
95
- The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)
- 1794
96
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
- 1794
97
- The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)
- 1794
98
- The First Book of Urizen, Plate 21 (Bentley 16)
- 1794
99
- The First Book of Urizen, Plate 23 (Bentley 9)
- 1794
100
- The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)
- 1794