Creator Gender: female / Collection: Prints and Drawings / Image Available: Unavailable

Louisa Augusta Greville, 1743–active 1762

Horseman approaching three arched bridge. Pedestrians on road

undated

Mary Andover, 1716–1803

Haystack

undated

Barbara Regina Dietzsch, 1706–1783

Celosia Cristata (Cockscomb)

ca. 1740

Print made by Jacobus Houbraken, 1698–1780

Portrait of George Savile, Marquis of Hallifax

1740

Louisa Augusta Greville, 1743–active 1762

Clerical figure with three balls balanced between his hands

ca. 1762

Print made by Jonathan Spilsbury, active 1765–1780

Catharine Macaulay

ca. 1764

Print made by Jonathan Spilsbury, active 1765–1780

Mrs. Macaulay

ca. 1764

Print made by William Baillie, 1723–1810

Portrait of Sofonisba Angusciola Pittrice

between 1761 and 1786

Print made by Louisa Augusta Greville, 1743–active 1762

Landscape with a Youth Driving a Flock of Sheep

1761

Louisa Augusta Greville, 1743–active 1762

Pastoral scene with river, cattle and woman conversing with a traveller

1762

Print made by John Spilsbury, 1730–1795

Catherine Macaulay (née Sawbridge)

1764

Amelia Long, 1762–1837

St. Vincent's Rocks, Clifton

undated

Print made by Valentine Green, 1739–1813

Georgiana, Duchess of Devonshire as 'Cynthia'

1783

Francesco Bartolozzi, 1728–1815

The Three Fine Arts

1783

Print made by Thomas Rowlandson, 1756–1827

Frontispiece, All Hail Dalblair!

1786

Francesco Bartolozzi, 1728–1815

Invention

1787

Carolina Leighton, active 1796

Album of Twenty Etchings of Shakespearian Subjects

1796

Print made by Caroline Watson, 1760–1814

The Right Honourable. James Harris, 1st Earl of Malmesbury

1797

James Gillray, 1756–1815

Half Natural

1799

James Gillray, 1756–1815

Pen-etration

1799

James Gillray, 1756–1815

Citizens Visiting the Bastille, - Vide. Democratic Charities. -

1799

James Gillray, 1756–1815

Pizarro, Contemplating (over) The Product of His Peruvian Mine

1799

unknown artist

Staple's Inn, Holborn

1800

James Gillray The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)

James Gillray, 1756–1815

The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)

1800

James Gillray, 1756–1815

The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners

1800

James Gillray, 1756–1815

The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins

1800

Amelia Long, 1762–1837

Terrace and the Conservatory Room. Bromley Hill

between 1801 and 1837

James Gillray, 1756–1815

Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"

1801

James Gillray, 1756–1815

Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger

1801

James Gillray, 1756–1815

The Nursery, with, Britannia Reposing in Peace

1802

James Gillray, 1756–1815

Introduction of Citizen Volpone - and His Suite, at Paris

1802

Amos Green, 1735–1807

Views in England, Scotland and Wales; Tour in Scotland: Lowdoor Cascade, AG

1803

James Gillray, 1756–1815

The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats

ca. 1808

Luigi Schiavonetti, 1765–1810

Troilus and Cressida, Act V, Scene II: Calcha's Tent

1803

James Gillray, 1756–1815

German - Nonchalence: - or - The Vexation of Little Boney

1803

James Gillray, 1756–1815

Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes

1804

Print made by Jean Marie Delatre, 1746–1840

The Death of Mark Antony

1805

James Gillray, 1756–1815

Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico

1805

Print made by Richard Morton Paye, 1750–1821

Maria Theresa Kemble (née du Camp)

1805

James Gillray, 1756–1815

The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket

1806

James Gillray, 1756–1815

Westminster-Conscripts under the Training Act

1806

James Gillray, 1756–1815

Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row

1806

James Gillray, 1756–1815

Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing

1806

James Gillray, 1756–1815

Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise

1806

James Gillray The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"

James Gillray, 1756–1815

The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"

1806

James Gillray, 1756–1815

Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough

1806

James Gillray, 1756–1815

Political Mathematician's Shaking the Broad Bottom'd Hemispheres

ca. 1811

James Gillray Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose

James Gillray, 1756–1815

Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose

1807

James Gillray The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber.

James Gillray, 1756–1815

The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber

1807

James Gillray, 1756–1815

The Spanish-Bull-Fight - or - The Corsical-Matador in Danger

1808

James Gillray, 1756–1815

The Apotheosis of the Corsican Phoenix

1808

James Gillray Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition

James Gillray, 1756–1815

Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition

1808

Miss Mary Byrne, 1776–1846

Palais de Versailles, Cour Royale, page four [A. Pirgin, direx] (Volume Three)

1829

Lizzy Young, active 1850

Pass of Lamberis / 1850

1850

Mary Newton Severn, 1832–1866

Edith Forster

ca. 1862

Mary Newton Severn, 1832–1866

Ella Forster

ca. 1862

unknown artist

The Spa

undated

Mary Howard, 19th century

[One from] A Volume of 46 drawings of landscapes, seascapes, churches and period costumes and 1 photograph

1876

Print made by Susan Fletcher Crawford, active 1892–died 1919

Railway and Commercial Hotel, Stirling

undated

Print made by Susan Fletcher Crawford, active 1892–died 1919

Old Castle of Gloom (Castle Campbell)

undated

Print made by Susan Fletcher Crawford, active 1892–died 1919

Argyle's Lodgings, Stirling

undated

Lilian Stannard, 1877 or 1884–1944

A Petal Strewn Path

undated

Adeline S. Illingworth, 1858–ca.1930

On the Wall, Klingen Thor in Rothenburg

1899

Print made by Adeline S. Illingworth, 1858–ca.1930

Vidler's Farm, Headcorn

1901

Helen McKie, 1889–1957

Scotland via Dundee: The Gateway to the Scottish Highlands

undated

Mabel Catherine Robinson, Born 1875

Staple Inn, Holborn

1907

Theresa Sylvester Stannard, 1898–1947

A Bit of England

undated

Ethel Kirkpatrick, ca. 1890–1941

Early Morning, Venice

between 1920's and 1930's

Maud L. Wethered, 1898

[Harbor]

ca. 1925

Ethel Kirkpatrick, ca. 1890–1941

Shipbuilders

1920-30

Gertrude Hermes, 1901–1983

The Fishers

1925

Print made by Katharine Clayton, active 1918–1930

Fish

1925

Hester Holman, active 1910–1925

Calves

c.1925

Gertrude Hermes, 1901–1983

Fish Haulers

1926

Gertrude Hermes, 1901–1983

Birds

1925

Gertrude Hermes, 1901–1983

San Marcello, Italy

1925

Dame Laura Knight, 1877–1970

A Southern Blonde

1926

Gertrude Hermes, 1901–1983

Spanish Irises

1926

Helen McKie, 1889–1957

Short Sea Pleasure Cruise by RMS Vienna from Harwich. 4th June 1932

ca. 1932

Edith Oenone Somerville Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes. "A Conspiracy of Silence" - plate 1

Edith Oenone Somerville, 1858–1949

Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes. "A Conspiracy of Silence" - plate 1

1929

Edith Oenone Somerville, 1858–1949

Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes. "Occasional Licenses" - plate 2

1929

Edith Oenone Somerville, 1858–1949

Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes. "Put down one & carry two" - plate 3

1929

Edith Oenone Somerville, 1858–1949

Set no. 25 of a publication of 50. Each signed and numbered by the Artist, b.r. Illustrations for The Sporting Works of Somerville & Ross The Hitchcock Edition of 7 volumes."The Comte de Pralines" - plate 4

1929

Dame Laura Knight, 1877–1970

Stella

1932