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Materials & Techniques line engraving

Remove constraint Materials & Techniques: line engraving

Period 19th century

Remove constraint Period: 19th century

Width [cm] 35

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William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
James Charles Armytage The Monk
Print made by James Charles Armytage, 1802–1897
The Monk
between 1833 and 1853
James Charles Armytage The Balcony
Print made by James Charles Armytage, 1802–1897
The Balcony
between 1835 and 1854
William Bernard Cooke Neptune's Trident (vignette on wrapper)
Print made by William Bernard Cooke, 1778–1855
Neptune's Trident (vignette on wrapper)
1824 to 1825
Samuel Cousins Mary Elizabeth, Countess Grey, with Her Two Children
Print made by Samuel Cousins, 1801–1887
Mary Elizabeth, Countess Grey, with Her Two Children
1831
Samuel Cousins Sunshine of Love
Print made by Samuel Cousins, 1801–1887
Sunshine of Love
1837
William Bernard Cooke Plymouth Citadel
Print made by William Bernard Cooke, 1778–1855
Plymouth Citadel
1821
James Parker Henry Addington, 1st Viscount Sidmouth
James Parker, 1750–1805
Henry Addington, 1st Viscount Sidmouth
1803
William Skelton The Honourable Henry, Lord Mulgrave, 1st Earl of Mulgrave
William Skelton, 1763–1848
The Honourable Henry, Lord Mulgrave, 1st Earl of Mulgrave
1808
William Skelton The Right Honourable Spencer Perceval
William Skelton, 1763–1848
The Right Honourable Spencer Perceval
1813
James C. Allen Ehrenbreitstein
Print made by James C. Allen, active 1821–1831
Ehrenbreitstein
1824
James C. Allen Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.
Print made by James C. Allen, active 1821–1831
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
James C. Allen St. Mawes, Cornwall
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
George Cooke Land's End, Cornwall
Print made by George Cooke, 1781–1834
Land's End, Cornwall
1814-1826
James C. Allen Aldborough
Print made by James C. Allen, active 1821–1831
Aldborough
ca. 1830
James C. Allen Dunwich
Print made by James C. Allen, active 1821–1831
Dunwich
1819-1826
William Bernard Cooke Plymouth Citadel
Print made by William Bernard Cooke, 1778–1855
Plymouth Citadel
1823
James C. Allen Aldborough
Print made by James C. Allen, active 1821–1831
Aldborough
1819-1826
Paul Fourdrinier Sweet William's Farewell to Black Eyed Susan
Print made by Paul Fourdrinier, 1698–1758
Sweet William's Farewell to Black Eyed Susan
undated
Remi Parr The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.
Print made by Remi Parr, active 1723–1750
The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds
undated
William Bernard Cooke Plymouth Sound
Print made by William Bernard Cooke, 1778–1855
Plymouth Sound
1823
Charles Robert Cockerell The Temple of Venus in the Port at Aegina: Elevations
Charles Robert Cockerell, 1788–1863
The Temple of Venus in the Port at Aegina: Elevations
1811
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
unknown artist The Right Honourable Henry Grattan
unknown artist
The Right Honourable Henry Grattan
1814