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Materials & Techniques brown ink

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Associated Places Europe

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Width [cm] 19

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Luxembourg
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825 or 1834
Materials & Techniques:
Watercolor, gouache, pen and brown ink and scratching out on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/8 x 7 1/2 inches (13.7 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tours: Sunset: Looking Backwards
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1826 and 1830
Materials & Techniques:
Watercolor, gouache, graphite and pen and brown ink on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 4 7/8 x 7 3/8 inches (12.4 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Banishment of Aristides
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 7 5/8 inches (20 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1838
Materials & Techniques:
Gray wash, brown wash, and graphite with pen and black and pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 7 1/2 inches (31.3 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bayswater Turnpike
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, pen and black and gray ink on medium, slightly textured, wove paper mounted on card
Dimensions:
Mount: 9 1/2 x 11 1/2 inches (24.1 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North-East View of Sir John Elvil's House on Englefield Green near Egham in Surrey
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/4 x 7 3/8 inches (13.3 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Distant View of Easton Neston, Northants
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 1/2 × 7 3/8 inches (11.4 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery
The West Door, Rochester Cathedral, Kent
Creator:
Frederick Mackenzie, 1788–1854
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 13/16 × 7 3/8 inches (14.8 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The City and St. Paul's from the South Bank
Creator:
William Marlow, 1740–1813
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 7 1/2 inches (11.7 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View near Aldenham, Herts
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/8 × 7 3/8 inches (12.4 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of a Coppersmith's, Shoe Lane
Creator:
Henry William Burgess, active 1809–1860
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 7 5/8 inches (14 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar Selling his Horse
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 7/16 x 7 9/16 inches (11.3 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar's Family on the Road to Church
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Family Picture
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Pen in gray and red-brown ink and watercolor; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Surprise
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/2 inches (11.6 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View at Blackwall
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 7 5/8 x 10 inches (19.4 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Welcome
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Esquire's Intrusion
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 7/16 inches (11.4 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Dance

The Dance
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen, and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fortune-Telling
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Caernarfon Castle
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on very thick, slightly textured, cream wove paper
Dimensions:
Mount: 10 1/4 x 9 1/2 inches (26 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South Gate, Exeter
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 7 5/8 inches (12.7 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Attendance on a Nobleman
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Departure from Wakefield
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Slate Quarry at Widecombe, Devon
Creator:
John White Abbott, 1763–1851
Date:
1792
Materials & Techniques:
Watercolor, pen, and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/8 × 7 1/2 inches (23.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tenerife-Women of Candelaria
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 7 1/2 inches (23.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Peasant Woman with Staff, La Palma
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Materials & Techniques:
Watercolor, pen and brown ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 7 3/8 inches (24.4 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Windsor from down the River
Creator:
Dr. William Crotch, 1775–1847
Date:
1832
Materials & Techniques:
Watercolor, graphite, pen and brown ink and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 7 5/8 inches (14.9 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection