North East View of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield
1820
21
Print made by John Doyle ('H.B.'), 1797–1868
A Scene From the Farce of "The Critic," a Little Altered
1848
22
Print made by John Doyle ('H.B.'), 1797–1868
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
1847
23
Print made by John Doyle ('H.B.'), 1797–1868
Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short
1849
24
Print made by John Doyle ('H.B.'), 1797–1868
A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant
1847
25
Print made by John Doyle ('H.B.'), 1797–1868
The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure
1849
26
John Buckler FSA, 1770–1851
South Front of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield
1820
27
Studio of Sir Jeffry Wyatville, 1766–1840
Windsor Castle, Berkshire: Seven Designs for a Stable
undated
28
Sir Jeffry Wyatville, 1766–1840
Lilleshall, Shropshire: East View
1826
29
John Ruskin, 1819–1900
The Great Square at Torcello
1850
30
Charles Dyce, active 1848
View at Malta
ca. 1849
31
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
32
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
33
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
34
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
35
unknown artist
Cavorting Putti with Classical Vase and Fountain
undated
36
Print made by Sir Frank Short, 1857–1945
The "Victory" Coming Up Channel
1891
37
David Simson, 1803–1874
At Galldon
between 1861 and 1863
38
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
39
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
40
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
41
Sir Jeffry Wyatville, 1766–1840
Keeper's Cottage at Belton House, Lincolnshire: South and East Elevations
undated
42
Charles Robert Cockerell, 1788–1863
The Temple of Aphaia at Aegina: Elevation and Details of Doric Columns