Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night
1829
On view at YUAG
3
Joseph Mallord William Turner, 1775–1851
Dort or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed
1818
On view at YUAG
4
Joseph Mallord William Turner, 1775–1851
Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore
between 1833 and 1834
On view at YUAG
5
Joseph Mallord William Turner, 1775–1851
Inverary Pier, Loch Fyne: Morning
ca. 1845
On view at YUAG
6
Joseph Mallord William Turner, 1775–1851
Staffa, Fingal's Cave
1831 to 1832
On view at YUAG
7
Francis Danby, 1793–1861
A Mountain Chieftain's Funeral
ca. 1848
Not on view
8
Samuel Palmer, 1805–1881
The Harvest Moon
ca. 1833
Not on view
9
George Stubbs, 1724–1806
A Lion Attacking a Horse
1762
Not on view
10
George Stubbs, 1724–1806
Zebra
1763
Not on view
11
John Constable, 1776–1837
Dedham Lock
between 1819 and 1820
Not on view
12
John Constable, 1776–1837
Hampstead Heath, with a Bonfire
ca. 1822
Not on view
13
John Constable, 1776–1837
Hadleigh Castle
1828 to 1829
Not on view
14
John Constable, 1776–1837
Somerset House Terrace from Waterloo Bridge
ca. 1819
Not on view
15
John Constable, 1776–1837
Study of a Cloudy Sky
ca. 1825
Not on view
16
John Constable, 1776–1837
A Cloud Study, Sunset
ca. 1821
Not on view
17
John Constable, 1776–1837
Cloud Study
1821
Not on view
18
John Constable, 1776–1837
Cloud Study
1821
Not on view
19
John Constable, 1776–1837
Undergrowth
ca. 1815
Not on view
20
John Constable, 1776–1837
Stormy Sea, Brighton
ca. 1828
Not on view
21
John Constable, 1776–1837
Mary Freer
1809
Not on view
22
John Constable, 1776–1837
Ploughing Scene in Suffolk
1824 to 1825
Not on view
23
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
24
John Constable, 1776–1837
Dedham Lock
between 1819 and 1820
Not on view
25
John Constable, 1776–1837
Cloud Study
1822
Not on view
26
Richard Parkes Bonington, 1802–1828
Beached Vessels and a Wagon near Trouville
ca. 1825
On view at YUAG
27
Richard Parkes Bonington, 1802–1828
A Fish-market near Boulogne
1824
On view at YUAG
28
Richard Parkes Bonington, 1802–1828
Near Quillebeuf
between 1824 and 1825
On view at YUAG
29
Sir John Everett Millais, 1829–1896
L'Enfant du Régiment
1854 to 1855
On view at YUAG
30
Richard Parkes Bonington, 1802–1828
Corso Sant'Anastasia, Verona
1828
On view at YUAG
31
Sir Thomas Lawrence, 1769–1830
George James Welbore Agar-Ellis, later first Baron Dover
1823 to 1824
On view at YUAG
32
Joseph Mallord William Turner, 1775–1851
Limekiln at Coalbrookdale
ca. 1797
Not on view
33
Joseph Mallord William Turner, 1775–1851
Off the Nore
between 1840 and 1845
Not on view
34
William Blake, 1757–1827
Virgin and Child
1825
Not on view
35
George Romney, 1734–1802
Ann Wilson (née Harrison) and Her Daughter, Sybill
between 1776 and 1777
Not on view
36
William Hodges, 1744–1797
Storm on the Ganges, with Mrs. Hastings near the Col-gon Rocks
ca. 1790
Not on view
37
James Ward, 1769–1859
Man Struggling with a Boa Constrictor, Study for “The Liboya Serpent Seizing His Prey”
ca. 1803
Not on view
38
John Webber, 1752–1793
Burial Ground in the South Seas
ca. 1777
Not on view
39
Richard Parkes Bonington, 1802–1828
Seated Turk
1826
Not on view
40
Ramsay Richard Reinagle, 1775–1862
An Ornithologist, Possibly John Latham
1802
Not on view
41
Philip Reinagle, 1749–1833
The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
1800
Not on view
42
Francesco Renaldi, 1755–after 1798
Portrait of an Unknown Woman
1789
Not on view
43
David Roberts, 1796–1864
The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt
1849
Not on view
44
Joseph Wright of Derby, 1734–1797
Cavern, near Naples
1774
Not on view
45
James Ward, 1769–1859
Portraits of Two Extraordinary Oxen, the Property of the Earl of Powis
1814
Not on view
46
James Ward, 1769–1859
Self-Portrait
1830
Not on view
47
Joseph Wright of Derby, 1734–1797
Cottage on Fire at Night
between 1785 and 1793
Not on view
48
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
ca. 1840
Not on view
49
Tilly Kettle, 1735–1786
Shuja-ud-Daula, Nawab of Oudh
1772
Not on view
50
George Jones, 1786–1869
A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'
1815
Not on view
51
Joseph Wright of Derby, 1734–1797
Vesuvius from Posillipo
ca. 1788
Not on view
52
Henry Fuseli, 1741–1825
Dido
1781
Not on view
53
Philippe-Jacques de Loutherbourg, 1740–1812
A Philosopher in a Moonlit Churchyard
1790
Not on view
54
Richard Wilson, 1713/4–1782
The Destruction of the Children of Niobe
1760
Not on view
55
George Henry Harlow, 1787–1819
Henry Fuseli
1817
Not on view
56
Thomas Gainsborough, 1727–1788
Mountain Valley with Figures and Distant Village
between 1773 and 1777
Not on view
57
Richard Parkes Bonington, 1802–1828
In the Forest at Fontainebleau
ca. 1825
Not on view
58
Richard Parkes Bonington, 1802–1828
A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
ca. 1826
Not on view
59
John Martin, 1789–1854
The Deluge
1834
Not on view
60
Sir Thomas Lawrence, 1769–1830
Lord Granville Leveson-Gower, later first Earl Granville
between 1804 and 1809
Not on view
61
Jacques-Laurent Agasse, 1767–1849
Clouded Leopards
ca. 1825
Not on view
62
Benjamin West, 1738–1820
The Artist and His Son Raphael
1773
Not on view
63
Joseph Wright of Derby, 1734–1797
Matlock Tor by Moonlight
between 1777 and 1780
Not on view
64
Henry Fuseli, 1741–1825
The Mandrake: A Charm
exhibited RA 1785
Not on view
65
John Linnell, 1792–1882
The Rest on the Flight into Egypt
ca. 1827
Not on view
66
William Hodges, 1744–1797
A View of Matavai Bay in the Island of Otaheite [Tahiti]
1776
Not on view
67
John Martin, 1789–1854
Belshazzar's Feast
1820
Not on view
68
Sir Thomas Lawrence, 1769–1830
Admiral John Markham
ca. 1793
Not on view
69
Joseph Nollekens, 1737–1823
Charles James Fox
1792
Not on view
70
Thomas Woolner, 1825–1892
William Charles Wentworth
1854
Not on view
71
Thomas Woolner, 1825–1892
Sir Charles Nicholson
1854
Not on view
72
Samuel Palmer, 1805–1881
A Moonlit Scene with a Winding River
ca. 1827
73
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
74
Samuel Palmer, 1805–1881
Ancient Trees, Lullingstone Park
1828
75
Samuel Palmer, 1805–1881
Foxgloves
undated
76
Samuel Palmer, 1805–1881
Brambles
undated
77
George Stubbs, 1724–1806
Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
1795 to 1806
78
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
between 1795 and 1806
79
George Stubbs, 1724–1806
Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)
between 1795 and 1806
80
Joseph Mallord William Turner, 1775–1851
The Channel Sketchbook
ca. 1845
81
Joseph Mallord William Turner, 1775–1851
Saint Augustine's Gate, Canterbury
ca. 1793
82
Joseph Mallord William Turner, 1775–1851
Mer de Glace, in the Valley of Chamonix
1803
83
Joseph Mallord William Turner, 1775–1851
Upper Fall of the Reichenbach: Rainbow
1810
84
Joseph Mallord William Turner, 1775–1851
Vesuvius in Eruption
between 1817 and 1820
85
Joseph Mallord William Turner, 1775–1851
Fluelen: Morning (looking towards the lake)
1845
86
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
87
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
88
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
89
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
90
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
91
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
92
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
93
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
94
Print made by William Blake, 1757–1827
The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
1827
95
Print made by William Blake, 1757–1827
The Pit of Disease: The Falsifiers (Plate 6)
1827
96
Print made by William Blake, 1757–1827
The Serpent Attacking Buoso Donati (Plate 5)
1827
97
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
98
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
99
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
100
Print made by William Blake, 1757–1827
The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)