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Materials & Techniques etching (printing process)

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms fence

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Joseph Mallord William Turner The Straw Yard
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
Robert Havell Crofton Hall, Yorkshire
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
François M. la Cave The Foundlings
Print made by François M. la Cave, active 1726–1766
The Foundlings
undated
George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
Valentine Green St. Augustine's Gate, Canterbury
Valentine Green, 1739–1813
St. Augustine's Gate, Canterbury
1779
James Bretherton Inimitable Mr. James Moss
Print made by James Bretherton, ca. 1730–1806
Inimitable Mr. James Moss
1773
Charles Bretherton Postiglione Inglese
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Inglese
1772
Samuel David Colkett The Gipsy Encampment
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
David Lucas Salisbury Cathedral
Print made by David Lucas, 1802–1881
Salisbury Cathedral
1837
Thomas Gainsborough The Gipsies
Etched by Thomas Gainsborough, 1727–1788
The Gipsies
1764
Henry Thomas Alken An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
Paul Angier A View of Paris
Print made by Paul Angier, active 1749
A View of Paris
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
Robert Havell Crofton Hall, Yorkshire
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
Peter P. Benazech For Japaning, Where may be 200 Different Sorts
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
Samuel David Colkett The Gipsy Encampment
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1822
Thomas Barber Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
John Greig Godalming, Surrey
John Greig, active 1803–1853
Godalming, Surrey
1820
James Basire the younger Frankley Chapel, S. E., Worcestershire
Print made by James Basire the younger, 1769–1822
Frankley Chapel, S. E., Worcestershire
1812
James C. Allen Penzance, Cornwall
Print made by James C. Allen, active 1821–1831
Penzance, Cornwall
1833
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
Francesco Bartolozzi September
Print made by Francesco Bartolozzi, 1728–1815
September
1793