The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
3
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
4
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
5
William Blake, 1757–1827
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
6
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
7
William Blake, 1757–1827
May-Day in London
1784
8
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
9
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
10
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
11
William Blake, 1757–1827
Beggar's Opera, Act III
1790
12
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
13
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
14
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
15
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
16
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
17
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
18
William Blake, 1757–1827
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
19
William Blake, 1757–1827
The Complaint and the Consolation; or Night Thoughts (and title page)
1797
20
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
21
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
22
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
23
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
24
William Blake, 1757–1827
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
25
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
26
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797
27
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
28
William Blake, 1757–1827
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
29
William Blake, 1757–1827
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
30
William Blake, 1757–1827
Book of Job, Plate 1, Job and His Family
1825
31
William Blake, 1757–1827
Book of Job, Plate 7, Job's Comforters
1825
32
William Blake, 1757–1827
Book of Job, Plate 8, Job's Despair
1825
33
William Blake, 1757–1827
Book of Job, Plate 9, The Vision of Eliphaz
1825
34
William Blake, 1757–1827
Book of Job, Plate 11, Job's Evil Dreams
1825
35
William Blake, 1757–1827
Book of Job, Plate 20, Job and His Daughters
1825
36
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
1794
37
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
1794
38
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
1794
39
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 2, Title Page
1793
40
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
41
William Blake, 1757–1827
Book of Job, Plate 2, Satan before the Throne of God
1825
42
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
43
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
44
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
45
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
46
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
47
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
48
William Blake, 1757–1827
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
49
William Blake, 1757–1827
Book of Job, Plate 3, Jacob's Sons and Daughters Overwhelmed by Satan
1825
50
William Blake, 1757–1827
Book of Job, Plate 4, The Messengers Tell Job of His Misfortunes
1825
51
William Blake, 1757–1827
Book of Job, Plate 5, Satan Going Forth from the Presence of the Lord and Job's Charity
1825
52
William Blake, 1757–1827
Book of Job, Plate 6, Satan Smiting Job with Boils
1825
53
William Blake, 1757–1827
Book of Job, Plate 12, The Wrath of Elihu
1825
54
William Blake, 1757–1827
Book of Job, Plate 14, When the Morning Stars Sang Together
1825
55
William Blake, 1757–1827
Book of Job, Plate 13, The Lord Answering Job out of the Whirlwind
1825
56
William Blake, 1757–1827
Book of Job, Plate 16, The Fall of Satan
1825
57
William Blake, 1757–1827
Book of Job, Plate 15, Behemoth and Leviathan
1825
58
William Blake, 1757–1827
Book of Job, Plate 17, The Vision of Christ
1825
59
William Blake, 1757–1827
Book of Job, Plate 18, Job's Sacrifice
1825
60
William Blake, 1757–1827
Book of Job, Plate 19, Every One also Gave Him a Piece of Money
1825
61
William Blake, 1757–1827
Book of Job, Plate 21, Job and His Family Restored to Prosperity
1825
62
William Blake, 1757–1827
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
63
William Blake, 1757–1827
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
1797
64
William Blake, 1757–1827
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
65
William Blake, 1757–1827
Plate 21 (page 37): 'Love, and love only, is the loan for love'