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Materials & Techniques etching (printing process)

Remove constraint Materials & Techniques: etching (printing process)

On-site Access Accessible by appointment in the Study Room

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Width [cm] 31

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Subject Terms religious and mythological subject

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Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
James Mitan Turin from the Portico of the Superga Church
Print made by James Mitan, 1776–1822
Turin from the Portico of the Superga Church
1820
John Bell Charon's Boat
Print made by John Bell, 1811–1895
Charon's Boat
between 1838 and 1850
Sir Frank William Brangwyn The Headless Christ
Print made by Sir Frank William Brangwyn, 1867–1956
The Headless Christ
1910
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
Auguste Boulard A Difference of Opinion
Print made by Auguste Boulard, 1852–1927
A Difference of Opinion
1897
James Basire the younger Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
George Cooke Florence, from Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from Chiesa al Monte
1820
James Mitan Turin from the Portico of the Superga Church
Print made by James Mitan, 1776–1822
Turin from the Portico of the Superga Church
1820
William Miller Durham Cathedral
Print made by William Miller, 1796–1882
Durham Cathedral
1836
Francesco Bartolozzi Cupid Disarmed by Venus
Print made by Francesco Bartolozzi, 1728–1815
Cupid Disarmed by Venus
1804
James H. Kernot St. Catherine's Hill, near Guildford, Surrey
Print made by James H. Kernot, active early 19th century
St. Catherine's Hill, near Guildford, Surrey
1832
W. R. Smith Leicester Abbey
Print made by W. R. Smith, active 1819–1851
Leicester Abbey
1834
W. R. Smith Leicester Abbey
Print made by W. R. Smith, active 1819–1851
Leicester Abbey
1834
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Luigi Schiavonetti Christ Descending into the Grave
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
Luigi Schiavonetti The Descent of Man into the Vale of Death
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
Sir Frank Short Pan and Syrinx, No. 1
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx, No. 1
1896
Luigi Schiavonetti The Grave, A Poem, by Robert Blair
Prints made by Luigi Schiavonetti, 1765–1810
The Grave, A Poem, by Robert Blair
1808
Luigi Schiavonetti Robert Blair, The Grave, Title Page
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808