Creator Gender: male / Date: 1825 - YCBA Collections Search Search Results

401. Dutch School, Plate 2

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1825
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

402. The Elevation of the Alms-Houses Endowed by Sir Andrew Judd Knight, Great St. Helen's Bishopsgate within London

Creator:: Print made by Maddocks, active 1825
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

403. A Tiger Seizing a Bullock in a Pass

Creator:: Print made by unknown artist
Date:: ca. 1830
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 12 1/4 inches (21.6 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

404. Cottage with Grazing Horses

Creator:: Miles Edmund Cotman, 1810–1858
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/4 × 9 1/8 inches (15.9 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

405. View of Norwich

Creator:: Miles Edmund Cotman, 1810–1858
Date:: undated
Materials & Techniques:: Brown wash, gray wash and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

406. Studies of Chinese Junks and Boatmen

Creator:: George Chinnery, 1774–1852
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 13 1/8 inches (23.5 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

407. Figure Seated by an Indian Temple

Creator:: George Chinnery, 1774–1852
Date:: undated
Materials & Techniques:: Gouache on medium, slightly textured, cream wove paper
Dimensions:: Image: 9 5/8 × 11 1/4 inches (24.4 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

408. Quay at Straddon Point Near Plymouth

Creator:: Print made by William Daniell, 1769–1837
Date:: 1825
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, sightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 14 1/4 inches (25.7 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert Storr in honor of Amy Meyers

409. Bridge in a Continental Town

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1830
Materials & Techniques:: Watercolor and gouache over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 5/8 x 20 1/2 inches (34.6 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

410. Design for Grosvenor House, London

Creator:: Thomas Cundy, 1790–1867
Date:: between 1825 and 1826
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 25 15/16 × 18 15/16 inches (65.9 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

411. Design for Approaches to London Bridge

Creator:: Charles Robert Cockerell, 1788–1863
Date:: ca. 1830
Materials & Techniques:: Graphite and pen with brown wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 17 3/4 inches (24.8 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

412. Château Navarre, near Evreux, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1830
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 5/8 x 13 3/4 inches (24.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. Irmingland Hall, Norfolk

Creator:: Miles Edmund Cotman, 1810–1858
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 10 1/4 inches (16.8 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. London Bridge

Creator:: David Cox, 1783–1859
Date:: before 1831
Materials & Techniques:: Watercolor, gouache, and graphite on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 x 11 7/8in. (20.3 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. Study of a Man Riding a Horse

Creator:: Theodor von Holst, 1810–1844
Date:: undated
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 8 1/4 inches (25.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii

Creator:: Joseph Michael Gandy, 1771–1843
Date:: ca. 1830
Materials & Techniques:: Graphite, watercolor and gouache with pen and brown ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 11 1/2in. (18.4 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

417. Government House, Belize from Fort St. George, British Honduras

Creator:: I. H. Gascoigne, active 1830s–1840s
Date:: ca. 1830
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 9/16 x 14in. (24.3 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

418. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache on thin wove paper stained for tracing
Dimensions:: Mount: 7 3/8 × 9 5/8 inches (18.7 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

419. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink on slightly textured, medium, gray wove paper laid down on contemporary laid paper mount
Dimensions:: Sheet: 5 5/8 × 8 1/16 inches (14.3 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

420. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and graphite on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 9/16 × 8 3/4 inches (16.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

421. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and graphite on wove paper, laid down on contemporary laid paper mount
Dimensions:: Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

422. Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary mount paper
Dimensions:: Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

423. Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on thin, smooth, brown wove paper
Dimensions:: Sheet: 8 × 11 inches (20.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

424. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 3/4 × 8 3/4 inches (17.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

425. Illustrations of the Book of Job

Creator:: William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: 22 engravings on india paper
Dimensions:: Binding: 17 1/4in. (43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. Jesus College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and brown ink, black ink, black chalk, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/8 inches (47.5 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. New Building of St. John's from the Gardens, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and black ink, gouache, black chalk and graphite on thick, moderately textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/8 inches (47.5 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. Jesus College from the Meadows, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and black ink, gray ink, black chalk, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/16 inches (47.5 × 61.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

429. St. Peter's College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and black ink, black chalk, brown chalk, gouache, scratching out, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/16 inches (47.5 × 61.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. A Shipwreck

Creator:: Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1825
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor; later state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 × 31 1/8 inches (54.3 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

431. A Shipwreck

Creator:: Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1825
Materials & Techniques:: Etching and aquatint; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 21 × 27 1/2 inches (53.3 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

432. Wash proofs to accompany Westmacott's "The English Spy"

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1825-1826
Materials & Techniques:: Etching and gray wash (proof)
Dimensions:: Spine: 8 1/4 inches (21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

433. Holford House, Regent's Park

Creator:: Print made by Day & Co., 1824–1913
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/4 x 19 5/8 inches (36.2 x 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

434. Bowling. North East View of the Sarecens [sic] Head Bowling Green, Worcester

Creator:: Joshua Gleadah, active 1830s
Date:: ca. 1830
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/8 x 17 3/4in. (25.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

435. Set of four: 1. Partridge Shooting.

Creator:: Edward Duncan, 1803–1882
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 1/4 x 11 7/8in. (21 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

436. Coaching: Tandem

Creator:: George Hunt, active 1820–1840
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 3/4 x 19 7/8in. (32.4 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

437. Barouche

Creator:: M. Egerton, active 1821–1828
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 5/8 x 19 3/4in. (32.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. Elizabeth Duchess of Rutland

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1825
Materials & Techniques:: Mezzotint on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 27 1/2 × 17 1/4 inches (69.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

439. The Building of London Bridge

Creator:: Attributed to Gideon Yates, active 1825–1837
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 23 7/8 inches (34.3 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

440. Garrick in the Character of Richard, third

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1825
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

441. Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Graphite and chalk on smooth, medium, cream wove paper
Dimensions:: Sheet: 9 15/16 × 13 3/8 inches (25.2 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. Doncaster Race for the Great St. Leger Stakes

Creator:: James Pollard, 1792–1867
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 1/2 x 25 3/8in. (31.8 x 64.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. Mail Coach by Moonlight

Creator:: Charles Hunt, 1803–1877
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 1/4in. (21.6 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

444. [Coaching] The Mail Guard

Creator:: Matthew Dubourg, active 1786–1838
Date:: 1825
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 15 7/8 x 12 7/8in. (40.3 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

445. Six Views on Clapham Common, London

Creator:: Joseph Powell, 1780–1834
Date:: 1825
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

446. Coaching: Mail

Creator:: George Hunt, active 1820–1840
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 3/4 x 19 7/8in. (32.4 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

447. Emanuel College from St. Andrews Street, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gouache, black chalk and graphite on thick, moderately textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/8 inches (47.5 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

448. Tintern Abbey, Moonlight on the Wye

Creator:: Print made by Charles Cousen, ca. 1819–1889
Date:: undated
Materials & Techniques:: Etching with line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 3/8 inches (21 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

449. Set of four: 2. Woodcock Shooting.

Creator:: Edward Duncan, 1803–1882
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 1/4 x 11 7/8in. (21 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. Set of four: 3. Pheasant Shooting.

Creator:: Edward Duncan, 1803–1882
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 1/4 x 11 7/8in. (21 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

451. Set of four: 4. Wild Duck Shooting.

Creator:: Edward Duncan, 1803–1882
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 1/4 x 11 7/8in. (21 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. Emmanuel Joseph Sieyès

Creator:: Print made by François-Séraphin Delpech, 1778–1825
Date:: 1825
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

453. View of a Cathedral at the End of a Street

Creator:: Thomas Sidney Cooper, 1803–1902
Date:: ca. 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 9 1/4 inches (36.2 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Schaff, Yale BA 1965

454. Walter Fawkes Esqr.

Creator:: Print made by Thomas A. Woolnoth, 1785–1857
Date:: 1825
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/4 × 13 1/2 inches (48.9 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

455. Luminous Don Key

Creator:: Charles Jameson Grant, active 1830–1852
Date:: ca. 1830
Materials & Techniques:: Line engraving with etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 16 1/4 inches (28.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Brian and Linda Gracie

YCBA Collections Search

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Creator Gender male

Date 1825

Search Results

401. Dutch School, Plate 2

402. The Elevation of the Alms-Houses Endowed by Sir Andrew Judd Knight, Great St. Helen's Bishopsgate within London

403. A Tiger Seizing a Bullock in a Pass

404. Cottage with Grazing Horses

405. View of Norwich

406. Studies of Chinese Junks and Boatmen

407. Figure Seated by an Indian Temple

408. Quay at Straddon Point Near Plymouth

409. Bridge in a Continental Town

410. Design for Grosvenor House, London

411. Design for Approaches to London Bridge

412. Château Navarre, near Evreux, Normandy

413. Irmingland Hall, Norfolk

414. London Bridge

415. Study of a Man Riding a Horse

416. A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii

417. Government House, Belize from Fort St. George, British Honduras

418. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

419. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

420. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

421. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

422. Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2

423. Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857

424. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

425. Illustrations of the Book of Job

426. Jesus College, Cambridge

427. New Building of St. John's from the Gardens, Cambridge

428. Jesus College from the Meadows, Cambridge

429. St. Peter's College, Cambridge

430. A Shipwreck

431. A Shipwreck

432. Wash proofs to accompany Westmacott's "The English Spy"

433. Holford House, Regent's Park

434. Bowling. North East View of the Sarecens [sic] Head Bowling Green, Worcester

435. Set of four: 1. Partridge Shooting.

436. Coaching: Tandem

437. Barouche

438. Elizabeth Duchess of Rutland

439. The Building of London Bridge

440. Garrick in the Character of Richard, third

441. Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar

442. Doncaster Race for the Great St. Leger Stakes

443. Mail Coach by Moonlight

444. [Coaching] The Mail Guard

445. Six Views on Clapham Common, London

446. Coaching: Mail

447. Emanuel College from St. Andrews Street, Cambridge

448. Tintern Abbey, Moonlight on the Wye

449. Set of four: 2. Woodcock Shooting.

450. Set of four: 3. Pheasant Shooting.

451. Set of four: 4. Wild Duck Shooting.

452. Emmanuel Joseph Sieyès

453. View of a Cathedral at the End of a Street

454. Walter Fawkes Esqr.

455. Luminous Don Key