Materials & Techniques: line engraving and etching (printing process) / Period: 19th century / Genre: architectural subject / Subject Terms: church

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Materials & Techniques line engraving

Materials & Techniques etching (printing process)

Period 19th century

Genre architectural subject

Subject Terms church

Print made by John Pye, 1782–1874

Ehrenbreitstein

1845

Print made by William Miller, 1796–1882

The Grand Canal, Venice

1838

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by John Pye, 1782–1874

The Rialto, Venice

1820

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by Samuel Rawle, 1771–1860

Brignall Church

1818-1823

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by John Pye, 1782–1874

The Rialto, Venice

1820

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1821

Print made by William John Cooke, 1797–1865

Worcester

undated

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by William Radclyffe, 1780–1855

Hornby Castle, from Tatham Church

1822

Print made by William Angus, 1752–1821

Witley Court in Worcestershire, the Seat of Lord Foley

1810

Print made by George Cooke, 1781–1834

Tooting Church

1827

Print made by James Basire the younger, 1769–1822

PLATE XV. Elevation of a Window Bay &c

1805

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