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Exhibition History Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)

Remove constraint Exhibition History: Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)

Genre architectural subject

Remove constraint Genre: architectural subject

Creator Turner, J. M. W. (Joseph Mallord William), 1775–1851

Remove constraint Creator: Turner, J. M. W. (Joseph Mallord William), 1775–1851

Search Results

View of Ely Cathedral
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1796
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 x 6 5/8in. (10.5 x 16.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Frontispiece
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 5/8 inches (29.2 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Norham Castle on the Tweed
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of a Church
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shields Lighthouse
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1826
Materials & Techniques:
Mezzotint; trial proof a on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 x 8 1/4 inches (14.6 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shields Lighthouse
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1826
Materials & Techniques:
Mezzotint; engraver's proof b
Dimensions:
Sheet: 5 15/16 x 8 3/8in. (15.1 x 21.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridge and Monument
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1825
Materials & Techniques:
Mezzotint (Engraver's proof a)
Dimensions:
Sheet: 6 x 8 1/2in. (15.2 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridge and Monument
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1825
Materials & Techniques:
Mezzotint (Engraver's proof b)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Little Devil's Bridge over the Russ above Altdorft, Switzerland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching and mezzotint, printed in brown ink Engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saint Augustine's Gate, Canterbury
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1793
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 x 19 3/8 inches (34.3 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North East View of Grantham Church, Lincolnshire
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1797
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 7 inches (13 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Andernach

Andernach
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1817
Materials & Techniques:
Watercolor, gouache, pen and black ink and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saint Catherine's Hill, Guildford, Surrey
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1830
Materials & Techniques:
Watercolor, graphite, scraping out and scratching out on medium, slightly textured, cream wove paper mounted on thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/8 x 17 1/2in. (29.5 x 44.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Barnard Castle
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825
Materials & Techniques:
Watercolor, pen and black ink, gouache and scratching out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/8 x 16 1/4 inches (29.5 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pembury Mill, Kent
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gloucester Cathedral
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1825
Materials & Techniques:
Mezzotint, with graphite and white chalk; engraver's proof (a)
Dimensions:
Plate: 6 x 8 7/8in. (15.2 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
High Street, Edinburgh
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1818
Materials & Techniques:
Watercolor, pen and brown ink, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London from Greenwich
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/2 inches (30.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Barnard Castle, Durham
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 5/8 × 18 1/8 inches (32.1 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
High Street, Edinburgh
Creator:
Engraved by Henry Le Keux, 1787–1868
Date:
1819
Materials & Techniques:
Line engraving and etching, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 7/8 × 19 3/8 inches (32.7 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Acropolis of Athens
Creator:
Print made by John Cousen, 1804–1880
Date:
1832-1834
Materials & Techniques:
Etching and line engraving, with graphite and scraping out (Engraver's Proof a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 9/16 × 14 5/16 inches (26.8 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Florent
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Line engraving, (Engraver's Proof a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Napoleon's Logement, Quai Conti
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834-1836
Materials & Techniques:
Etching and engraving (Engraver's Proof) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 × 9 7/8 inches (30.5 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rouen Cathedral
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1834
Materials & Techniques:
Line engraving, (First Published State) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Between Quilleboeuf and Villequier
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving, (First Published State)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Hotel de Ville and Pont d'Arcole
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Line engraving (First Published State)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Tancarville
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving, (First Published State) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
St. Julian's, Tours
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, (First Published State) on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 9/16 inches (17.5 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Richmondshire Castle and Town
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1820
Materials & Techniques:
Etching and line engraving; engraver's proof (touched) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rosslyn Castle
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
ca. 1822
Materials & Techniques:
Line-engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/16 × 13 3/8 inches (26.2 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Caterine's Hill, near Guildford, Surrey
Creator:
Print made by James H. Kernot, active early 19th century
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Venice (vignettes)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 11 7/8 inches (41.9 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kenilworth Castle, Warwickshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brinkburn Priory, Northumberland
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1832
Materials & Techniques:
Line engraving, with scraping out, touched with graphite (Engraver's Proof a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, with scraping out and touched with graphite (Engraver's Proof a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South View of Christ Church, etc. from the Meadows
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1799
Materials & Techniques:
Line engraving, engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pope's Villa
Creator:
Engraved by John Pye, 1782–1874
Date:
1810
Materials & Techniques:
Line engraving; engraver's proof aa on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 12 1/4 inches (21.6 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Grantham Church
Creator:
Print made by Bartholomew Howlett, 1767–1827
Date:
1797
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 12 3/8 inches (24.1 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Ely

Ely
Creator:
Print made by James Walker, 1748–1808
Date:
1797
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Arundel Castle and Town, Sussex
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Line engraving, with scraping out and touched with graphite (First Published State)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Arundel Castle and Town, Sussex
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond Hill and Bridge, Surrey
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Florence

Florence
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Line engraving, Engraver's Proof on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 13/16 inches (28.9 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fontainbleau
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and engraving, (First Published State) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 7/8 × 11 1/4 inches (42.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ancient Crosses at Whalley
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1800
Materials & Techniques:
Line engraving, Published State on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 9 1/4 inches (29.8 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
High Street, Oxford
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1812
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on medium, slightly textured, cream wove paper, mounted to thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 3/8 × 24 5/8 inches (49.2 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ancient Italy - Ovid Banished from Rome
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1842
Materials & Techniques:
Etching and line engraving, with scraping out and touched with graphite and white chalk; engraver's proof (a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 26 3/4 × 38 1/2 inches (67.9 × 97.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Raglan Castle
Creator:
Attributed to Henry Dawe, 1790–1848
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink First Published State on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 × 15 1/8 inches (28.3 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scarborough
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Mezzotint, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 13 1/2 inches (27.9 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Light Towers of the Heve, vignette for title page
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Line engraving, (Second State)
Dimensions:
Sheet: 16 1/4 × 10 7/8 inches (41.3 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Simplon
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 × 10 1/2 inches (40.6 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scarborough
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Mezzotint; engraver's Proof (b) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 13 1/2 × 20 inches (34.3 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, touched with graphite (First Published State)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Brienne

Brienne
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 10 3/8 × 16 3/8 inches (26.4 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scott's Birthplace, no. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and engraving, touched with graphite (Engraver's Proof b)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fontainebleau
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 13 1/4 × 8 1/2 inches (33.7 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paris from the Barriere de Passy
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, with scraping out and touched with graphite (Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, with scraping out, touched with graphite (Later Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hotel de Ville and Pont d'Arcole
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched, (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, touched with graphite (Later Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ancient Italy - Ovid Banished from Rome
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1842
Materials & Techniques:
Etching and line engraving; engraver's proof (II, Moon's Impressions) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 1/8 × 36 1/8 inches (66.4 × 91.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmouth Castle, on the River Dart
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint, engraver's proof (b) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 14 1/8 inches (25.4 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and soft ground etching; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 18 inches (31.8 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stone Henge
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1829
Materials & Techniques:
Line engraving and etching, 2nd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 1/2 × 14 9/16 inches (26.7 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Tours

Tours
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Napoleon's Logemont, Quai Conti
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and engraving (Published State) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 15 7/8 × 10 3/4 inches (40.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Julian's, Tours
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Line engraving, and graphite, with scraping, (Engraver's Proof) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, white wove paper
Dimensions:
Plate: 5 7/8 x 9in. (14.9 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Line engraving and graphite; touched proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Plate: 6 x 8 7/8in. (15.2 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Pierre's Cottage
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving, with scraping out and touched with graphite (Engraver's Proof b) on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 9/16 × 12 3/16 inches (44.6 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Julian's, Tours
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and line engraving; early proof, 1st state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 9 × 13 1/16 inches (22.9 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Florent
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Line engraving, engraver's Proof b
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
ca. 1804
Materials & Techniques:
Etching and aquatint; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 23 × 28 3/4 inches (58.4 × 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection