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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Creator Rowlandson, Thomas, 1756–1827

Remove constraint Creator: Rowlandson, Thomas, 1756–1827

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1. Soldiers on a March: "To pack up her tatters and follow the Drum"

Soldiers on a March: "To pack up her tatters and follow the Drum"
Creator:
Thomas Rowlandson, 1756–1827
Date:
1811
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 8 3/4 x 9 1/4in. (22.2 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Picnic

The Picnic
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite; verso: graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 15/16 x 16 7/16 inches (27.8 x 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Leaden Hall Market

Leaden Hall Market
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Set of eight (1): Cries of London

Set of eight (1): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. A Stage Coach Outside of the Entrance of an Inn

A Stage Coach Outside of the Entrance of an Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Brown wash, gray wash, pen and black ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 x 10 1/16 inches (14.9 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Ages of the Horse: The Foal, The Colt, The Racer, The Hunter, The Post-Horse, Food for the Hounds

Ages of the Horse: The Foal, The Colt, The Racer, The Hunter, The Post-Horse, Food for the Hounds
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Graphite on six sheets of paper mounted on blue wove paper
Dimensions:
Sheet: 2 13/16 x 3 7/8 inches (7.1 x 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Picking Mulberries

Picking Mulberries
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 7 1/4 x 10 5/16 inches (18.4 x 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Drunken Nurse

The Drunken Nurse
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 5 11/16 x 7 9/16 inches (14.4 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Comforts of Bath: The Bath

Comforts of Bath: The Bath
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 7 1/8 inches (11 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Evening

Evening
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 × 5 13/16 inches (10.2 × 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Morning

Morning
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. An English Postilion

An English Postilion
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Mount: 6 3/8 × 9 3/16 inches (16.2 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Annual Sculling Race for Doggett's Coat and Badge

The Annual Sculling Race for Doggett's Coat and Badge
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 × 9 3/16 inches (14.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Evading the Toll

Evading the Toll
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 x 9 1/8 inches (16.2 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. A Race on the Knavesmire at York

A Race on the Knavesmire at York
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and gray ink on thick, slightly textured, brown wove paper
Dimensions:
Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. A Horse Sale in Hopkins's Repository, Barbican

A Horse Sale in Hopkins's Repository, Barbican
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1798 and 1800
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 1/8 x 17 15/16 inches (33.3 x 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. An Album of Sketches compiled by the Artist, including many figure and landscape studies at Blackheath, Deptford and Greenwich, Dover and elsewhere, drawings for "The English Dance of Death", Gambado's "Academy for Grown Horsemen"

An Album of Sketches compiled by the Artist, including many figure and landscape studies at Blackheath, Deptford and Greenwich, Dover and elsewhere, drawings for "The English Dance of Death", Gambado's "Academy for Grown Horsemen"
Creator:
Thomas Rowlandson, 1756–1827
Materials & Techniques:
150 sketches on ninety-one leaves variously executed in graphite, pen and ink, many with brown or gray wash
Dimensions:
Sheet: 9 x 6 3/4in. (22.9 x 17.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Mid-Day

Mid-Day
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Travelling in France

Travelling in France
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1789
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Stable of an Inn

The Stable of an Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, beige laid paper
Dimensions:
Mount: 10 1/4 × 17 13/16 inches (26 × 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Return from the Hunt

The Return from the Hunt
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 8 1/16 x 11 7/8 inches (20.5 x 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. How to Vault in the Saddle

How to Vault in the Saddle
Creator:
Thomas Rowlandson, 1756–1827
Date:
1813
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 x 10 3/4 inches (33 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Four O'Clock in the Country

Four O'Clock in the Country
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1788 and 1790
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 7/8 x 15 3/4 inches (32.7 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Runaway Coach

The Runaway Coach
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1791
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 9 3/4 inches (20 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. A Crowded Race Meeting

A Crowded Race Meeting
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Breakfast before the Hunt

Breakfast before the Hunt
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1790
Materials & Techniques:
Pen and black and gray ink with brown and blue wash on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 x 8 inches (12.7 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. 'How to Twist Your Neck'

'How to Twist Your Neck'
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red ink; verso: watercolor blotches on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 3 13/16 x 5 13/16 inches (9.7 x 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Military Adventures of Johnny Newcome

The Military Adventures of Johnny Newcome
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 7 3/8 × 10 5/16 inches (18.7 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Canterbury-Dover Coach Passing Vanbrugh Castle

The Canterbury-Dover Coach Passing Vanbrugh Castle
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1795 and 1800
Materials & Techniques:
Watercolor, in pen with brown ink and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 17 15/16 inches (29.2 x 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. A Horse Sale at Hopkins's Repository (An outline)

A Horse Sale at Hopkins's Repository (An outline)
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 x 15 11/16 inches (23.7 x 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. A Saddled Cavalry Horse

A Saddled Cavalry Horse
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and gray ink, black ink, graphite, and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 8 7/8 inches (18.1 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Philanthropic Society, The Chapel

Philanthropic Society, The Chapel
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Dining Hall, Asylum

Dining Hall, Asylum
Creator:
John Hill, 1770–1850
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Pigs at a Trough

Pigs at a Trough
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 9/16 x 6 1/4 inches (9 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Greenwich

Greenwich
Creator:
Thomas Rowlandson, 1756–1827
Date:
1795 to 1800
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/16 x 18 5/16 inches (28.4 x 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The Gardener's Offering

The Gardener's Offering
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1803 and 1805
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 7/8 x 14 15/16 inches (27.6 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. A Dutch Packet in a Rising Breeze

A Dutch Packet in a Rising Breeze
Creator:
Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 10 13/16 inches (19.7 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. A Ball at Scarborough

A Ball at Scarborough
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1820
Materials & Techniques:
Watercolor, pen and red ink, brown ink, black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 x 9 3/8 inches (14.4 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Viewing at the Royal Academy

Viewing at the Royal Academy
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1815
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 1/2 inches (14.6 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Gardening

Gardening
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 7 1/16 inches (12.1 x 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. West India Docks

West India Docks
Creator:
John Bluck, active 1791–1831
Date:
1810
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Hall of the Auction Mart

The Hall of the Auction Mart
Creator:
Thomas Rowlandson, 1756–1827
Date:
1811
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. St. Paul's Cathedral

St. Paul's Cathedral
Creator:
Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The Roman Catholic Chapel, Lincoln's Inn Fields

The Roman Catholic Chapel, Lincoln's Inn Fields
Creator:
John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Greenwich Hospital, the Painted Hall

Greenwich Hospital, the Painted Hall
Creator:
Thomas Rowlandson, 1756–1827
Date:
1810
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The Post Office

The Post Office
Creator:
Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Common Council Chamber, Guildhall

Common Council Chamber, Guildhall
Creator:
Thomas Rowlandson, 1756–1827
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Guildhall Examination of a Bankrupt before his Creditors

Guildhall Examination of a Bankrupt before his Creditors
Creator:
Thomas Rowlandson, 1756–1827
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Dr. Syntax Visits a Boarding School for Young Ladies

Dr. Syntax Visits a Boarding School for Young Ladies
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Set of eight (3): Cries of London

Set of eight (3): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Set of eight (5): Cries of London

Set of eight (5): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Set of eight (5): Cries of London

Set of eight (5): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Set of eight (4): Cries of London

Set of eight (4): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Set of Sixteen: Outlines of Figure and Landscapes

Set of Sixteen: Outlines of Figure and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Set of eight (6): Cries of London

Set of eight (6): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Set of eight (7): Cries of London

Set of eight (7): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Box Lobby Loungers

Box Lobby Loungers
Creator:
Thomas Rowlandson, 1756–1827
Date:
1786
Materials & Techniques:
Etching and stipple
Dimensions:
Sheet: 13 3/8 x 22 5/8in. (34 x 57.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Soldiers Cooking

Soldiers Cooking
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Soldiers Recreating

Soldiers Recreating
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Heads: Philosophorum

Heads: Philosophorum
Creator:
Thomas Rowlandson, 1756–1827
Date:
1800
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. A French Family

A French Family
Creator:
Samuel Alken, 1756–1815
Date:
1786
Materials & Techniques:
Etching with aquatint
Dimensions:
Sheet: 15 7/8 x 21 1/4in. (40.3 x 54cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. An Italian Family

An Italian Family
Creator:
Samuel Alken, 1756–1815
Date:
1785
Materials & Techniques:
Etching with aquatint
Dimensions:
Sheet: 16 1/4 x 21 3/4in. (41.3 x 55.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. The Advantage of Shifting the Leg

The Advantage of Shifting the Leg
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Drawing Room, St. James's

Drawing Room, St. James's
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint hand colored
Dimensions:
Image: 7 7/8 x 10 1/4in. (20 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Castle Baynard Volunteer

Castle Baynard Volunteer
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Vauxhall Garden

Vauxhall Garden
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Quakers Meeting

Quakers Meeting
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Heralds College, the Hall

Heralds College, the Hall
Creator:
John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Vauxhall

Vauxhall
Creator:
unknown artist
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Society for the Encouragement of Arts

Society for the Encouragement of Arts
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Westminster Hall

Westminster Hall
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Pass-Room Bridewell

Pass-Room Bridewell
Creator:
Thomas Rowlandson, 1756–1827
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. An Execution Scene Outside Newgate

An Execution Scene Outside Newgate
Creator:
unknown artist
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman

Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman
Creator:
Thomas Rowlandson, 1756–1827
Date:
1785
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. The Word Eater

The Word Eater
Creator:
Thomas Rowlandson, 1756–1827
Date:
1786
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 x 12 7/8in. (20.3 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics

Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 x 9in. (33 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. A New Speaker - The Wedding Night

A New Speaker - The Wedding Night
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 1/8 x 9 1/4in. (33.3 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. The Reconciliation, or the Return from Scotland

The Reconciliation, or the Return from Scotland
Creator:
Thomas Rowlandson, 1756–1827
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 12 7/8in. (22.9 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. The Minister Casting Up His Accounts

The Minister Casting Up His Accounts
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 x 9in. (33 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. The Times

The Times
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1783
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 7/8 x 16 3/8in. (27.6 x 41.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---

Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1786
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 5/8 x 14 1/2in. (24.4 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia

Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1786
Materials & Techniques:
Etching
Dimensions:
Sheet: 9 5/8 x 14 1/2in. (24.4 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. A Lying-In Visit, or a Short-Sighted Mistake

A Lying-In Visit, or a Short-Sighted Mistake
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 13in. (22.2 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. An Essay on the Sublime and Beautiful, The Maiden Speech

An Essay on the Sublime and Beautiful, The Maiden Speech
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Etching, hand colored
Dimensions:
Sheet: 8 1/16 x 12 3/4in. (20.5 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. King's Place, or a View of (Monsieur Reynard's) Best Friends

King's Place, or a View of (Monsieur Reynard's) Best Friends
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 13 1/16in. (22.2 x 33.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Procession to the Hustings after a Successful Canvass

Procession to the Hustings after a Successful Canvass
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 13 1/4in. (22.2 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. The Departure

The Departure
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Box-Lobby Hero, The Branded Bully, or the Ass Stripp'd of the Lion's Skin

Box-Lobby Hero, The Branded Bully, or the Ass Stripp'd of the Lion's Skin
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1786
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 13in. (24.1 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Sir Cecil's Budget for Paying the National Debt

Sir Cecil's Budget for Paying the National Debt
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance

Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/8 x 11 3/4in. (20.6 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. The Minister's Ass - Vide Gazetteer - November 11

The Minister's Ass - Vide Gazetteer - November 11
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 5/8 x 13 3/16in. (21.9 x 33.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. (The) This Irish Ambassadors Extraordinary a Gallante(e) Show

(The) This Irish Ambassadors Extraordinary a Gallante(e) Show
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/4 x 14 1/8in. (23.5 x 35.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Nap in the Country - Nap in Town

Nap in the Country - Nap in Town
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 x 8 7/8in. (33 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection