Materials & Techniques: laid paper and watercolor / Work Type: intaglio print

1. Moeris and Galatea

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched between 1880 and 1883; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/16 x 13 13/16 inches (29.1 x 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Miss Farren

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Color-printed etching and stipple engraving with hand coloring in watercolor (possibly fifth state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 13 1/2 inches (54.6 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

Creator:: unknown artist
Date:: printed 1740, drawn ca. 1760
Materials & Techniques:: Line engraving marked with pen and black ink, blue wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 15/16 × 28 3/4 inches (53.2 × 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Summit of Cader Idris Mountain

Creator:: Edward Rooker, 1724–1774
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 24 inches (44.8 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Carnarvon Castle

Creator:: William Byrne, 1743–1805
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 x 24 1/4 inches (44.5 x 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Kilgarren Castle, South Wales

Creator:: William Elliot, active 1774, died 1792
Date:: 1765
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 x 24 3/4 inches (45.7 x 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Pembroke Town and Castle

Creator:: James Mason, 1710–1783
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 23 3/4 inches (44.8 x 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Decisive Victory over the Enterprizing Monsieur Thurot (off the Isle of Man)

Creator:: J. Miller, active 1769–1825
Date:: 1762
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 28 1/8 inches (49.2 × 71.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Kew: The White House, Orangery, and Temple of Arethusa

Creator:: Print made by William Elliot, active 1774, died 1792
Date:: ca. 1760
Materials & Techniques:: Engraving hand colored in watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Plate: 14 1/2 x 21in. (36.8 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

Creator:: Print made by Elizabeth Blackwell, died 1774
Date:: 1737
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 × 9 1/8 inches (37.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

11. Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

Creator:: Print made by Elizabeth Blackwell, died 1774
Date:: 1737
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 9 1/4 inches (36.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

12. His Excellency Field Marshal Keith Commander in Chief of His Prussian Majesty's Forces in Germany

Creator:: Print made by John Smith, 1652–1743
Date:: between 1667 and 1723
Materials & Techniques:: Mezzotint hand-colored with watercolor and gouache on medium, moderately textured, cream laid paper mounted on card
Dimensions:: Mount: 13 5/8 x 10 1/4 inches (34.6 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952

13. An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

Creator:: Print made by workshop of Mark Catesby, 1682–1749
Date:: 1754
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 20 1/4 inches (35.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

14. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Colored engraving on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 19 3/8 × 25 3/4 inches (49.2 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. St. Martin-in-the-Fields, Interior

Creator:: Thomas Malton the Younger, 1748–1804
Date:: undated
Materials & Techniques:: Watercolor over etched outline on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 13/16 × 15 3/4 inches (32.5 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Sessions House, Junction of Farringdon and Clerkenwell Roads

Creator:: Thomas Malton the Younger, 1748–1804
Date:: undated
Materials & Techniques:: Watercolor over etched outline on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 x 11 15/16in. (21.3 x 30.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Admiralty

Creator:: Thomas Malton the Younger, 1748–1804
Date:: undated
Materials & Techniques:: Watercolor over etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 12 7/16 × 16 inches (31.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Banqueting House, Whitehall

Creator:: Thomas Malton the Younger, 1748–1804
Date:: undated
Materials & Techniques:: Watercolor over etched outline, and graphite; verso: pen and black ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 3/8 × 15 3/4 inches (31.4 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. A View of the North Front of Chelsea Hospital

Creator:: Thomas Malton, 1726–1801
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, etched outline, with perspective lines indicated; prepared for transfer, with black chalk, on verso on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/16 × 12 inches (20.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Horse Guards, Whitehall

Creator:: Thomas Malton the Younger, 1748–1804
Date:: undated
Materials & Techniques:: Watercolor over etched outline on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 1/8 × 15 5/8 inches (30.8 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens

Creator:: Print made by unknown artist
Date:: 1755
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 18 inches (33.7 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. A Vision, Vide, the Monster of Slaughter, The Distress of Nations; Deluge of Blodd

Creator:: Print made by William O'Keefe, active 1794–1807
Date:: 1796
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Plate: 13 7/8 × 9 7/8 inches (35.2 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Dover Castle

Creator:: Print made by Henry Hulsberg, active 1700s–died 1729
Date:: undated
Materials & Techniques:: Line engraving with hand coloring in watercolor on moderately thin, slightly textured, cream laid paper
Dimensions:: Sheet: 18 7/8 × 23 13/16 inches (48 × 60.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Cape of Good Hope

Creator:: Print made by Gerard van der Gucht, 1696–1776
Date:: 1736
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 × 26 inches (49 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Tellicherry

Creator:: Print made by Gerard van der Gucht, 1696–1776
Date:: 1736
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 x 23 1/2in. (45.7 x 59.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Fort St. George

Creator:: Print made by Gerard van der Gucht, 1696–1776
Date:: 1736
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/8 × 23 3/4 inches (46 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Great Bridge over the Taafe

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 24 5/8 inches (44.8 x 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Snowden Hill

Creator:: William Woollett, 1735–1785
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/4 x 21 3/8in. (40 x 54.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Revolt of the Fleet, 1642

Creator:: John Harris, active 1686–1740
Date:: ca. 1710
Materials & Techniques:: Line engraving with hand coloring in watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 5/8 × 19 5/16 inches (42.2 × 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A Shipwreck

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1806
Materials & Techniques:: Mezzotint with graphite and watercolor; engraver's proof (b) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 3/4 × 35 inches (62.9 × 88.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Obelisk in the Garden at Versailles

Creator:: Print made by unknown artist
Materials & Techniques:: Etching and engraving hand-coloured in watercolor and gouache on moderately thick, moderately textured, cream antique laid paper
Dimensions:: Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. November

Creator:: Print made by William Nelson Gardiner, 1766–1814
Date:: 1788
Materials & Techniques:: Stipple engraving and etching with watercolor and gouache on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/8 x 13 5/16 inches (41.6 x 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. January

Creator:: Print made by William Nelson Gardiner, 1766–1814
Date:: 1788
Materials & Techniques:: Stipple engraving and etching, with watercolor and gouache on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 5/16 x 13 1/4 inches (41.4 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. A Young Lady Encouraging the Low Comedian

Creator:: Print made by William Ward, 1766–1826
Date:: 1787
Materials & Techniques:: Mezzotint with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 11/16 × 18 1/8 inches (60.2 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Bank

Creator:: Print made by Thomas Malton the Younger, 1748–1804
Date:: 1781
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 17 7/16 × 22 15/16 inches (44.3 × 58.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The World As It Goes

Creator:: Print made by Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Frame: 26 1/2 × 63 × 1 inches (67.3 × 160 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of William S. Konecky

37. A Flight Across the Herring Pool

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1800
Materials & Techniques:: Etching with hand coloring in watercolor on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 9 5/8 × 15 1/2 inches (24.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

38. Flying News or Seringapatam Taken by Strategem

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/4 × 15 inches (23.5 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

39. A Long String of Resolutions for the New Year (Left)

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 40 1/2 inches (27.9 × 102.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of William S. Konecky

40. A Long String of Resolutions for the New Year (Right)

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 29 3/4 inches (27.9 × 75.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of William S. Konecky

41. Black Monday or the Departure for School

Creator:: Published by John Jones, ca. 1745–1797
Date:: 1790
Materials & Techniques:: Mezzotint with hand coloring in watercolor and white gouache on medium, slightly textured, cream laid paper
Dimensions:: Frame: 25 1/8 × 30 × 1 inches (63.8 × 76.2 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Celia Hopkinson

42. The Brazen Image erected on a Pedestal wrought by Himself

Creator:: Print made by Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching with hand coloring in watercolor on medium, textured, cream laid paper
Dimensions:: Sheet: 17 1/8 × 10 3/4 inches (43.5 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

43. Slender Billy & hopping Harry trying to bring a wild Irish bull to Westminster to be baited by English bull dogs.

Creator:: Print made by unknown artist
Date:: 1800
Materials & Techniques:: Etching with hand coloring in watercolor on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 8 7/8 × 12 1/8 inches (22.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

44. Spirit of Aristocracy enforcing Reform, or, The Rights of Kings maintained

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Etching with hand coloring in watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 × 18 7/8 inches (33 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

45. Scrub and Archer

Creator:: Published by William Holland, 1757–1815
Date:: 1783
Materials & Techniques:: Etching with hand coloring in watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 9 1/8 inches (24.8 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

46. At a Tragedy

Creator:: Print made by unknown artist
Date:: 1795
Materials & Techniques:: Mezzotint with hand coloring in watercolor on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 9 1/8 × 5 3/4 inches (23.2 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

YCBA Collections Search

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Materials & Techniques laid paper

Materials & Techniques watercolor

Work Type intaglio print

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1. Moeris and Galatea

2. Miss Farren

3. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

4. The Summit of Cader Idris Mountain

5. Carnarvon Castle

6. Kilgarren Castle, South Wales

7. Pembroke Town and Castle

8. The Decisive Victory over the Enterprizing Monsieur Thurot (off the Isle of Man)

9. Kew: The White House, Orangery, and Temple of Arethusa

10. Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

11. Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

12. His Excellency Field Marshal Keith Commander in Chief of His Prussian Majesty's Forces in Germany

13. An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

14. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

15. St. Martin-in-the-Fields, Interior

16. The Sessions House, Junction of Farringdon and Clerkenwell Roads

17. The Admiralty

18. Banqueting House, Whitehall

19. A View of the North Front of Chelsea Hospital

20. Horse Guards, Whitehall

21. A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens

22. A Vision, Vide, the Monster of Slaughter, The Distress of Nations; Deluge of Blodd

23. Dover Castle

24. The Cape of Good Hope

25. Tellicherry

26. Fort St. George

27. The Great Bridge over the Taafe

28. Snowden Hill

29. The Revolt of the Fleet, 1642

30. A Shipwreck

31. The Obelisk in the Garden at Versailles

32. November

33. January

34. A Young Lady Encouraging the Low Comedian

35. The Bank

36. The World As It Goes

37. A Flight Across the Herring Pool

38. Flying News or Seringapatam Taken by Strategem

39. A Long String of Resolutions for the New Year (Left)

40. A Long String of Resolutions for the New Year (Right)

41. Black Monday or the Departure for School

42. The Brazen Image erected on a Pedestal wrought by Himself

43. Slender Billy & hopping Harry trying to bring a wild Irish bull to Westminster to be baited by English bull dogs.

44. Spirit of Aristocracy enforcing Reform, or, The Rights of Kings maintained

45. Scrub and Archer

46. At a Tragedy