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1. Jerusalem, Plate 100

Jerusalem, Plate 100
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Jerusalem, Plate 12, "Why wilt thou give to her...."

Jerusalem, Plate 12, "Why wilt thou give to her...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Jerusalem, Plate 14, "One hair nor particle of dust...."

Jerusalem, Plate 14, "One hair nor particle of dust...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Jerusalem, Plate 18, "From every-one of the Four Regions...."

Jerusalem, Plate 18, "From every-one of the Four Regions...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Jerusalem, Plate 24, "What have I said?...."

Jerusalem, Plate 24, "What have I said?...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Jerusalem, Plate 33, "Turning his back to the Divine Vision...."

Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Jerusalem, Plate 35, "Then the Divine hand...."

Jerusalem, Plate 35, "Then the Divine hand...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Plate 37, "And One stood forth...."

Jerusalem, Plate 37, "And One stood forth...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Jerusalem, Plate 50, "The Atlantic Mountains...."

Jerusalem, Plate 50, "The Atlantic Mountains...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Jerusalem, Plate 51

Jerusalem, Plate 51
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Jerusalem, Plate 75, "And Rahab Babylon the Great...."

Jerusalem, Plate 75, "And Rahab Babylon the Great...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Jerusalem, Plate 76

Jerusalem, Plate 76
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Jerusalem, Plate 45, "Bath, healing City!...."

Jerusalem, Plate 45, "Bath, healing City!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Jerusalem, Plate 46, "Bath, mild Physician...."

Jerusalem, Plate 46, "Bath, mild Physician...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Jerusalem, Plate 7, "Was living: panting...."

Jerusalem, Plate 7, "Was living: panting...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Jerusalem, Plate 19, "His children exil'd from his breast...."

Jerusalem, Plate 19, "His children exil'd from his breast...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Jerusalem, Plate 20, "But when they saw Albion...."

Jerusalem, Plate 20, "But when they saw Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Jerusalem, Plate 39, "By Satans Watch-fiends...."

Jerusalem, Plate 39, "By Satans Watch-fiends...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Jerusalem, Plate 41, "Bath who is Legions...."

Jerusalem, Plate 41, "Bath who is Legions...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Jerusalem, Plate 42, "Thus Albion sat...."

Jerusalem, Plate 42, "Thus Albion sat...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Jerusalem, Plate 6, "His Spectre driv'n...."

Jerusalem, Plate 6, "His Spectre driv'n...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Jerusalem, Plate 99, "All Human Forms identified...."

Jerusalem, Plate 99, "All Human Forms identified...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Window West End, South Aisle, Saint Vincent

Window West End, South Aisle, Saint Vincent
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite, watercolor, pen and black ink, and pen and brown ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 7/8 × 3 7/8 inches (22.5 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Meat Market

The Meat Market
Creator:
James Pollard, 1792–1867
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 10 3/4 inches (22.9 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Action at Kowloon

Action at Kowloon
Creator:
Lt. Joseph Sparkhall Rundle, 1815–1880
Date:
1839
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper mounted thick, moderately textured, cream wove paper
Dimensions:
Mount: 10 1/8 × 11 7/8 inches (25.7 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. St. Paul's Cathedral and Blackfriar's Bridge

St. Paul's Cathedral and Blackfriar's Bridge
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1817
Materials & Techniques:
Watercolor and brown ink over graphite on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 13 1/4 inches (22.5 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Lyons from Quayside on the Rhone

Lyons from Quayside on the Rhone
Creator:
James Duffield Harding, 1798–1863
Date:
ca. 1824
Materials & Techniques:
Watercolor, pen and brown ink, pen and red ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 × 13 inches (23.2 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. River Landscape with Men Fishing and Cattle

River Landscape with Men Fishing and Cattle
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 13 5/8 inches (22.5 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The Poultry Market

The Poultry Market
Creator:
James Pollard, 1792–1867
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 10 3/4 inches (23.2 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Two Riders and a Couple of Hounds Clearing a Wall

Two Riders and a Couple of Hounds Clearing a Wall
Creator:
Henry Thomas Alken, 1785–1851
Date:
1845
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 13 3/16 inches (23.2 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Huntsman, Galloping to Left and Encouraging Hounds

The Huntsman, Galloping to Left and Encouraging Hounds
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 12 9/16 inches (22.5 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Rider on a Brown Horse Going at a Wall

Rider on a Brown Horse Going at a Wall
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 × 12 3/4 inches (22.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Grouse Shooting: The Wrong Sort

Grouse Shooting: The Wrong Sort
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 10 3/4 inches (21.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Leicestershire Hunt - A Struggle for the Start

The Leicestershire Hunt - A Struggle for the Start
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/4 × 22 7/16 inches (23.5 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Grouse Shooting: The Right Sort

Grouse Shooting: The Right Sort
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and red ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 10 13/16 inches (21.6 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 × 22 1/8 inches (22.9 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Gone Away

Gone Away
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/16 × 13 3/16 inches (23.3 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Death: Yokels Watching in Foreground

The Death: Yokels Watching in Foreground
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Rider Holding on to a Gray Horse After a Fall

Rider Holding on to a Gray Horse After a Fall
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 9/16 inches (23.2 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Two Jockeys Galloping Neck and Neck to Right

Two Jockeys Galloping Neck and Neck to Right
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 12 3/4 inches (22.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/16 × 22 11/16 inches (23.3 × 57.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Foxhunting: The Toast

Foxhunting: The Toast
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/16 × 12 3/8 inches (23.3 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Dr Syntax outside the Halfway House

Dr Syntax outside the Halfway House
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 x 6 3/4 inches (10.5 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Soldiers on a March

Soldiers on a March
Creator:
Thomas Rowlandson, 1756–1827
Date:
1805
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 10 3/16 x 14 1/2 inches (25.9 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Quay at Straddon Point Near Plymouth

Quay at Straddon Point Near Plymouth
Creator:
Print made by William Daniell, 1769–1837
Date:
1825
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, sightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/4 inches (25.7 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert Storr in honor of Amy Meyers

50. Landscape with Lime-Kiln and Workmen

Landscape with Lime-Kiln and Workmen
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1808
Materials & Techniques:
Watercolor, pen and gray ink, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 x 7 3/8 inches (22.8 x 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection