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1. The Pet Rabbit

The Pet Rabbit
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1835
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 26 1/8 × 19 3/4 inches (66.4 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. Woman with a Rake

Woman with a Rake
Creator:
Print made by John Smith, 1652–1743
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/16 × 6 1/4 inches (20.8 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. Little Missenden Church from the Southeast

Little Missenden Church from the Southeast
Creator:
Print made by Lydia Bates, active 1784
Date:
1784
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/16 x 17 1/8 inches (29 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. A Choral Band

A Choral Band
Creator:
Print made by Lydia Bates, active 1784
Date:
ca. 1777
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 9/16 x 16 3/4 inches (29.4 x 42.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. Edgar's Tower at Worcester

Edgar's Tower at Worcester
Creator:
Print made by M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, light blue laid paper
Dimensions:
Sheet: 7 5/8 x 9 1/4 inches (19.4 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A Cognocenti Contemplating ye Beauties of ye Antique

A Cognocenti Contemplating ye Beauties of ye Antique
Creator:
Print made by James Gillray, 1756–1815
Date:
1801
Materials & Techniques:
Etching, hand-colored on moderately thick, smooth, cream wove paper mounted on green card
Dimensions:
Sheet: 15 3/8 × 10 11/16 inches (39 × 27.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Barbara and Max Wilk, Yale BA 1941

7. A Morning Ride

A Morning Ride
Creator:
James Gillray, 1756–1815
Date:
1804
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 11/16 x 20 3/16 inches (34.7 x 51.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Robert W. Carle

8. Title Page: Bartolozzi's Works

Title Page: Bartolozzi's Works
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1796
Materials & Techniques:
Stipple engraving, line engraving and etching
Dimensions:
Plate: 11 1/2 x 9in. (29.2 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Robert W. Carle, B.A. 1897

9. Specimens of Waltzing

Specimens of Waltzing
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1817
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, textured, beige wove paper
Dimensions:
Sheet: 9 3/4 × 13 13/16 inches (24.7 × 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Les Plaisirs Paternels

Les Plaisirs Paternels
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 13/16 x 5 13/16 inches (19.8 x 14.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. La Conversation

La Conversation
Creator:
Print made by Rose Joseph Lemercier, 1803–1887
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:
Sheet: 14 3/8 x 11 inches (36.5 x 28 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 9/16 × 13 7/8 inches (24.3 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 × 13 7/8 inches (24.7 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/8 × 14 1/16 inches (24.5 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 13/16 × 13 7/8 inches (25 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 × 13 7/8 inches (24.7 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Sleeping Child

Sleeping Child
Creator:
Francesco Bartolozzi, 1728–1815
Date:
c.1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Venus

Venus
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1781
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet

Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Illustration From Bell's Edition of The Poets of Great Britain

Illustration From Bell's Edition of The Poets of Great Britain
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca. 1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Edgar's Tower at Worcester

Edgar's Tower at Worcester
Creator:
Print made by M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 8 1/4 inches (15.3 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Cottagers at the Bottom of Mt. Vesuvius

Cottagers at the Bottom of Mt. Vesuvius
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1799
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. June - Society at the Drawing Room

June - Society at the Drawing Room
Creator:
Print made by Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Wood-engraving
Dimensions:
Sheet: 6 1/2 x 9 1/2in. (16.5 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

24. July - Society Masquerading

July - Society Masquerading
Creator:
Print made by Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Wood-engraving
Dimensions:
Sheet: 6 3/4 x 3 1/4in. (17.1 x 8.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

25. October - Society in the Field

October - Society in the Field
Creator:
Print made by Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Wood-engraving
Dimensions:
Sheet: 6 3/8 x 9 1/8in. (16.2 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

26. February - Ladies Gallery House of Commons

February - Ladies Gallery House of Commons
Creator:
Print made by Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Wood-engraving
Dimensions:
Sheet: 6 1/2 x 9 1/4in. (16.5 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

27. Five People Praying

Five People Praying
Creator:
Louisa Augusta Greville, 1743–active 1762
Date:
1760
Materials & Techniques:
Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 9/16 x 18 1/4 inches (31.9 x 46.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground

Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground
Creator:
Louisa Augusta Greville, 1743–active 1762
Date:
1759
Materials & Techniques:
Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/2 × 12 inches (44.4 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
Creator:
Print made by Louisa Augusta Greville, 1743–active 1762
Date:
1760
Materials & Techniques:
Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 3/8 x 12 5/8 inches (46.6 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance
Creator:
Louisa Augusta Greville, 1743–active 1762
Date:
1770
Materials & Techniques:
Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 18 1/2 inches (31.2 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Paulus Aemelius

Paulus Aemelius
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1783
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Le Silence Favorable

Le Silence Favorable
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:
Sheet: 14 3/16 x 10 5/8 inches (36 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. A Game at Cards

A Game at Cards
Creator:
Print made by Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

34. Four Intellects

Four Intellects
Creator:
Print made by Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Wood-engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

35. Shopping

Shopping
Creator:
Print made by Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Wood-engraving
Dimensions:
Sheet: 6 1/2 x 9 3/4in. (16.5 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36. Crystal Palace

Crystal Palace
Creator:
Print made by Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Wood-engraving
Dimensions:
Sheet: 6 1/2 x 9 3/4in. (16.5 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

37. Platts Spinning Machine

Platts Spinning Machine
Creator:
Print made by Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Wood-engraving
Dimensions:
Sheet: 6 x 9in. (15.2 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

38. Four Children on a Stage

Four Children on a Stage
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Wood-engraving
Dimensions:
Sheet: 6 x 9 1/4in. (15.2 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39. The Third Volume

The Third Volume
Creator:
Print made by Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Wood-engraving
Dimensions:
Sheet: 3 3/4 x 4in. (9.5 x 10.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

40. A Country Churchyard. Verse from Gray's Elegy

A Country Churchyard. Verse from Gray's Elegy
Creator:
Marie C. Prestel, 1747–1794
Date:
1790
Materials & Techniques:
Aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 26 7/8 inches (54.6 × 68.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Interior

Interior
Creator:
Print made by Roger Fry, 1866–1934
Date:
1921
Materials & Techniques:
Woodcut on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 6 inches (21.6 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mitchell Bobkin

42. The Novel

The Novel
Creator:
Print made by Roger Fry, 1866–1934
Date:
1921
Materials & Techniques:
Woodcut on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 6 inches (21.6 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mitchell Bobkin

43. The Three Fine Arts (Fan)

No cover image available
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The Three Fine Arts

No cover image available
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1783
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Maria Theresa Kemble (née du Camp)

No cover image available
Creator:
Print made by Richard Morton Paye, 1750–1821
Date:
1805
Materials & Techniques:
Stipple engraving printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery Collection

46. The Flight into Egypt

No cover image available
Creator:
Print made by unknown artist
Date:
1947
Materials & Techniques:
Color lithograph on thin, smooth, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery Collection