<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques black ink

Remove constraint Materials & Techniques: black ink

Materials & Techniques laid paper

Remove constraint Materials & Techniques: laid paper

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Subject Terms church

Remove constraint Subject Terms: church

Search Results

Alexander Nasmyth Westminster Abbey from Dean's Yard
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
Thomas Hearne Edinburgh
Thomas Hearne, 1744–1817
Edinburgh
ca. 1778
Thomas Hearne The Ruins of Leiston Abbey
Thomas Hearne, 1744–1817
The Ruins of Leiston Abbey
1781
Augustus Welby Northmore Pugin Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
1838
James Paine Design for a Church: Elevation of the West Front
James Paine, 1717–1789
Design for a Church: Elevation of the West Front
ca. 1750
unknown artist Croydon Church
unknown artist
Croydon Church
undated
Bernard Lens III London: a View toward the City and St. Paul's from the North West
Bernard Lens III, 1682–1740
London: a View toward the City and St. Paul's from the North West
undated
Thomas Hearne Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh
Thomas Hearne, 1744–1817
Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh
1778
James Lambert of Lewes Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone
James Lambert of Lewes, 1725–1788
Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone
undated
James Lambert of Lewes The Monument of Thomas Fiennes
James Lambert of Lewes, 1725–1788
The Monument of Thomas Fiennes
undated
Giovanni Stern Plans of Ancient Roman Church: 4. Terme di Tito
Giovanni Stern, 1734–1794
Plans of Ancient Roman Church: 4. Terme di Tito
undated
Paul Sandby Design for a Church. Elevation of West Front
attributed to Paul Sandby, 1731–1809
Design for a Church. Elevation of West Front
undated
Sir George Howland Beaumont seventh Baronet Abbey Church at St. Albans
Sir George Howland Beaumont seventh Baronet, 1753–1827
Abbey Church at St. Albans
1781
William Pars Temple of Venus and Rome from the Colosseum
William Pars, 1742–1782
Temple of Venus and Rome from the Colosseum
1781
William Pars The Secundini Monument at Ighel in the Duchy of Luxembourg
William Pars, 1742–1782
The Secundini Monument at Ighel in the Duchy of Luxembourg
undated
John Carter Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
Thomas Hearne A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
Thomas Hearne, 1744–1817
A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
ca. 1775
Giovanni Battista Borra Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
Augustus Welby Northmore Pugin The Grange and St. Augustine's, Ramsgate, Kent
Print made by Augustus Welby Northmore Pugin, 1812–1852
The Grange and St. Augustine's, Ramsgate, Kent
ca. 1848
Giovanni Battista Borra Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
Giovanni Battista Borra, 1713–1770
Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
ca. 1750
John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
John Carter Half the Plan of Ceiling, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
John Carter Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
James Moore Salisbury Cathedral
James Moore, 1762–1799
Salisbury Cathedral
1791
John Carter South View in the Entrance of Porch at West End of St. Stephen's Chapel West
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
John Carter Plan of Moldings, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Plan of Moldings, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
John Carter Impost and Base of Columns, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
Jonathan Skelton The River Stour, St. Mildred's Church and the Castle of Canterbury
Jonathan Skelton, active 1754, died 1758
The River Stour, St. Mildred's Church and the Castle of Canterbury
1757
John Collet River Scene with Church, Cottage and Windmill
John Collet, ca. 1725–1780
River Scene with Church, Cottage and Windmill
undated
Thomas Gainsborough Coastal Scene with Figures and Boats
imitator of Thomas Gainsborough, 1727–1788
Coastal Scene with Figures and Boats
undated
Capt. Francis Grose Northwest View of Castle Church, Hexham, Northumberland
Attributed to Capt. Francis Grose, 1731–1791
Northwest View of Castle Church, Hexham, Northumberland
undated
unknown artist Views in the Levant: Interior of a Ruined Byzantine Church
unknown artist
Views in the Levant: Interior of a Ruined Byzantine Church
undated