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1
- The Vine
- 1852
2
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
3
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
4
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
5
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
6
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
7
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
8
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
9
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
- 1794
10
- The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
- 1794
11
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
12
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
13
- America. A Prophecy, Plate 18, "Over the Hills...."
- 1793
14
- America. A Prophecy, Plate 14, "So Cried He...."
- 1793
15
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
16
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
17
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
18
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
19
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
20
- Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
- 1789
21
- Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
- 1797
22
- Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
- 1797
23
- Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
- 1797
24
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
25
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
26
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
27
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
28
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
29
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
30
- Jerusalem, Plate 76
- 1804 to 1820
31
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
32
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
33
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
34
- Jerusalem, Plate 49, "The secret coverts of Albion...."
- 1804 to 1820
35
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
36
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
37
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
38
- Jerusalem, Plate 38, "His face and bosom...."
- 1804 to 1820
39
- One of eighteen designs for a series of plates illustrating Venus and Adonis
- undated
40
- Madonna with a Rabbit
- undated
41
- Diana and Actaeon: A Study for a Panel on a Staircase
- undated
42
- One of eighteen designs for a series of plates illustrating Venus and Adonis
- undated
43
- Cain and Abel
- undated
44
- The Woman at the Well
- undated
45
- Christ with Three Figures
- undated
46
- The Rising of the Waters
- undated
47
- Adam and Eve
- undated
48
- The Baptism of Christ
- undated
49
- The Rape of Persephone
- undated